logging in or signing up marianne tobin concert report on carmen fvasquez Download Post to : URL : Related Presentations : Share Add to Flag Embed Email Send to Blogs and Networks Add to Channel Uploaded from authorPOINT lite Insert YouTube videos in PowerPont slides with aS Desktop Copy embed code: (To copy code, click on the text box) Embed: URL: Thumbnail: WordPress Embed Customize Embed The presentation is successfully added In Your Favorites. Views: 356 Category: Education License: All Rights Reserved Like it (0) Dislike it (0) Added: September 18, 2010 This Presentation is Public Favorites: 0 Presentation Description No description available. Comments Posting comment... Premium member Presentation Transcript Carmen : Carmen Marianne Tobin Music 1139 Section 51 Summer 2010 Academic Integrity Statement : Academic Integrity Statement I have not copied or pasted any part of my report. Everything included in my concert research report, concert pre-listening report and concert report is in my own words. I understand that each document I submit must include this original academic integrity statement. I understand that my work may be verified at TurnItIn.com and Blackboard Safe Assign. I understand and accept that even if I initially receive an A and it is discovered that I either copied or pasted or any wordings or statements are not original to me, I will fail the Concert Report and perhaps lose credit for the course as outlined in the CNM Student handbook. Georges BizetThe Composer : Georges BizetThe Composer The Players : The Players CarmenPlayed by Elina Garanca : CarmenPlayed by Elina Garanca Mezzo Soprano Gypsy and cigarette girl Very sexy, sensual and sexual Desired by most men and hated by most women Knows how to manipulate to get what she wants Very independent and can take care of herself but likes being in love with a man Slide 6: Don JosePlayed by Roberto Alagna Tenor Corporal of the Dragoons At the beginning of the opera, Jose is very happy with his simple life of going to work and knowing he will marry his childhood sweetheart Once he meets Carmen, his world is thrown into chaos and he is torn between two women His desperate love for Carmen turns into an obsession which leads him to act in a way he never believed he could MicaelaPlayed byBarbara Frittoli : MicaelaPlayed byBarbara Frittoli Soprano Peasant girl from Don Jose’s village Timid and unsure of herself around her future husband and men in general She reminds Jose of who and what he was and wanted to be before he met Carmen Slide 8: EscamilloPlayed byTeddy Tahu Rhodes Baritone Bullfighter Boasts about his wins in the bullring He falls in love with Carmen immediately after meeting her Carmen falls in love with Escamillo causing Jose to become jealous and take desperate measures Carmen dies professing her love for Escamillo Act I : Act I Love is a rebellious bird that nothing can tame : Love is a rebellious bird that nothing can tame A kiss from my mother! : A kiss from my mother! Carmen’s Escape : Carmen’s Escape Act II : Act II Toreador, love awaits you! : Toreador, love awaits you! Carmen, I love you! : Carmen, I love you! Act III : Act III Alone I am afraid : Alone I am afraid Carmen’s love affairs don’t last six months. : Carmen’s love affairs don’t last six months. Act IV : Act IV I am afraid of nothing! : I am afraid of nothing! Reviews : Reviews The New York Times: “That Daring Gypsy Strikes Again, and Anew “We all know Bizet’s “Carmen,” or think we do. Its familiarity is the greatest challenge to any company presenting it. The acclaimed English director Richard Eyre made this point repeatedly in interviews before the opening of his new Metropolitan Opera production of “Carmen.” Without resorting to gratuitous touches and provocative changes to the opera, he said, he wanted to subvert the familiarity so that audiences would leave shocked and awed yet also touched by this 1875 masterpiece. “ Read the rest of this rave review at the following link http://www.nytimes.com/2010/01/02/arts/music/02carmen.html?scp=3&sq=carmen&st=cse New York Magazine: “After 24 Years, the Met Finally Has a Great ‘Carmen’ Again” “Four years into his tenure as general manager of the Metropolitan Opera, and midway through the first season he planned from scratch, Peter Gelb turns out to be neither the Destroyer of Worlds that some feared or the savior that others hoped. He’s a pragmatic, flexible executive of the world’s biggest and busiest performing-arts outfit, boldly leading from the middle. The high point of the fall was a searing staging of a modern rarity (From the House of the Dead) that had been thoroughly road-tested in Europe. The low point was an essentially retro Tosca that passed itself off as avant-garde. Somewhere in between sat a fussy and gloomy production of Les contes d’Hoffmann, directed by the Broadway-certified Bartlett Sher. Gelb has deftly piloted the company out of its monumentalist phase, when every production looked as though it had been built to last an eternity. The company’s tacit new motto might be: Even a fiasco’s not forever.” Read the rest of the review at the following link http://nymag.com/arts/classicaldance/classical/reviews/63030/ My thoughts on Carmen : My thoughts on Carmen Ticket Stub : Ticket Stub Bibliography : Bibliography General information about Carmen Freeman, John W. The Metropolitan Opera: Stories of the Great Operas. New York: W.W. Norton & Company, Inc. 1984. P. 40-46. Plotkin, Fred. Opera 101: A Complete Guide to Learning and Loving Opera. New York: Hyperion, 1994. P. 65 and 294-295. The translated libretto: www.aria-database.com/translations/carmen.txt Bizet’s history: www.rankopedia.com Music Clips: Bizet: Carmen, Theatre National de l’Opera de Paris, EMI Records Ltd., 1990 Prelude Votre Toast Oui, Je Reste!...Je Dis, Que Rien Ne M’epouvante BibliographyPhotos : BibliographyPhotos www.thestar.com/entertainment/theatre/article/750456---tfreshake-on-carmen-is-spellbinding www.nytimes.com/slideshow/2010/01/01/arts/20100102-carmen-ss_index.html www.rocklandstrand.com/detail.html?id=552 www.operatoday.com/content/2010/01/carmen_at_the_m.php www.pbs.org/wnet/gperf/?s=carmen renatestendhal.com/2010/02/fire-and-ice-the-formidable-new-carmen-at-the-met www.chinapost.com.tw/art/theater/2010/01/03/239165/NY-Met.htm www.operanews.com/operanews/templates/content.aspx?id=15382 newshopper.sulekha.com/roberto-alagna-barbara-frittoli_photo_1108153.htm csartsblog.freedomblogging.com/category/opera ximo.wordpress.com/2010/05/30/carmen-al-met-amb-elina-garanca-i-roberto-alagna-el-video/ www.daylife.com/photo/08Lv0jk26x46N www.examiner.com/opera-in-san-francisco/carmen-at-the-met-live-broadcast-worldwide-hosted-by-fleming-with-garanca-alagna Academic Integrity Statement : Academic Integrity Statement I have not copied or pasted any part of my report. Everything included in my concert research report, concert pre-listening report and concert report is in my own words. I understand that each document I submit must include this original academic integrity statement. I understand that my work may be verified at TurnItIn.com and Blackboard Safe Assign. I understand and accept that even if I initially receive an A and it is discovered that I either copied or pasted or any wordings or statements are not original to me, I will fail the Concert Report and perhaps lose credit for the course as outlined in the CNM Student handbook. You do not have the permission to view this presentation. In order to view it, please contact the author of the presentation.
marianne tobin concert report on carmen fvasquez Download Post to : URL : Related Presentations : Share Add to Flag Embed Email Send to Blogs and Networks Add to Channel Uploaded from authorPOINT lite Insert YouTube videos in PowerPont slides with aS Desktop Copy embed code: (To copy code, click on the text box) Embed: URL: Thumbnail: WordPress Embed Customize Embed The presentation is successfully added In Your Favorites. Views: 356 Category: Education License: All Rights Reserved Like it (0) Dislike it (0) Added: September 18, 2010 This Presentation is Public Favorites: 0 Presentation Description No description available. Comments Posting comment... Premium member Presentation Transcript Carmen : Carmen Marianne Tobin Music 1139 Section 51 Summer 2010 Academic Integrity Statement : Academic Integrity Statement I have not copied or pasted any part of my report. Everything included in my concert research report, concert pre-listening report and concert report is in my own words. I understand that each document I submit must include this original academic integrity statement. I understand that my work may be verified at TurnItIn.com and Blackboard Safe Assign. I understand and accept that even if I initially receive an A and it is discovered that I either copied or pasted or any wordings or statements are not original to me, I will fail the Concert Report and perhaps lose credit for the course as outlined in the CNM Student handbook. Georges BizetThe Composer : Georges BizetThe Composer The Players : The Players CarmenPlayed by Elina Garanca : CarmenPlayed by Elina Garanca Mezzo Soprano Gypsy and cigarette girl Very sexy, sensual and sexual Desired by most men and hated by most women Knows how to manipulate to get what she wants Very independent and can take care of herself but likes being in love with a man Slide 6: Don JosePlayed by Roberto Alagna Tenor Corporal of the Dragoons At the beginning of the opera, Jose is very happy with his simple life of going to work and knowing he will marry his childhood sweetheart Once he meets Carmen, his world is thrown into chaos and he is torn between two women His desperate love for Carmen turns into an obsession which leads him to act in a way he never believed he could MicaelaPlayed byBarbara Frittoli : MicaelaPlayed byBarbara Frittoli Soprano Peasant girl from Don Jose’s village Timid and unsure of herself around her future husband and men in general She reminds Jose of who and what he was and wanted to be before he met Carmen Slide 8: EscamilloPlayed byTeddy Tahu Rhodes Baritone Bullfighter Boasts about his wins in the bullring He falls in love with Carmen immediately after meeting her Carmen falls in love with Escamillo causing Jose to become jealous and take desperate measures Carmen dies professing her love for Escamillo Act I : Act I Love is a rebellious bird that nothing can tame : Love is a rebellious bird that nothing can tame A kiss from my mother! : A kiss from my mother! Carmen’s Escape : Carmen’s Escape Act II : Act II Toreador, love awaits you! : Toreador, love awaits you! Carmen, I love you! : Carmen, I love you! Act III : Act III Alone I am afraid : Alone I am afraid Carmen’s love affairs don’t last six months. : Carmen’s love affairs don’t last six months. Act IV : Act IV I am afraid of nothing! : I am afraid of nothing! Reviews : Reviews The New York Times: “That Daring Gypsy Strikes Again, and Anew “We all know Bizet’s “Carmen,” or think we do. Its familiarity is the greatest challenge to any company presenting it. The acclaimed English director Richard Eyre made this point repeatedly in interviews before the opening of his new Metropolitan Opera production of “Carmen.” Without resorting to gratuitous touches and provocative changes to the opera, he said, he wanted to subvert the familiarity so that audiences would leave shocked and awed yet also touched by this 1875 masterpiece. “ Read the rest of this rave review at the following link http://www.nytimes.com/2010/01/02/arts/music/02carmen.html?scp=3&sq=carmen&st=cse New York Magazine: “After 24 Years, the Met Finally Has a Great ‘Carmen’ Again” “Four years into his tenure as general manager of the Metropolitan Opera, and midway through the first season he planned from scratch, Peter Gelb turns out to be neither the Destroyer of Worlds that some feared or the savior that others hoped. He’s a pragmatic, flexible executive of the world’s biggest and busiest performing-arts outfit, boldly leading from the middle. The high point of the fall was a searing staging of a modern rarity (From the House of the Dead) that had been thoroughly road-tested in Europe. The low point was an essentially retro Tosca that passed itself off as avant-garde. Somewhere in between sat a fussy and gloomy production of Les contes d’Hoffmann, directed by the Broadway-certified Bartlett Sher. Gelb has deftly piloted the company out of its monumentalist phase, when every production looked as though it had been built to last an eternity. The company’s tacit new motto might be: Even a fiasco’s not forever.” Read the rest of the review at the following link http://nymag.com/arts/classicaldance/classical/reviews/63030/ My thoughts on Carmen : My thoughts on Carmen Ticket Stub : Ticket Stub Bibliography : Bibliography General information about Carmen Freeman, John W. The Metropolitan Opera: Stories of the Great Operas. New York: W.W. Norton & Company, Inc. 1984. P. 40-46. Plotkin, Fred. Opera 101: A Complete Guide to Learning and Loving Opera. New York: Hyperion, 1994. P. 65 and 294-295. The translated libretto: www.aria-database.com/translations/carmen.txt Bizet’s history: www.rankopedia.com Music Clips: Bizet: Carmen, Theatre National de l’Opera de Paris, EMI Records Ltd., 1990 Prelude Votre Toast Oui, Je Reste!...Je Dis, Que Rien Ne M’epouvante BibliographyPhotos : BibliographyPhotos www.thestar.com/entertainment/theatre/article/750456---tfreshake-on-carmen-is-spellbinding www.nytimes.com/slideshow/2010/01/01/arts/20100102-carmen-ss_index.html www.rocklandstrand.com/detail.html?id=552 www.operatoday.com/content/2010/01/carmen_at_the_m.php www.pbs.org/wnet/gperf/?s=carmen renatestendhal.com/2010/02/fire-and-ice-the-formidable-new-carmen-at-the-met www.chinapost.com.tw/art/theater/2010/01/03/239165/NY-Met.htm www.operanews.com/operanews/templates/content.aspx?id=15382 newshopper.sulekha.com/roberto-alagna-barbara-frittoli_photo_1108153.htm csartsblog.freedomblogging.com/category/opera ximo.wordpress.com/2010/05/30/carmen-al-met-amb-elina-garanca-i-roberto-alagna-el-video/ www.daylife.com/photo/08Lv0jk26x46N www.examiner.com/opera-in-san-francisco/carmen-at-the-met-live-broadcast-worldwide-hosted-by-fleming-with-garanca-alagna Academic Integrity Statement : Academic Integrity Statement I have not copied or pasted any part of my report. Everything included in my concert research report, concert pre-listening report and concert report is in my own words. I understand that each document I submit must include this original academic integrity statement. I understand that my work may be verified at TurnItIn.com and Blackboard Safe Assign. I understand and accept that even if I initially receive an A and it is discovered that I either copied or pasted or any wordings or statements are not original to me, I will fail the Concert Report and perhaps lose credit for the course as outlined in the CNM Student handbook.