TheaterHistoryII

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Greek Drama: 

Greek Drama

Drama was born in ancient Greece!: 

Drama was born in ancient Greece! 600s B.C. - Greeks were giving choral performances of dancing and singing Performances at festivals honoring Dionysus Later they held drama contests to honor him

Thespis (534 B. C.): 

Thespis (534 B. C.) Defined theater art of acting a part on stage dramatic impersonation of another character than yourself Uncertain whether he was a playwright, an actor, or a priest “Thespian” term comes from his name

Description of Greek Theater: 

Description of Greek Theater Took place in large hillside amphitheaters held 20, 000 people!! Players included a chorus and their leader Lines were chanted Chorus performed in an “orchestra”, not on a raised platform

Greek Theater (continued): 

Greek Theater (continued) Masks used to represent characters High-soled boots worn to add height Both of these limited movement

Greek Theater: 

Greek Theater

Most Important Era (400s B.C.): 

Most Important Era (400s B.C.) Tragedies performed as part of a civic celebration called the City Dionysia Festival lasted several days Prizes given for best tragedy, comedy, acting, and choral singing

Theater of Dionysus: 

Theater of Dionysus Located on slope below the Acropolis in Athens Seated 14,000 Circular acting area called orchestra Skene (stage house)

Greek Tragedy: 

Greek Tragedy Nearly all surviving tragedies are based on myth Character’s struggle against hostile forces ended in defeat and ultimately in death A series of dramatic episodes separated by choral odes (mini-songs). Episodes performed by a few actors - never more than 3 on stage

Greek Drama (continued): 

Greek Drama (continued) Wore masks to indicate the nature of the characters played. Men played women’s roles Same actor appeared in several parts. Of the hundreds of Greek tragedies written, fewer than 35 survive.

Three Playwrights: 

Three Playwrights Aeschylus Most famous for Oresteia Introduced concept of second actor Expanded possibilities for plot

Sophocles: 

Sophocles Innovation of the third actor Most famous for Oedipus Rex

Euripides: 

Euripides Created the ultimate form of drama Far more naturalistic or human approach in his works Showed interest in psychology through portraits of women

Euripides (continued): 

Euripides (continued) Medea is most famous work Describes how a mother kills her children to gain revenge against their father

Roman Theater: 

Roman Theater Borrowed extensively from Greeks Latin word “ludus” – play Chiefly important because it influenced Renaissance playwrights Works of only one author left – Lucius Annaeus Seneca 5 act form -- Elaborate language Revenge as the main idea of the play Confidant

Roman Comedy: 

Roman Comedy Typical plot – misunderstandings Mistaken identity Free-spending sons deceiving their fathers Gradual decline – actors excommunicated -- rising power of church -- invasions by barbarian tribes

Medieval Drama: 

Medieval Drama Death of theater after fall of Roman Empire Kept alive only by street players, jugglers, acrobats, and animal trainers

Medieval Churches: 

Medieval Churches Although against theater during Roman Empire, churches are most responsible for bringing theater back Church needed to establish itself in the community Began using drama to tell stories about religious holidays

Liturgical Drama: 

Liturgical Drama Rebirth of drama through brief plays acted by priests as part of the liturgy (worship service) The Resurrection of Christ was first event dramatized

Mystery Plays: 

Mystery Plays Written in verse and taught Christian doctrine Presented Biblical characters as if they lived in medieval times

Mystery Plays (continued): 

Mystery Plays (continued) Setting for play on pageant wagon Wagon drawn through city to various places Actors performed on platform outside wagon

Miracle Plays: 

Miracle Plays Based on lives of saints rather than scripture Became secular after short period of time

Morality Plays: 

Morality Plays Relgious performed “speeches” Taught meanings of Biblical passages other than literal ones Changed into plays called interludes Interludes were created strictly for entertainment

Renaissance Drama (Italy) : 

Renaissance Drama (Italy) Strictly applied Aristotle’s rules Spectacular musicals Intermezzo – music and lively entertainment between acts 16th century - Opera emerges 17th century – Commedia dell’arte Comedy and improv

Renaissance Drama: 

Renaissance Drama Pastoral drama Set in the country Depicted romantic affairs of rustic people, usually shepherds and shepherdesses

Renaissance Drama (England): 

Renaissance Drama (England) Not bound by rules Elements of farce, morality, disregard for time and place Christopher Marlowe Development of blank verse

England Performances: 

England Performances Began early afternoon; ended just before dusk Women never on stage; parts played by boys Attended by all classes of society Refreshments sold during performances Audience in a “holiday” mood

William Shakespeare: 

William Shakespeare Father of modern drama Creator of the Globe Theater

Shakespeare (Continued): 

Shakespeare (Continued) Wrote tragedies, comedies, etc. Unified plot Strong characters and imagery Perfection with verse form and language Captured the spirit of ordinary speech Gave special dignity to characters/situations

The Globe Theater: 

The Globe Theater One of four major theaters in England – the other three – Swan, Rose, Hope Open-air octagonal amphitheater Seated 3,000 3 stories high Original burned down; was reconstructed before Shakespeare’s death

Congratulations!!!: 

Congratulations!!! You have completed the lecture on the history of theater!!!