logging in or signing up Hamadan Alavian tomb michaelasanda Download Post to : URL : Related Presentations : Share Add to Flag Embed Email Send to Blogs and Networks Add to Channel Uploaded from authorPOINT lite Insert YouTube videos in PowerPont slides with aS Desktop Copy embed code: (To copy code, click on the text box) Embed: URL: Thumbnail: WordPress Embed Customize Embed The presentation is successfully added In Your Favorites. Views: 36 Category: Travel/ Places.. License: All Rights Reserved Like it (0) Dislike it (0) Added: July 29, 2011 This Presentation is Public Favorites: 0 Presentation Description This four-sided structure houses the tombs of two of the members of the Alavian family, related to the Saljuqi period (Sunni Muslim dynasty that ruled parts of Central Asia and the Middle East from the 11th to 14th centuries). YOU CAN DOWNLOAD IT HERE:http://www.slideshare.net/michaelasanda/hamadan-alavian-tomb Comments Posting comment... Premium member Presentation Transcript Slide 1: Alavian tomb HamadanSlide 2: Hamadan Alavian (Gonbad-e-Alavian) tomb, interesting 12th century mausoleum , belonging to the late Seljuk period, is a four-sided structure who houses the tombs of two of the members of the Alavian family. The dome of this structure had been artistically worked with plaster, but through the ages is no more. Mausoleul Alavian (Gonbad-e-Alavian), morm â nt construit în secolul XII, aparţinând perioadei selgiucide, este o structură patrată care adăposteşte mormintele a doi membri ai familiei Alavian. Domul artistic lucrat cu stuc n-a rezistat vremii .Slide 5: Externally, the structure has been decoratively inlaid with bricks placed in a diamond pattern. The remains of a beautiful inscription, also in embossed brick, written in the 'kufic' script can be observed on the outer wall and columns. În exterior mausoleul a fost decorat cu cărămizi aparente aşezate în formă de diamant. Ce a mai rămas din frumoasele inscripţii în stil kufic (modele realizate tot din cărămidă) se poate vedea pe zid şi coloane.Slide 7: Inscriptions have been carved into the brick in Kufic script. O rnamental Kufic inscriptions used decoratively (and meaninglessly) in architecture Inscripţii ornamentale în scriere cufică, cu scop decorativ şi religiosSlide 13: The entrance to this tomb is also worth attention. Intrarea în acest m ausoleu merită , de asemenea, o atenţie m ă rită.Slide 16: The interior looks attractive with stucco ornamentation on it. There are whirling floral motifs along with beautiful geometric designs Pereţii interiori sunt bogat ornamentaţi cu stucatură cu complicate motive florale sau desene geometriceSlide 17: Clădirea construită iniţial ca moschee, în timpul dinastiei Alavian, a fost transformată apoi în mausoleu al familiei, adăugându-i-se o criptă. Decoraţia interioară cu stuc sau cărămidă aparentă ca şi decoraţia exterioară cu scriere cufică a fost adăugată în perioada Ilkhanidă (1256–1353) şi ulteriorSlide 28: The tombs inside are dedicated to two of the Alavian family members who ruled over Hamadan for two centuries. A spiral staircase leads to the crypt under the tower. The tombs are situated under the domed ceiling of the cellar, and worked in blue tiles. Mormintele sunt ale familiei Alavian care a condus Ham a danul aproape două secole. O scară în spirală duce la cripta de sub clădire, la mormintele îmbrăcate în plăci de ceramicăSlide 42: The santur (also santūr, santour, santoor ) is a hammered dulcimer, of Babylonian origin. It has strong resemblances to the Indian santoor. It is a trapezoid-shaped box often made of walnut or different exotic woods. The original classical santur has 72 strings. The can be roughly described as one hundred strings in Persian. The oval-shaped mallets (Mezrabs) are feather-weight and are held between the index and middle fingers. A typical santur has two sets of bridges, providing a range of approximately three octaves. ancient Babylon (1600-911 BCE) and neo-Assyria (911-612 BCE)Slide 43: painting from the Hasht-Behesht Palace in Isfahan Iran, 1669Slide 44: S ound: Bedah-E Navzai Santur Iran Text : Internet (also images slide 42,43) Pictures: Sanda Foişoreanu Nicoleta Leu Arangement : Sanda Foişoreanu http://www.authorstream.com/User-Presentations/michaelasanda/ www.slideshare.net/michaelasanda You do not have the permission to view this presentation. In order to view it, please contact the author of the presentation.
Hamadan Alavian tomb michaelasanda Download Post to : URL : Related Presentations : Share Add to Flag Embed Email Send to Blogs and Networks Add to Channel Uploaded from authorPOINT lite Insert YouTube videos in PowerPont slides with aS Desktop Copy embed code: (To copy code, click on the text box) Embed: URL: Thumbnail: WordPress Embed Customize Embed The presentation is successfully added In Your Favorites. Views: 36 Category: Travel/ Places.. License: All Rights Reserved Like it (0) Dislike it (0) Added: July 29, 2011 This Presentation is Public Favorites: 0 Presentation Description This four-sided structure houses the tombs of two of the members of the Alavian family, related to the Saljuqi period (Sunni Muslim dynasty that ruled parts of Central Asia and the Middle East from the 11th to 14th centuries). YOU CAN DOWNLOAD IT HERE:http://www.slideshare.net/michaelasanda/hamadan-alavian-tomb Comments Posting comment... Premium member Presentation Transcript Slide 1: Alavian tomb HamadanSlide 2: Hamadan Alavian (Gonbad-e-Alavian) tomb, interesting 12th century mausoleum , belonging to the late Seljuk period, is a four-sided structure who houses the tombs of two of the members of the Alavian family. The dome of this structure had been artistically worked with plaster, but through the ages is no more. Mausoleul Alavian (Gonbad-e-Alavian), morm â nt construit în secolul XII, aparţinând perioadei selgiucide, este o structură patrată care adăposteşte mormintele a doi membri ai familiei Alavian. Domul artistic lucrat cu stuc n-a rezistat vremii .Slide 5: Externally, the structure has been decoratively inlaid with bricks placed in a diamond pattern. The remains of a beautiful inscription, also in embossed brick, written in the 'kufic' script can be observed on the outer wall and columns. În exterior mausoleul a fost decorat cu cărămizi aparente aşezate în formă de diamant. Ce a mai rămas din frumoasele inscripţii în stil kufic (modele realizate tot din cărămidă) se poate vedea pe zid şi coloane.Slide 7: Inscriptions have been carved into the brick in Kufic script. O rnamental Kufic inscriptions used decoratively (and meaninglessly) in architecture Inscripţii ornamentale în scriere cufică, cu scop decorativ şi religiosSlide 13: The entrance to this tomb is also worth attention. Intrarea în acest m ausoleu merită , de asemenea, o atenţie m ă rită.Slide 16: The interior looks attractive with stucco ornamentation on it. There are whirling floral motifs along with beautiful geometric designs Pereţii interiori sunt bogat ornamentaţi cu stucatură cu complicate motive florale sau desene geometriceSlide 17: Clădirea construită iniţial ca moschee, în timpul dinastiei Alavian, a fost transformată apoi în mausoleu al familiei, adăugându-i-se o criptă. Decoraţia interioară cu stuc sau cărămidă aparentă ca şi decoraţia exterioară cu scriere cufică a fost adăugată în perioada Ilkhanidă (1256–1353) şi ulteriorSlide 28: The tombs inside are dedicated to two of the Alavian family members who ruled over Hamadan for two centuries. A spiral staircase leads to the crypt under the tower. The tombs are situated under the domed ceiling of the cellar, and worked in blue tiles. Mormintele sunt ale familiei Alavian care a condus Ham a danul aproape două secole. O scară în spirală duce la cripta de sub clădire, la mormintele îmbrăcate în plăci de ceramicăSlide 42: The santur (also santūr, santour, santoor ) is a hammered dulcimer, of Babylonian origin. It has strong resemblances to the Indian santoor. It is a trapezoid-shaped box often made of walnut or different exotic woods. The original classical santur has 72 strings. The can be roughly described as one hundred strings in Persian. The oval-shaped mallets (Mezrabs) are feather-weight and are held between the index and middle fingers. A typical santur has two sets of bridges, providing a range of approximately three octaves. ancient Babylon (1600-911 BCE) and neo-Assyria (911-612 BCE)Slide 43: painting from the Hasht-Behesht Palace in Isfahan Iran, 1669Slide 44: S ound: Bedah-E Navzai Santur Iran Text : Internet (also images slide 42,43) Pictures: Sanda Foişoreanu Nicoleta Leu Arangement : Sanda Foişoreanu http://www.authorstream.com/User-Presentations/michaelasanda/ www.slideshare.net/michaelasanda