logging in or signing up NeoClassicism Wen12 Download Post to : URL : Related Presentations : Share Add to Flag Embed Email Send to Blogs and Networks Add to Channel Uploaded from authorPOINTLite Insert YouTube videos in PowerPont slides with aS Desktop Copy embed code: (To copy code, click on the text box) Embed: URL: Thumbnail: WordPress Embed Customize Embed The presentation is successfully added In Your Favorites. Views: 1588 Category: Entertainment License: All Rights Reserved Like it (3) Dislike it (1) Added: October 30, 2007 This Presentation is Public Favorites: 0 Presentation Description No description available. Comments Posting comment... By: pekara (11 month(s) ago) Please, allow me to download! Saving..... Post Reply Close Saving..... Edit Comment Close By: bsleanne (16 month(s) ago) hello. I would like to use this presentation for my Interior Design Principles and Theory students. Please allow me permission. Thanks! Saving..... Post Reply Close Saving..... Edit Comment Close By: nspsatish60 (27 month(s) ago) It's very nice I wish to download this pt. pl do give permission satish Saving..... Post Reply Close Saving..... Edit Comment Close Premium member Presentation Transcript Slide1: By: Ms. Susan M. Pojer Horace Greeley HS Chappaqua, NYSlide2: Overview of Neo-Classicism Art produced in Europe and North America from the mid-18c to the early 19c. More than just an antique revival a reaction against the surviving Baroque & Rococo styles. Linked to contemporary political events: Revolutions established republics in France and in America. [Neo-Classicism was adapted as the official art style]. Association with the democracy of Greece and the republicanism of Rome. Napoleon used the style for propaganda.Slide4: 1. Excavations of the Ruins of Italian Cities Herculaneum in 1738. Pompeii in 1748.Slide5: 2. Publication of Books on Antiquity James Stuart & Nicholas Revert Antiquities in Athens: 1762-1816.Slide6: 3. Arrival of the Elgin Marbles Thomas Bruce, 7th Lord of Elgin British Museum, 1806 From the top façade of the Parthenon in Athens.Slide7: 4. Johann Winckelmann’s Artists Circle German art historian. Artists should “imitate” the timeless, ideal forms of the classical world. A circle of international artists gathered about him in the 1760s in Rome.Slide8: Characteristics of Neo-Classicism Return to the perceived “purity” of the arts of Rome. Model the “ideal” of the ancient Greek arts and, to a lesser, extent, 16c Renaissance classicism. A conviction that there is a permanent, universal way things are (and should be), which obviously entails fundamental political and ethical commitments. Sometimes considered anti-modern or even reactionary.Slide10: Robert Adam Scottish architect & designer Syon House 1760s Syon House The Red SalonSlide11: Claude Nicholas Ledoux Designed a pavilion in 1771 for the Comtesse du Barry at Louveciennes. Designed a series of city gates for Paris (1785-1789).Slide12: Claude Nicholas Ledoux Rotunde de la Villette, ParisSlide13: John Wood “The Royal Crescent [Circus]” at Bath, England (1754).Slide14: The “Empire Style”: Charles Percier & Pierre François Léonard Fontaine Napoleon’s official architects. They remade Paris in the intimidating opulence of Roman imperial architectural style.Slide15: Greek-Inspired Architecture Bank of England Rotunda Sir John Soane, 1796 British Museum Portico Sir Robert Smirke, 1823-1847Slide16: The “Federal Style” in America 1780 – 1820. Thomas Jefferson’s influence. Monticello, VA University of VA U. S. CapitolSlide17: The “Greek Revival Style” in America Second Bank of the US Philadelphia, 1824Slide19: “Parnassus” Anton Raphael Mengs, 1761 Mengs was the leading artist of early Neo-Classicism.Slide20: “The Oath of Brutus” Gavin Hamilton, 1767 The oath was sworn as a promise of individual revenge against a corrupt monarchy.Slide21: “The Death of Socrates” Jacques-Louis David, 1787 The death of Socrates was a symbol of republican virtue.Slide22: “The Oath of the Horatii” Jacques-Louis David, 1784 A depiction of dutiful patriotism.Slide23: “The Consecration of Napoleon & Josephine” Jacques-Louis David, 1805-1807 A very different theme: The celebration of worldly splendor and power.Slide24: “The Apotheosis of Homer” Jean-Auguste-Dominique Ingres, 1827 This assembly of great artists and writers of all ages gathered to honor the ancient Greek poet before a classical temple. Slide25: “Romulus—Victory over Acron” Jean-Auguste-Dominique Ingres, 1812 Painted for Napoleon’s palace in Rome.Slide26: “The Sabine Women” Jean Auguste Ingres, 1799Slide28: Neo-Classical Sculpture Profoundly influenced by ancient art since the Renaissance. Neo-Classical sculptors avoided the dramatic twisting poses and colored marble surfaces characteristic of late Baroque and Rococo sculpture. They preferred: Crisp contours. A noble stillness. Idealized white marble forms.Slide29: Antonio Canova “Apollo Crowning Himself,” 1781 “Perseus with the Head of Medusa,” 1804-1806Slide30: Antonio Canova “Paulina Bonaparte,” 1808 “Hercules” Slide31: Bertel Thorvaldsen “Jason,” 1803-1823 “Adonis,” 1808-1832Slide33: Furniture The furniture designs used Greco-Roman motifs. Became known as style étrusque [“Etruscan style”] in France. Were favored by the court of Louis XV and later by Napoleon I.Slide34: Josiah Wedgwood Greek vases found in excavations became models for this new type of ceramics.Slide35: Neo-Classicism Continued Into the 19c and Beyond…. By the mid-19s, several European cities were transformed into veritable museums of Neo-Classical architecture. Brandenburg Gate, Berlin Buckingham Palace, London The Gate of Alcala, MadridSlide36: American Renaissance” Movement A Neo-Classical expression in Beaux-Arts architecture. Lincoln Memorial American Museum of Natural History National Gallery of ArtSlide37: The “Sunset” of Neo-Classicism Sir Edwin Lutyan a monumental city plan for New Delhi during the British Raj. Rashtrapati Bhavan [President’s House] India Gate Monument You do not have the permission to view this presentation. In order to view it, please contact the author of the presentation.
NeoClassicism Wen12 Download Post to : URL : Related Presentations : Share Add to Flag Embed Email Send to Blogs and Networks Add to Channel Uploaded from authorPOINTLite Insert YouTube videos in PowerPont slides with aS Desktop Copy embed code: (To copy code, click on the text box) Embed: URL: Thumbnail: WordPress Embed Customize Embed The presentation is successfully added In Your Favorites. Views: 1588 Category: Entertainment License: All Rights Reserved Like it (3) Dislike it (1) Added: October 30, 2007 This Presentation is Public Favorites: 0 Presentation Description No description available. Comments Posting comment... By: pekara (11 month(s) ago) Please, allow me to download! Saving..... Post Reply Close Saving..... Edit Comment Close By: bsleanne (16 month(s) ago) hello. I would like to use this presentation for my Interior Design Principles and Theory students. Please allow me permission. Thanks! Saving..... Post Reply Close Saving..... Edit Comment Close By: nspsatish60 (27 month(s) ago) It's very nice I wish to download this pt. pl do give permission satish Saving..... Post Reply Close Saving..... Edit Comment Close Premium member Presentation Transcript Slide1: By: Ms. Susan M. Pojer Horace Greeley HS Chappaqua, NYSlide2: Overview of Neo-Classicism Art produced in Europe and North America from the mid-18c to the early 19c. More than just an antique revival a reaction against the surviving Baroque & Rococo styles. Linked to contemporary political events: Revolutions established republics in France and in America. [Neo-Classicism was adapted as the official art style]. Association with the democracy of Greece and the republicanism of Rome. Napoleon used the style for propaganda.Slide4: 1. Excavations of the Ruins of Italian Cities Herculaneum in 1738. Pompeii in 1748.Slide5: 2. Publication of Books on Antiquity James Stuart & Nicholas Revert Antiquities in Athens: 1762-1816.Slide6: 3. Arrival of the Elgin Marbles Thomas Bruce, 7th Lord of Elgin British Museum, 1806 From the top façade of the Parthenon in Athens.Slide7: 4. Johann Winckelmann’s Artists Circle German art historian. Artists should “imitate” the timeless, ideal forms of the classical world. A circle of international artists gathered about him in the 1760s in Rome.Slide8: Characteristics of Neo-Classicism Return to the perceived “purity” of the arts of Rome. Model the “ideal” of the ancient Greek arts and, to a lesser, extent, 16c Renaissance classicism. A conviction that there is a permanent, universal way things are (and should be), which obviously entails fundamental political and ethical commitments. Sometimes considered anti-modern or even reactionary.Slide10: Robert Adam Scottish architect & designer Syon House 1760s Syon House The Red SalonSlide11: Claude Nicholas Ledoux Designed a pavilion in 1771 for the Comtesse du Barry at Louveciennes. Designed a series of city gates for Paris (1785-1789).Slide12: Claude Nicholas Ledoux Rotunde de la Villette, ParisSlide13: John Wood “The Royal Crescent [Circus]” at Bath, England (1754).Slide14: The “Empire Style”: Charles Percier & Pierre François Léonard Fontaine Napoleon’s official architects. They remade Paris in the intimidating opulence of Roman imperial architectural style.Slide15: Greek-Inspired Architecture Bank of England Rotunda Sir John Soane, 1796 British Museum Portico Sir Robert Smirke, 1823-1847Slide16: The “Federal Style” in America 1780 – 1820. Thomas Jefferson’s influence. Monticello, VA University of VA U. S. CapitolSlide17: The “Greek Revival Style” in America Second Bank of the US Philadelphia, 1824Slide19: “Parnassus” Anton Raphael Mengs, 1761 Mengs was the leading artist of early Neo-Classicism.Slide20: “The Oath of Brutus” Gavin Hamilton, 1767 The oath was sworn as a promise of individual revenge against a corrupt monarchy.Slide21: “The Death of Socrates” Jacques-Louis David, 1787 The death of Socrates was a symbol of republican virtue.Slide22: “The Oath of the Horatii” Jacques-Louis David, 1784 A depiction of dutiful patriotism.Slide23: “The Consecration of Napoleon & Josephine” Jacques-Louis David, 1805-1807 A very different theme: The celebration of worldly splendor and power.Slide24: “The Apotheosis of Homer” Jean-Auguste-Dominique Ingres, 1827 This assembly of great artists and writers of all ages gathered to honor the ancient Greek poet before a classical temple. Slide25: “Romulus—Victory over Acron” Jean-Auguste-Dominique Ingres, 1812 Painted for Napoleon’s palace in Rome.Slide26: “The Sabine Women” Jean Auguste Ingres, 1799Slide28: Neo-Classical Sculpture Profoundly influenced by ancient art since the Renaissance. Neo-Classical sculptors avoided the dramatic twisting poses and colored marble surfaces characteristic of late Baroque and Rococo sculpture. They preferred: Crisp contours. A noble stillness. Idealized white marble forms.Slide29: Antonio Canova “Apollo Crowning Himself,” 1781 “Perseus with the Head of Medusa,” 1804-1806Slide30: Antonio Canova “Paulina Bonaparte,” 1808 “Hercules” Slide31: Bertel Thorvaldsen “Jason,” 1803-1823 “Adonis,” 1808-1832Slide33: Furniture The furniture designs used Greco-Roman motifs. Became known as style étrusque [“Etruscan style”] in France. Were favored by the court of Louis XV and later by Napoleon I.Slide34: Josiah Wedgwood Greek vases found in excavations became models for this new type of ceramics.Slide35: Neo-Classicism Continued Into the 19c and Beyond…. By the mid-19s, several European cities were transformed into veritable museums of Neo-Classical architecture. Brandenburg Gate, Berlin Buckingham Palace, London The Gate of Alcala, MadridSlide36: American Renaissance” Movement A Neo-Classical expression in Beaux-Arts architecture. Lincoln Memorial American Museum of Natural History National Gallery of ArtSlide37: The “Sunset” of Neo-Classicism Sir Edwin Lutyan a monumental city plan for New Delhi during the British Raj. Rashtrapati Bhavan [President’s House] India Gate Monument