Presentation Transcript
The Spirit of Baroque : The Spirit of Baroque Chapter 10
Hum2020
The Baroque in Spain : The Baroque in Spain Original from Portuguese: misshapen pearl
Spain: Catholic Counter-Reformation( art of mystical spirituality) and absolutist monarchy(monarchs patronized projects and artists)
Repercussions in American colonies
El Greco and Catholic Mysticism : El Greco and Catholic Mysticism Mysticism: connection to God through senses and feelings
Index: list of forbidden books; reforms in Catholic education and revival of faith
El Greco: intensely religious; trained in Venice, settled in Toledo
Burial of Count Orgaz influenced by Raphael. Individual baroque style
Spanish Baroque Architecture : Spanish Baroque Architecture Few commissions from Phillip II. Phillip used Italian artists for his El Escorial palace
Palace, mausoleum, monastery to St. Lawrence
Influenced by Michelangelo’s St. Peter’s
Gold and silver from the New World
La Compania in Cuzco Peru and Cathedral of Mexico: Triumph of Christianity over native faiths.
Velazquez : Velazquez Diego Velazquez, court painter to Philip IV
Realist; bold color and brushwork
Did not attain Rubens’ social status
Las Meninas: genre painting
King and Queen and painter in painting
Red cross: nobility awarded to him by King
Cervantes and Don Quijote : Cervantes and Don Quijote Idealistic knight confuses real world with chivalric fantasy
Draws people and changes them
Cervantes: Greatest literary work of 17 century
Sancho represents reality who brings Don Quijote back from his fantasy
Don Quijote : Don Quijote Contrast between reality and fantasy, truth and falsehood, issues of life and death
Spanish Inquisition executed heretics on flimsy evidence like Don Quijote’s fantasies
Masterpiece about the chief intellectual problems of his age
The Baroque in Italy : The Baroque in Italy More exuberant baroque style in Italy
New buildings and artistic patronage exceeding Renaissance
Ornamentation, dramatic and theatrical, monumental scale of works
The Baroque Master Bernini : The Baroque Master Bernini Pope Urban VIII hired Gianlorenzo Bernini to beautify Rome
Surpassed Renaissance architects in ambition and scope
Baldacchino, Piazza to St Peter’s, Colonnade: arms of the Church to welcome worshippers
Slide14 : Sculpture: dynamic, energetic
David: ready to cast his stone, coiled to release in baroque diagonal. Face self-portrait of Bernini
Cornaro Chapel: Ecstasy of St. Teresa: Saint’s union with God
Teresa consumed with love for God
Sculpted figures of Cornaro family in balconies witness vision
Baroque religious emotionalism
Italian Baroque Painting : Italian Baroque Painting Caravaggio: Dramatic chiaroscuro to depict biblical scenes. Italian peasants for models
The Calling of St. Matthew: anachronistic shows deep belief in salvation of sinners
Artemisa Gentileschi: pupil of Caravaggio. Judith Slaying Holofernes foreground light propels action forward: dramatic
The Birth of Opera : The Birth of Opera By 17th century Italy losing ground in the arts except in opera
Opera: musical theater, sung, with orchestra and staged with costumes and sets
Florentine Camerata
Claudio Monteverdi: Orfeo: Orpheus descends to Hell to rescue Euridice
Expanded recitatives
Slide18 : Solos convey intense feelings
Chordal dissonances create discomfort that anticipates a resolution
Interest in human emotion evidenced in Caravaggio’s and Bernini’s works
Aria: independent song revealing feelings of character. Showcased the virtuosity of singers
Opera seria and opera buffa
Vivaldi and Italian Baroque Music : Vivaldi and Italian Baroque Music Vivaldi: musical director of conservatory.
Virtuoso of the violin from Venice, Master of the baroque concerto, musical form with small group of instrument in contrasts with a larger orchestra.
The Four Seasons: Brilliant composition of four dramatic episodes connected by a recurring melody. Studied by Bach later.
Absolutism : Absolutism Absolute monarchies: solution to maintain social order; control of every aspect of national life
Hobbes didn’t believe humans could rule themselves
Louis XIV: L’etat, c’est moi!
The Baroque in France : The Baroque in France Reign of Louis XIV-- “Sun King” 1660
Sponsored arts and theater--controlled them via the academies: Rules revived Greek and Roman forms: neoclassical style flourished alongside Italian baroque
Versailles : Versailles Balanced and lavish--compromise between neoclassical rules and baroque excess
Enlarged the hunting lodge; eventually moved his court there--50,000 p, 20,000 h
Le Vau, (a), Le Notre, (g d), Lebrun,( I d)
Mansart--Hall of Mirrors
Established French national style
The Performing Arts at Versailles : The Performing Arts at Versailles Academie Francaise: judged in matters of literary form and taste--rules for theater
5 acts, unities of time and place provide a moral lesson
Moliere: attacked hypocrisy of French society: Tartuffe, The Would-Be Gentleman, The Imaginary Invalid his best plays. Wit and observation of society.
Slide29 : Lully collaborated with Moliere in comedy-ballets
Became the head of the Royal Academy of Music
He developed classical ballet with five basic foot positions.
Employed professional women dancers
Composed 20 operas--never achieved greatness of Italian operas
Rubens and Poussin: Painters of the Court : Rubens and Poussin: Painters of the Court Rubens: (Flemish)master of baroque style
Dynamic compositions with lavish color: Marie de Medici’s 21 canvases
Themes of aristocracy: hunting, history, mythology, portraits
Rape of the Daughter of Leucippus, Henry IV Receiving the Portrait of Marie de Medici
Poussin : Poussin Baroque Neoclassicism: cool and defined figures as classical statues
Clarity of The Holy Family on the Steps
Pyramidal grouping from the Renaissance
Regularity of structure
Academic tastes
Music of the Protestant Baroque : Music of the Protestant Baroque No absolutist monarch to impose rules and tastes
Small German courts provided patrons
Johann Sebastian Bach : Johann Sebastian Bach Excelled in both secular and sacred music. Was not known outside his area.
Two features of baroque music: counterpoint and basso continuo
Six Brandenberg Concertos
Appointed music director of St. Thomas church in Leipzig
Cantatas (over 300): choral work for Lutheran worship
The “Well-tempered Keyboard” : The “Well-tempered Keyboard” Musical exercises proved that any stringed keyboard instrument could be tuned to accommodate all 24 major and minor keys.
Prelude free form--shows off the keyboard player’s ability
Fugue--musical form developed in counterpoint
St. Matthew’s Passion
The Dutch Baroque : The Dutch Baroque Vigorous commerce and political independence in the Netherlands
Churches bare, but public halls decorated with paintings
Demand for paintings eliminated need for patrons
Vermeer : Vermeer Unknown in his day: now regarded as a master of light and color
Feel for the Dutch interior
The Allegory of Painting and The Milkmaid
Thirty canvases
Rembrandt : Rembrandt Dutch from Amsterdam--mastered all popular subjects of his age
Transcended his peers in visual and psychological richness
The Night Watch--group portraits commissioned by Dutch civic groups as complex as Velazquez and El Greco’s masterpieces
Slide45 : Lost patrons, his wife, his child.
Religious work: Christ Healing the Sick
Etching: lines scratched on a wax-covered metal plate. Plate treated with acid that etches the metal; prints then taken from the plate.
Self Portraits: more than 60
Psychological insight
Christopher Wren’s London : Christopher Wren’s London St. Paul’s: Gothic, Renaissance and baroque styles
Influenced by Bernini and Mansart
After the fire of London he constructed the new St. Paul’s
Handel : Handel German by birth, adopted by England. Leading composer of baroque period.
Trained in Italy, wrote operas
King George I was his patron
Oratorios: narrative choral work with operatic elements but without action, scenery or costumes: Messiah
Messiah : Messiah Presented in Dublin Ireland 1742
Jesus’ birth, death and resurrection
Hallelujah chorus: British king stood up and started a tradition
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