logging in or signing up KwNLE05 lisbon deVries avsar Download Post to : URL : Related Presentations : Share Add to Flag Embed Email Send to Blogs and Networks Add to Channel Uploaded from authorPOINTLite Insert YouTube videos in PowerPont slides with aS Desktop Copy embed code: (To copy code, click on the text box) Embed: URL: Thumbnail: WordPress Embed Customize Embed The presentation is successfully added In Your Favorites. Views: 13 Category: News & Reports.. License: All Rights Reserved Like it (0) Dislike it (0) Added: October 03, 2007 This Presentation is Public Favorites: 0 Presentation Description No description available. Comments Posting comment... Premium member Presentation Transcript Reflective Narration with E-mail: Reflective Narration with E-mail Bregje de Vries University of Twente, the Netherlands NLE Workshop, Lisbon - June 9, 2005Narration & Reflection: Narration & Reflection Reflection-on-action (Schön, 1983) Transformative function of narration (Jackson, 1995) Transformative function of writing (Bereiter & Scardamalia, 1987)Written Narration with E-mail: Written Narration with E-mail Writing for a real audience (e.g., Tichenor & Jewell, 2001) Time to reflect (e.g., Russell & Cohen, 1997) Writing and Talking (e.g., Baron, 1998)Embedding E-mail: Embedding E-mail Pairing up schools and teachers Two e-mail moments Individual freewriting Paper worksheetInvestigating classroom practices: Investigating classroom practices Design-Based Research (e.g.,Barab & Squire, 2004) - chain of design experiments - practical and theoretical outcomes Three perspectives on narration (Conle, 2003; Genette, 1980) - the act of narrating - rhetorical moves - storyLearning by designing: Learning by designingLearning by designing: Learning by designingThe act of narrating I: The act of narrating I Teachers’ implementation: “I have done the freewriting exercise. The children were very enthusiastic and eager, maybe because it was new. What was especially nice was that grammar and misspellings didn’t matter. The most important thing now was the content of their writings, putting their observations into words.”The act of narrating II: The act of narrating II Children’s motivation: “Writing this down, we still have no idea who you are and what your names are. We are anxious to know” “Well, bye-bye, take care, sob, sob, sob, we liked working together and e-mailing with you.”Rhetorical moves: Rhetorical moves Average length: 148.4 words Letter structure or block structure Extended greetings Meta-tags Repetitive structures Enumerations Spoken language itemsStories IChronological descriptions: Stories I Chronological descriptions “This afternoon we had another kidnet lesson. We talked a little about last week. Next the teacher read the e-mail from Professor Nature. It was about Biotopia that there are too many animals and too little food. Then we looked at some e-mails from this week and last week. Then we could do our own ecological community on a large piece of paper. That took us about half an hour and then we had to clean up and finally as usual the freewriting last of all. It was a quarter to three and school was over”Stories IIPersonal Interpretations: Stories II Personal Interpretations “I don’t like fish for it just swims about like that in circles and you can’t do anything with it. It doesn’t make any sound and only says blub, blub sometimes fish just die like that” “I have learned from this afternoon’s lesson something. that we have to discuss things in the group and not keep them to ourselves” “An adder is a beautiful and dangerous animal. When you come across it on the moor I’d better take care if I were you. For it has fangs and once it has hold of you I think you have little chance to stay alive for poison is very dangerous”Conclusions: Conclusions Written narration personalizes learning and hence relates to constructivistic approaches towards learning. E-mail provides good opportunity for written narration. Conducting design experiments allows one to pay attention to all three perspectives on narration. You do not have the permission to view this presentation. In order to view it, please contact the author of the presentation.
KwNLE05 lisbon deVries avsar Download Post to : URL : Related Presentations : Share Add to Flag Embed Email Send to Blogs and Networks Add to Channel Uploaded from authorPOINTLite Insert YouTube videos in PowerPont slides with aS Desktop Copy embed code: (To copy code, click on the text box) Embed: URL: Thumbnail: WordPress Embed Customize Embed The presentation is successfully added In Your Favorites. Views: 13 Category: News & Reports.. License: All Rights Reserved Like it (0) Dislike it (0) Added: October 03, 2007 This Presentation is Public Favorites: 0 Presentation Description No description available. Comments Posting comment... Premium member Presentation Transcript Reflective Narration with E-mail: Reflective Narration with E-mail Bregje de Vries University of Twente, the Netherlands NLE Workshop, Lisbon - June 9, 2005Narration & Reflection: Narration & Reflection Reflection-on-action (Schön, 1983) Transformative function of narration (Jackson, 1995) Transformative function of writing (Bereiter & Scardamalia, 1987)Written Narration with E-mail: Written Narration with E-mail Writing for a real audience (e.g., Tichenor & Jewell, 2001) Time to reflect (e.g., Russell & Cohen, 1997) Writing and Talking (e.g., Baron, 1998)Embedding E-mail: Embedding E-mail Pairing up schools and teachers Two e-mail moments Individual freewriting Paper worksheetInvestigating classroom practices: Investigating classroom practices Design-Based Research (e.g.,Barab & Squire, 2004) - chain of design experiments - practical and theoretical outcomes Three perspectives on narration (Conle, 2003; Genette, 1980) - the act of narrating - rhetorical moves - storyLearning by designing: Learning by designingLearning by designing: Learning by designingThe act of narrating I: The act of narrating I Teachers’ implementation: “I have done the freewriting exercise. The children were very enthusiastic and eager, maybe because it was new. What was especially nice was that grammar and misspellings didn’t matter. The most important thing now was the content of their writings, putting their observations into words.”The act of narrating II: The act of narrating II Children’s motivation: “Writing this down, we still have no idea who you are and what your names are. We are anxious to know” “Well, bye-bye, take care, sob, sob, sob, we liked working together and e-mailing with you.”Rhetorical moves: Rhetorical moves Average length: 148.4 words Letter structure or block structure Extended greetings Meta-tags Repetitive structures Enumerations Spoken language itemsStories IChronological descriptions: Stories I Chronological descriptions “This afternoon we had another kidnet lesson. We talked a little about last week. Next the teacher read the e-mail from Professor Nature. It was about Biotopia that there are too many animals and too little food. Then we looked at some e-mails from this week and last week. Then we could do our own ecological community on a large piece of paper. That took us about half an hour and then we had to clean up and finally as usual the freewriting last of all. It was a quarter to three and school was over”Stories IIPersonal Interpretations: Stories II Personal Interpretations “I don’t like fish for it just swims about like that in circles and you can’t do anything with it. It doesn’t make any sound and only says blub, blub sometimes fish just die like that” “I have learned from this afternoon’s lesson something. that we have to discuss things in the group and not keep them to ourselves” “An adder is a beautiful and dangerous animal. When you come across it on the moor I’d better take care if I were you. For it has fangs and once it has hold of you I think you have little chance to stay alive for poison is very dangerous”Conclusions: Conclusions Written narration personalizes learning and hence relates to constructivistic approaches towards learning. E-mail provides good opportunity for written narration. Conducting design experiments allows one to pay attention to all three perspectives on narration.