logging in or signing up Art of ‘the troubles’ A neglected resource kha200 Download Post to : URL : Related Presentations : Share Add to Flag Embed Email Send to Blogs and Networks Add to Channel Uploaded from authorPOINT lite Insert YouTube videos in PowerPont slides with aS Desktop Copy embed code: (To copy code, click on the text box) Embed: URL: Thumbnail: WordPress Embed Customize Embed The presentation is successfully added In Your Favorites. Views: 700 Category: Education License: All Rights Reserved Like it (3) Dislike it (0) Added: June 02, 2007 This Presentation is Public Favorites: 0 Presentation Description This selection of art inspired by 'the troubles' in Northern Ireland is presented in the hope of encouraging teachers to use such a resource to stimulate students and give them a deeper understanding of the nature of the conflict in N. Ireland. Comments Posting comment... By: helendonegal (4 month(s) ago) I am an art teacher, teaching in Donegal, Ireland. Would I be able to down load your presentation on the art of the troubles. Saving..... Post Reply Close Saving..... Edit Comment Close Premium member Presentation Transcript Slide1: Nottingham Pilot Scheme ‘Ireland in Schools’ School of Education, U. of Nottingham Art of ‘the troubles’ A neglected resource for teaching Northern Ireland in secondary schools Ireland in Schools is a national educational network of volunteers aiming to make the study of Ireland a normal part of the curriculum in Britain, from primary schools to sixth-forms, by providing free teaching and learning resources. http://iisresource.orgMenu: Menu 1. The Marley Funeral by Rita Duffy, 1989, charcoal on paper 2. Martyr: ‘If you were to lick my heart’, by Graham Gingles, 1990, mixed media box 3. The Deciduous Ascendancy by Colin McCookin, 1900, oil on canvas 4. Portrait by Brian Maguire, 1984, acrylic on canvas 5. Roadside Assassination by Brian Maguire, 1983-84, acrylic on canvas 6. The Way Ahead (detail) by Brendan Ellis, 1990, oil on canvas 7. Key to the Primal Ground by Marie Foley, 1900, bog oak, metal, slate 8. Call to Arms (details) by Gerry Gleason, 1990, oil on canvas 9. Ulster Playground by Jack Pakenham, 1989, acrylic on canvas Slide3: The Marley Funeral Rita Duffy 1989 charcoal on paper At the funeral of IRA member Lawrence Marley, the RUC saturated the area and refused to allow the remains to leave the Marley home until the Irish tricolour was removed from the coffin.Slide4: Martyr: ‘If you were to lick my heart’ by Graham Gingles 1990 mixed media box His boxes ‘hang on the wall – they are silent, but not mute. They contain objects made from wood, glass, lead, slate, plaster, cardboard and paint. There are no obvious symbols or representations of the social, political or tribal grievances that have affected the province so deeply, but held in them is the knowledge of what it is to harbour memories through the troubles.’ Slide5: The Deciduous Ascendancy Colin McGookin 1990 oil on canvasSlide6: Portrait Brian Maguire 1984 acrylic on canvasSlide7: Roadside Assassination Brian Maguire 1983-84 acrylic on canvasSlide8: The Way Ahead (detail) Brendan Ellis 1990 oil on canvasSlide9: Key to the Primal Ground Marie Foley 1990 bog oak, metal, slateSlide10: Call to Arms (detail) Gerry Gleason 1990 oil on canvasSlide11: Ulster Playground by Jack Pakenham, 1989, acrylic on canvas You do not have the permission to view this presentation. In order to view it, please contact the author of the presentation.
Art of ‘the troubles’ A neglected resource kha200 Download Post to : URL : Related Presentations : Share Add to Flag Embed Email Send to Blogs and Networks Add to Channel Uploaded from authorPOINT lite Insert YouTube videos in PowerPont slides with aS Desktop Copy embed code: (To copy code, click on the text box) Embed: URL: Thumbnail: WordPress Embed Customize Embed The presentation is successfully added In Your Favorites. Views: 700 Category: Education License: All Rights Reserved Like it (3) Dislike it (0) Added: June 02, 2007 This Presentation is Public Favorites: 0 Presentation Description This selection of art inspired by 'the troubles' in Northern Ireland is presented in the hope of encouraging teachers to use such a resource to stimulate students and give them a deeper understanding of the nature of the conflict in N. Ireland. Comments Posting comment... By: helendonegal (4 month(s) ago) I am an art teacher, teaching in Donegal, Ireland. Would I be able to down load your presentation on the art of the troubles. Saving..... Post Reply Close Saving..... Edit Comment Close Premium member Presentation Transcript Slide1: Nottingham Pilot Scheme ‘Ireland in Schools’ School of Education, U. of Nottingham Art of ‘the troubles’ A neglected resource for teaching Northern Ireland in secondary schools Ireland in Schools is a national educational network of volunteers aiming to make the study of Ireland a normal part of the curriculum in Britain, from primary schools to sixth-forms, by providing free teaching and learning resources. http://iisresource.orgMenu: Menu 1. The Marley Funeral by Rita Duffy, 1989, charcoal on paper 2. Martyr: ‘If you were to lick my heart’, by Graham Gingles, 1990, mixed media box 3. The Deciduous Ascendancy by Colin McCookin, 1900, oil on canvas 4. Portrait by Brian Maguire, 1984, acrylic on canvas 5. Roadside Assassination by Brian Maguire, 1983-84, acrylic on canvas 6. The Way Ahead (detail) by Brendan Ellis, 1990, oil on canvas 7. Key to the Primal Ground by Marie Foley, 1900, bog oak, metal, slate 8. Call to Arms (details) by Gerry Gleason, 1990, oil on canvas 9. Ulster Playground by Jack Pakenham, 1989, acrylic on canvas Slide3: The Marley Funeral Rita Duffy 1989 charcoal on paper At the funeral of IRA member Lawrence Marley, the RUC saturated the area and refused to allow the remains to leave the Marley home until the Irish tricolour was removed from the coffin.Slide4: Martyr: ‘If you were to lick my heart’ by Graham Gingles 1990 mixed media box His boxes ‘hang on the wall – they are silent, but not mute. They contain objects made from wood, glass, lead, slate, plaster, cardboard and paint. There are no obvious symbols or representations of the social, political or tribal grievances that have affected the province so deeply, but held in them is the knowledge of what it is to harbour memories through the troubles.’ Slide5: The Deciduous Ascendancy Colin McGookin 1990 oil on canvasSlide6: Portrait Brian Maguire 1984 acrylic on canvasSlide7: Roadside Assassination Brian Maguire 1983-84 acrylic on canvasSlide8: The Way Ahead (detail) Brendan Ellis 1990 oil on canvasSlide9: Key to the Primal Ground Marie Foley 1990 bog oak, metal, slateSlide10: Call to Arms (detail) Gerry Gleason 1990 oil on canvasSlide11: Ulster Playground by Jack Pakenham, 1989, acrylic on canvas