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Slide 2:

Screen Story

Slide 3:

Screen Story

Slide 4:

Creating Stories AND Making a living Screen Story

Slide 5:

MissionImpossible? Screen Story

Screen Story :

Screen Story

Slide 7:

Screen Story

Slide 8:

Screen Story

Slide 9:

Screen Story

Slide 10:

Screen Story

Slide 11:

Screenwriter Survival Skills Screen Story

Slide 12:

Frank Daniel“To make sure the audience always wants to know what's happening next.” Screen Story

Slide 13:

Michael Hauge“To Elicit Emotion” Screen Story

Slide 14:

Anticipation Screen Story

Screen Story :

Screen Story

Screen Story :

Screen Story

Slide 17:

4 Crucial Skills Act Structure Screen Story

Slide 18:

4 Crucial Skills Act Structure Hero's Journey Screen Story

Slide 19:

4 Crucial Skills Act Structure Hero's Journey Adaptation Screen Story

Slide 20:

4 Crucial Skills Act Structure Hero's Journey Adaptation Script Perfection Screen Story

Slide 21:

Act Structure Screen Story

Slide 22:

the need for structure Act Structure

Slide 23:

the need for structure structure is everywhere Act Structure

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the need for structure structure is everywhere our greatest weakness Act Structure

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the need for structure structure is everywhere our greatest weakness structure on all levels Act Structure

Slide 26:

the need for structure structure is everywhere our greatest weakness structure on all levels 4 structure testing tools Logline Synopsis Step Script Outline Act Structure

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the need for structure structure is everywhere our greatest weakness structure on all levels 4 structure testing tools point of view Act Structure

Slide 28:

Basic Structure: Action Reaction Screen Story

Slide 29:

Basic Structure: Event (Re-)Action Screen Story

Screen Story :

Screen Story

Slide 31:

2.30pm? Screen Story

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The Hero's Journey Screen Story

Slide 33:

ANSWER THE FOLLOWING QUESTIONS: yet another story model? telling your story: a myth? do we need another hero? campbell & the stones? what is the journey? unlearn the 3-act structure? The Mid Point do it yourself Reprise / Surprise Analysis vs. Creation The Hero's Journey Quiz Spread the Word & Thrive The Hero's Journey

Slide 34:

1. yet another story model? Robert McKee Blake Snyder John Truby Michael Hauge Paul Gulino David Trottier Karel Segers Christopher Vogler The Hero's Journey

Slide 35:

2. Telling your story: a myth YOUR Story? What's your PROBLEM? The Hero's Journey

Slide 36:

It's all aboutψ The Hero's Journey

Slide 37:

Psychology The Hero's Journey

Slide 38:

The Writer's ψ Needs(How to Improve your Feelings) The Audience's ψ Needs(How to Improve your Bank Account) The Hero's Journey

Slide 39:

3. Problems with the Journey: Does it work for female characters? Is it always about beating someone? I don't like being told what to do. I want to get MY emotions across. I don't like formula. The Hero's Journey

Slide 40:

4. Where to Learn the Journey? The Story Department Christopher Vogler Joseph Campbell Stuart Voytilla Carl Jung The Hero's Journey

Slide 41:

5. The Two Journeys "You can't always get what you want And if you try sometime you find You get what you need." (M.Jagger/K.Richards) The Hero's Journey

Slide 42:

The Hero's Journey Ordinary World

Slide 43:

The Hero's Journey Ordinary World Call to Adventure

Slide 44:

The Hero's Journey Ordinary World Call to Adventure Refusal of the Call

Slide 45:

The Hero's Journey Ordinary World Call to Adventure Refusal of the Call Meeting with the Mentor

Slide 46:

The Hero's Journey Ordinary World Call to Adventure Refusal of the Call Meeting with the Mentor Crossing the 1st Threshold

Slide 47:

The Hero's Journey Ordinary World Call to Adventure Refusal of the Call Meeting with the Mentor Crossing the 1st Threshold Allies, Enemies, Tests

Slide 48:

Approach to the Inmost Cave The Hero's Journey Ordinary World Call to Adventure Refusal of the Call Meeting with the Mentor Crossing the 1st Threshold Allies, Enemies, Tests

Slide 49:

Approach to the Inmost Cave Ordeal The Hero's Journey Ordinary World Call to Adventure Refusal of the Call Meeting with the Mentor Crossing the 1st Threshold Allies, Enemies, Tests

Slide 50:

Approach to the Inmost Cave Ordeal Seizing the Sword The Hero's Journey Ordinary World Call to Adventure Refusal of the Call Meeting with the Mentor Crossing the 1st Threshold Allies, Enemies, Tests

Slide 51:

Approach to the Inmost Cave Ordeal Seizing the Sword The Road Back The Hero's Journey Ordinary World Call to Adventure Refusal of the Call Meeting with the Mentor Crossing the 1st Threshold Allies, Enemies, Tests

Slide 52:

Approach to the Inmost Cave Ordeal Seizing the Sword The Road Back Resurrection The Hero's Journey Ordinary World Call to Adventure Refusal of the Call Meeting with the Mentor Crossing the 1st Threshold Allies, Enemies, Tests

Slide 53:

Approach to the Inmost Cave Ordeal Seizing the Sword The Road Back Resurrection Return with the Elixir The Hero's Journey Ordinary World Call to Adventure Refusal of the Call Meeting with the Mentor Crossing the 1st Threshold Allies, Enemies, Tests

Slide 54:

6. Three Acts in the Journey Inciting Incident Stage 2 Act One T.P. (pp1) Stage 5 Mid Point Stage 8 Act Two T.P. (pp2) Stage 8/9 Climax & Resolution Stage 11 The Hero's Journey

Slide 55:

Character Archetypes Protagonist Hero Nemesis Shadow Buddy Reflection Wise Old Man Mentor Messenger Herald Other: Threshold Guardians Shapeshifter, Trickster... The Hero's Journey

Slide 56:

The Journey in your own story. Don't assume Your concept = Stage 5 Reverse engineer Be extremely critical Aim for a 1:1 match Get a 2nd opinion The Hero's Journey

Slide 57:

3.00pm? Screen Story

Slide 58:

Time forsome Fun Screen Story

Screen Story :

Screen Story

Screen Story :

Screen Story

Screen Story :

Screen Story

Screen Story :

Screen Story

Screen Story :

Screen Story

Slide 64:

“before you ever step onto the world stage, you should already have experience adapting books into screenplays.” -Mystery Man on Film Adaptation

Slide 65:

The Craft of Adaptation Screen Story

Slide 66:

But why? Adaptation

Slide 67:

Adaptation

Slide 68:

Adaptation

Slide 69:

“Adapting a novel, book, play, or article into a screenplay is the same as writing an original screenplay.” -Syd Field Adaptation

Slide 70:

The Curse Continuum Faithful intersection variation Appropriation (and everything in between: continuum) Adaptation

Slide 71:

Adaptation

Slide 72:

Adaptation

Slide 73:

Adaptation

Slide 74:

The Process: Jeffreys vs. Hitchcock Read original Make notes Pick protag Logline Forget original Write Acts Synopsis Write Sequences Step outline Write Scenes Screenplay Adaptation

Slide 75:

Australian Adaptations: What went wrong? Candy (Luke Davies, novel) Three Dollars (Elliot Pearlman, novel) Hating Alison Ashley (Robin Klein, novel) Romulus, my Father (Raimond Gaita, novel) Adaptation

Slide 76:

Adaptation Healthy Structure Jaws ($260m/$7m) Cuckoo's nest ($109/$3m) Rear Window ($36m/na) Ordinary People ($54m/na) Spider-Man ($400m/$139m) Brokeback Mountain ($83m/$14m) Harry Potter ($976m/$125m) Flawed Structure Blade Runner ($27.5/na) 12 Monkeys ($57m/na) Cold Mountain ($95m/$79m) A.I. ($78m/$100m) Memoirs of a Geisha ($57m/$85m) Candy ($45k/$3m) The Golden Compass ($70m/$180m)

Slide 77:

- Four types of adaptation - A Case: would this short story work? - Notes on an adaptation: audio clip(s) - Activity: structure an adaptation - Fun & Games: Recognise the original - Scene to Screen: Ghost World / Room with a View Adaptation