shure mics

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shure microphones

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PowerPoint Presentation:

Microphones Eduardo Serrania

PowerPoint Presentation:

PG 57 cardioid , captures sounds in front of the mic and some from the sides . dynamic , rugged construction , handle high sound pressure levels Less feedback in high volume environments . For use in amplified and acoustic instruments . on-stage or studio miking of guitar amps, brass instruments and saxophones. mainly used by amatuer /semi-pro musicians around 65 pounds

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PG 58, cardioid , captures sounds in front of the mic and some from the sides . dynamic , rugged construction , handle high sound pressure levels Less feedback in high volume environments . For use in lead and backup vocals live performance mainly used by amatuer /semi-pro musicians internal shock mount for reduced handling noise, an on/off switch for onstage control around 65 pounds

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SM58 a favorite vocal microphone, tailored to deliver warm and clear vocal reproduction. tuned to accentuate the warmth and clarity of lead and backing vocals. tailored to target the main sound source while minimizing background noise Around 132 pounds

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The SM58+X2u microphone with an X2u USB Signal Adapter, for warm and clear reproduction in digital recording applications. easily connected directly to a computer without the need for any additional hardware. for a home recording studio or recording on the move built in headphone to monitor the sound with no additional sound card. integrated pre-amp gain control zero latency monitoring real-time playback and multi-tracking without delay Monitor Mix Control on the X2U to blend the mic signal and audio playback. equipped with Phantom Power, give a smooth, natural sound Around 224 pounds

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Beta 58A vocal microphone is precision-engineered for live performance and project studio recording tailored frequency response increased sensitivity supercardioid , more directional than a cardioid mic It is less susceptible to feedback in high volume environments. giving it greater unwanted sound rejection and more resistance to feedback, isolates from other sound sources Around 195 pounds

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KSM9 premium vocal condenser microphone more sensitive , give a smooth , natural sound and need to be powered , delivers clear articulation and precise vocal reproduction for live performance. switchable polar pattern supercardioid and cardioid spectrum offers clarity comparable only to a studio microphone. Advanced suspension shock mount preamplifier circuitry Gold-plated internal and external connectors XLR Output Durable aluminum housing Full- range frequency response, from the lowest to the highest , that a mic can pick up. (50Hz to 20kHz) Around 600 pounds

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PG27 side-address cardioid picks up most sound in front of the microphone and some from the sides. less susceptible to feedback in high volume environments. designed with a flat frequency response for natural reproduction in instrument and vocal recording applications. It has a large diaphragm, add harmonics to the sound and are popular for vocal recordings. capsule which provides wide dynamic range for clear highs and strong lows allows you to naturally reproduce the sound you are recording. high SPL handling lets the PG27 withstand the volume associated with sources such as amplifiers -20dB switchable attenuator gives even more versatility. Around 168 pounds.

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The PG27USB side-address cardioid condenser mic ,. plugs into a computer USB port for instrument and vocal digital recording. Built in headphone jack so no need for additional sound card Monitor mix control for zero latency Integrated pre-amp with mic gain control it reproduces a wide variety of acoustic, amplified and vocal sound sources naturally. multipurpose microphone it is equally at home recording both vocals and instruments. Around 250 pounds

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The KSM44A is a premium, large-diaphragm, side-address condenser microphone Preamplifier for a ground-breaking threshold minimum of self-noise that is produced by the electronics in the system itself highest level of professional studio and stage performance. multiple pattern ( cardioid , omnidirectional and bidirectional) designed as a vocal microphone for studio recording additional recommended applications include: Acoustic and wind instruments , Low frequency such as double bass, electric bass, kick drum Overhead miking -- drums or percussion Ensembles - choral or orchestral around 990 pounds

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KSM353/ED bi-directional ribbon microphone (uses a piece of very thin ribbon to capture the sound) The KSM353’s high-tensile strength, toughness and shape memory of ribbon material replaces traditional foil ribbons for superior resilience at extreme SPLs and allows the microphone to be more durable. intimate vocal applications. Around 2,600 punds

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