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Premium member Presentation Transcript Slide 1: sounds semiotics sociology of science authenticity history Slide 2: Department of Art & Science, University of Southern Denmark ScienceTheatre Slide 3: SOUNDMAPPING THE GENES the DNA coding sequence song of the rainbowtrout Slide 4: Overview SCC Sonic Consumer Culture art science ICR Slide 5: Overview SCC Sonic Consumer Culture art science ICR Performative Social Science art artscience scienceart science Slide 6: Interpretive Consumer Research: born in & through art Phenomenon Methodology Slide 8: movies visual art music movies visual art music movies visual art music movies visual art music movies visual a Slide 9: literary criticism visual rhetoric jazz improvisation literary criticism visual rhetoric jazz improvisation literary Slide 10: Crisis of representation - Crisis of representation Crisis of representation - Crisis of representation is of representation - Crisis or representation Slide 11: Crisis of representation - Crisis of representation Crisis of representation - Crisis of representation monologues poetry plays short stories short movies monologues poetry plays short stories short movies mov is of representation - Crisis or representation Slide 12: Russ Belk (1986) Art vs Science Gestaltpicture Source of hypothesis Thicker description Data from the past Data for the future Validation Art: almost as good as real empiricist science Slide 13: Performative Social Science Turn Slide 15: Social Behaviour as performance Kenneth Burk ”situated modes of action” Victor Turner ”anthropology of experience”- cultural performances- social performances- social dramas Slide 16: Social Behaviour as performance Language as performance John L. Austin ”speech act theory” John Searle ”language as a form of doing” Judith Butler ”performativity” Slide 17: Social Behaviour as performance Language as performance Performative arts Ethnodrama Performance art Experimental/political theater Ethnographic surrealism Movement studies Experimental ethnographic film A/r/tography Biographical research / relational aesthetics Pervasive and locative arts Slide 18: unstable interdisciplinary flux boundary-crossingly antidisciplinarian fluid – uncertain- temporal dislocating complacency/location/perspective/knowledge a loss – a shift – a rupture Change – contingency – locality – motion – improvisation – struggle – situationally specific practices & articulations - Slide 19: Definition Performative Social Science The open, inquiring, creative, dynamic, reflexive and activist endeavour of research as a performance, by a performance, of a performance, and in a performance. Roberts, Brian (2008), “Performative social science: A consideration of skills, purpose and context,” Forum Qualitative Sozialforschung / Forum: Qualitative Social Research, 9(2), Art. 58 Slide 20: the verb ephemeral instable reckoning what is lost culture as enacted culture as fluid culture as improvisation lived experience realized in performance the tacit, masked, whispered, provisional, camouflaged, improvised, indirect, hidden Slide 21: Unit Static Fixed Ready to be interpreted ”Hegemony of Textualism” ”scriptocentrism” Slide 22: Knowledge is accepted when secured in print ”Hegemony of Textualism” ”scriptocentrism” Slide 23: Textocentric videography Naturalized aesthetic of objectivity Production of truthful/trustworthy statements about the external/internal world Production of texts as fixed interpretations turning lived experience into narratives Slide 24: Performative videography Interviews as performance, a way of writing the world deconstruction objectifications working with an interpretive relationship to the world it creates setting the cultural phenomenon in motion shattering the constructed narrative line emphasizing the film itself ? DOES IT ALLOW US TO SEE THINGS DIFFERENTLY, AND TO THINK DIFFERENTLY? Slide 25: Researcher Research Process Artistic modes & performances at the intersection of method, research, object of research, representing research Social scientist role shifting as dramatist, actor, director, musician, poet, painter, choreographer Slide 26: Those who make art Those who think about art Manual labour Intellectual labour Imaginative-creative dimension Critical-analytical dimension Entertaining add-onincomplete knowledge stage Slide 27: Those who think about art Intellectual labour Critical-analytical dimension Creative, refreshing, utopian, radical way to produce knowledge Those who make art Manual labour Imaginative-creative dimension You do not have the permission to view this presentation. In order to view it, please contact the author of the presentation.
pss milan icr aSGuest16178 Download Post to : URL : Related Presentations : Share Add to Flag Embed Email Send to Blogs and Networks Add to Channel Uploaded from authorPOINT lite Insert YouTube videos in PowerPont slides with aS Desktop Copy embed code: (To copy code, click on the text box) Embed: URL: Thumbnail: WordPress Embed Customize Embed The presentation is successfully added In Your Favorites. Views: 26 Category: Spiritual/ Ins.. License: All Rights Reserved Like it (0) Dislike it (0) Added: April 05, 2009 This Presentation is Public Favorites: 0 Presentation Description No description available. Comments Posting comment... Premium member Presentation Transcript Slide 1: sounds semiotics sociology of science authenticity history Slide 2: Department of Art & Science, University of Southern Denmark ScienceTheatre Slide 3: SOUNDMAPPING THE GENES the DNA coding sequence song of the rainbowtrout Slide 4: Overview SCC Sonic Consumer Culture art science ICR Slide 5: Overview SCC Sonic Consumer Culture art science ICR Performative Social Science art artscience scienceart science Slide 6: Interpretive Consumer Research: born in & through art Phenomenon Methodology Slide 8: movies visual art music movies visual art music movies visual art music movies visual art music movies visual a Slide 9: literary criticism visual rhetoric jazz improvisation literary criticism visual rhetoric jazz improvisation literary Slide 10: Crisis of representation - Crisis of representation Crisis of representation - Crisis of representation is of representation - Crisis or representation Slide 11: Crisis of representation - Crisis of representation Crisis of representation - Crisis of representation monologues poetry plays short stories short movies monologues poetry plays short stories short movies mov is of representation - Crisis or representation Slide 12: Russ Belk (1986) Art vs Science Gestaltpicture Source of hypothesis Thicker description Data from the past Data for the future Validation Art: almost as good as real empiricist science Slide 13: Performative Social Science Turn Slide 15: Social Behaviour as performance Kenneth Burk ”situated modes of action” Victor Turner ”anthropology of experience”- cultural performances- social performances- social dramas Slide 16: Social Behaviour as performance Language as performance John L. Austin ”speech act theory” John Searle ”language as a form of doing” Judith Butler ”performativity” Slide 17: Social Behaviour as performance Language as performance Performative arts Ethnodrama Performance art Experimental/political theater Ethnographic surrealism Movement studies Experimental ethnographic film A/r/tography Biographical research / relational aesthetics Pervasive and locative arts Slide 18: unstable interdisciplinary flux boundary-crossingly antidisciplinarian fluid – uncertain- temporal dislocating complacency/location/perspective/knowledge a loss – a shift – a rupture Change – contingency – locality – motion – improvisation – struggle – situationally specific practices & articulations - Slide 19: Definition Performative Social Science The open, inquiring, creative, dynamic, reflexive and activist endeavour of research as a performance, by a performance, of a performance, and in a performance. Roberts, Brian (2008), “Performative social science: A consideration of skills, purpose and context,” Forum Qualitative Sozialforschung / Forum: Qualitative Social Research, 9(2), Art. 58 Slide 20: the verb ephemeral instable reckoning what is lost culture as enacted culture as fluid culture as improvisation lived experience realized in performance the tacit, masked, whispered, provisional, camouflaged, improvised, indirect, hidden Slide 21: Unit Static Fixed Ready to be interpreted ”Hegemony of Textualism” ”scriptocentrism” Slide 22: Knowledge is accepted when secured in print ”Hegemony of Textualism” ”scriptocentrism” Slide 23: Textocentric videography Naturalized aesthetic of objectivity Production of truthful/trustworthy statements about the external/internal world Production of texts as fixed interpretations turning lived experience into narratives Slide 24: Performative videography Interviews as performance, a way of writing the world deconstruction objectifications working with an interpretive relationship to the world it creates setting the cultural phenomenon in motion shattering the constructed narrative line emphasizing the film itself ? DOES IT ALLOW US TO SEE THINGS DIFFERENTLY, AND TO THINK DIFFERENTLY? Slide 25: Researcher Research Process Artistic modes & performances at the intersection of method, research, object of research, representing research Social scientist role shifting as dramatist, actor, director, musician, poet, painter, choreographer Slide 26: Those who make art Those who think about art Manual labour Intellectual labour Imaginative-creative dimension Critical-analytical dimension Entertaining add-onincomplete knowledge stage Slide 27: Those who think about art Intellectual labour Critical-analytical dimension Creative, refreshing, utopian, radical way to produce knowledge Those who make art Manual labour Imaginative-creative dimension