Macbeth: Macbeth
Basic Information: Basic Information Dramatis Personae
Duncan: King of Scotland
Macbeth: Decorated General
Lady Macbeth: Macbeth’s wife
Banquo: Macbeth’s best friend; general in army
Macduff: Friend of Macbeth; Nobleman
Fleance: Banquo’s son
Malcolm: Duncan’s son
Donalbain: Duncan’s son
Witches: Foreseers of future
Basic Information: Basic Information First play written under King James I
Shakespeare added a lot of things that James would identify with:
Male rule
Heirs
An innocent Banquo
Drive:
Determination and predestination
An unnatural force
Basic Information: Basic Information Really a history/tragedy
Holinshed wrote a similar work
If the name of the main character is in the title, it is a history or tragedy
Moving from the Elizabethan to Jacobean rule in England
1603 Queen Elizabeth dies (in power 45 years)
1604 James I takes the throne (James is Scottish)
1616-Shakespeare dies
1624-James I dies
Act I Scene 1: Act I Scene 1 Play opens in an “open place”
No specific setting noted
Three witches:
Read I.1-1045
Announce their intentions to meet with Macbeth
War between Duncan and Thane of Cawdor
Play witches scene
Act I Scene 2: Act I Scene 2 At the king’s camp:
Officer tells Duncan and Malcolm about heroism of Macbeth and Banquo
They won the battle
They captured the current Thane of Cawdor
Duncan transfers the title to Macbeth
Act I Scene 3: Act I Scene 3 Read I.3-1046-1047
The witches meet again:
Brag about their deeds
Wait for Macbeth and Banquo to appear
Macbeth: “Foul and fair”:
Foreshadows the future
Witches predict:
Macbeth will become Thane of Cawdor
Macbeth will become King of Scotland
Banquo will never rule but his kids will
Macbeth hears that he has become Thane of Cawdor and suspects that the witches were right
Watch movie scene
Act I Scene 4: Act I Scene 4 Read I.4-1048
Duncan and his sons greet Macbeth and Banquo:
Duncan greets Macbeth as Thane
Duncan invites himself and company to Macbeths new castle
Duncan then names his son, Malcolm, as his successor
Act I Scene 5: Act I Scene 5 Read: I.5-1048-1049
Lady Macbeth reads letter from her husband:
Named Thane
Predictions of witches
Figures that she needs to provoke his ambition
Perfect opportunity to kill the king
Macbeth appears and they discuss a plan
Play movie scene: Letter reading/MB’s return
Act I Scene 6: Act I Scene 6 The guests arrive:
Duncan
Malcolm
Donalbain
Banquo
Lady Macbeth welcomes them and is perfectly sweet to their faces although she plans to kill Duncan
Theme: Equivocation: Theme: Equivocation Definition:
Open to two or more interpretations and often intended to mislead; ambiguous.
The use of words or expressions susceptible to double signification
The use of equivocation is the most important theme in the play
Theme: Equivocation of the Witches: Theme: Equivocation of the Witches Prophecies are ambiguous
Full of paradox and confusion
“Fair is foul and foul is fair”
They speak with alliteration in rhymed couplets
They add elements of confusion to their words
They are able to confuse Macbeth easily
They speak of the future but are unable to affect it directly
Banquo foreshadows on 1047:
These witches will push Macbeth
Theme: Interpretation of Witches: Theme: Interpretation of Witches Weird comes from Old English Wyrd meaning fate
Macbeth’s Interpretation:
Suggest future not affect it
Must act on predictions to gain truth
Banquo’s Interpretation:
Affect the future
Must not act on their musings
The witches add:
Mirroring
Doubling
Mirroring: Macbeth and Lady: Mirroring: Macbeth and Lady Mirroring heightens the differences between the characters
Macbeth is the double for Duncan:
Macbeth is violent and cruel
Duncan is peaceable and rewarding
Lady Macbeth is the double of Lady Macduff:
Lady Macbeth casts off her femininity and has no problem killing even her own child
Lady Macduff is the model of a good mother and would die to save her child
Being vs. Seeming: Being vs. Seeming Fundamental definition of equivocation
Complex differences between the inner and outer world:
Macbeth is told to:
“Look like th’ innocent flower/But be the serpant under’t”
Lady Macbeth calls:
“Unsex me here”
Nightmares and guilt will eat at both characters
Act II: Scene 1: Act II: Scene 1 Read II.1.1050
Macbeth’s famous soliloquy
Sees a dagger in mind reminiscent of his dagger
“a false creation”: messing this murder up could destroy the coup
“fools”: victims
“eyes worth all the rest”: must rely on his eyes, not his heart or mind to become king
“gouts of blood”: the blood on the dagger signals that the action must be done
“Tarquin” a character in a Shakespearean poem, an allusion to himself, very rare
“I go and it is done”: Duncan is as good as dead
Act II: Scene 1: Act II: Scene 1 Read 2.1-1052
Lady Macbeth announces that she drugged Duncan’s guards
Macbeth comes back and says that he has done the “foul deed”
Lady Macbeth tells Macbeth to forget “brain sickly things” like praying and God’s wrath
Macbeth’s mistake is bringing the daggers back with him
Lady Macbeth must take them back to plant by the guards
Play Movie: Lady Macbeth poisoning the guards, Macbeth’s Dagger soliloquy, Duncan’s murder scene, Lady taking daggers back
Act II Scene 1: Act II Scene 1 Read II.1.1052-1053
The clown, Porter, answers the knocking
Lets Macduff and Lenox into the castle
Macduff discovers the king’s body
The real murderers blame the guards
Malcolm and Donalbain make plans to flee Scotland
Act II Scene 2: Act II Scene 2 An old man is discussing the omens of the night with Rosse
Macduff enters with news that the king is dead
Macduff announces that Macbeth is the new King of Scotland
Theme: Visions and Hallucinations of Guilt: Theme: Visions and Hallucinations of Guilt “Dagger of the mind”
The dagger is a physical manifestation of the guilt Macbeth feels about killing Duncan
All of the ghostly occurrences are psychological
Macbeth cannot pray or sleep
Metaphor: Macbeth’s lack of sleep: Metaphor: Macbeth’s lack of sleep “Macbeth shall sleep no more”
Freud said (centuries later) that:
Dreams are the gateways to the waking world
By not sleeping or dreaming, Macbeth will not have any further connection to the waking world
He is now the king of a country, in a world, he is not part of
Pathetic Fallacy: Pathetic Fallacy Two of Duncan’s horse eating each other
Owl eating a falcon:
Many birds of prey symbols
Duncan sees martlets nesting on Macbeth’s castle walls
Martlets are lucky birds
Lady Macbeth hears ravens when she cries to be unsexed
Ravens are birds of prey like she is
While Lady waits for Macbeth to kill Duncan she hears an owl hooting
Owl is a metaphor for Macbeth who also hunts Duncan at night
This owl could be the bell Macbeth hears
These echo the slaughter of one nobleman by another
The murder plunges the country into turmoil
Act III: Scene 1: Act III: Scene 1 Read 3.1-1055-1056
Banquo puts it all together in soliloquy
Banquo recalls the prophesy of his son ruling
When Banquo leaves, Macbeth plans to have two murderers kill Banquo and his son to prevent the witches prophesy from coming true
Watch movie: Banquo puts it together, Macbeth talks to Banquo, Macbeth plans the murder and talks to the murderers
Act III: Scene 2: Act III: Scene 2 Macbeth and Lady Macbeth discuss the threat of Banquo and Fleance
Macbeth hints at his plan to kill them but does not tell her directly
Many think that the lack of involvement of Lady leads to this act failing and Fleance (hence his name Flee (run) (L)ance (leaving) getting away
Act III: Scene 3: Act III: Scene 3 Two murderers are joined by a third and they wait for Banquo and Fleance
Banquo is killed and Fleeance gets away
Play movie scene: Banquo and Fleance vs. 3 murderers
Act III: Scene 4: Act III: Scene 4 Banquet in Macbeth’s honor
He is informed of the news of the evening and sees Banquo’s ghost at the table
This highly upsets Macbeth, but recovers
The ghost of Banquo returns
Lady Macbeth excuses her husband and says that he periodically suffers from seizures
Macbeth plans to seek out the itches and learn more about the threats against them
Play Movie Scene: Banquet with Banquo’s ghost
Act III: Scene 5: Act III: Scene 5 Read III.5-1059
We meet the demon goddess Hecate
She scolds the witches because they did not invite her to participate in their scheme for Macbeth
She tells them that they should make up some potent spells to share with Macbeth
Act III: Scene 6: Act III: Scene 6 Lenox talks to another Lord about the deaths of Duncan and Banquo
Malcolm is in England gathering an army to overthrow Macbeth
Macduff and the King of England are also in the army
Theme: Stains: Theme: Stains The Macbeths are obsessed with stains:
Lady Macbeth’s “out damn spot speech”
As early as Act II we see them struggling with stains:
“All great Neptune’s ocean wash this blood/Clean from his hand…”
“A little water clears us of this deed” (II.2-77-87)
The stain of blood seems to follow them:
Banquo’s blood even comes back to the castle on the murderer’s face
“There’s blood upon thy face” (III.4 13-14)
Blood stains are also used by Lady Macbeth to setup the guards for Duncan’s murder
Theme: Be a man: Theme: Be a man When Macbeth asks the murders if they had the courage to kill Banquo they reply:
“We are men my liege” (III.1.102)
This answer is less than acceptable to Macbeth
Lady Macbeth and Macbeth have opposing viewpoints on this issue:
Lady says a man:
Uses whatever means necessary (I.7 55-60)
Must cast away kindness, tenderness and affection (I.5 45-60)
Even Duncan rewards tasks like Macbeth’s slaying from “stern to chops” in Act 1
Macbeth is therefore confronted with a paradox:
As his ability to shed more blood grows to please his wife, his men desert him
Theme: Light vs. Dark: Theme: Light vs. Dark The murder observes that the sun is setting as Banquo and Fleance approach
Banquo is a bright and noble light in contrast to Macbeth’s darkness
It is highly symbolic that the last light of day goes out as he dies
The Problem of the 3rd Murderer: The Problem of the 3rd Murderer Who is this 3rd murderer that appears?
Many critics have hypothesized that it is:
Macbeth himself
Recall that Macbeth did not trust the murderer’s “we are men” reply
Lady Macbeth
Recall that she had great interest in what Macbeth was planning next
A thane or servant
The three witches in disguise
The 3rd murderer means one of two things:
If Macbeth knew about this it would back up the fact that he does not trust anyone
Also it rounds out the next theme, the power of 3’s
Theme: The Power of 3’s: Theme: The Power of 3’s Throughout this course you will see the significance of this theme:
Applied to Macbeth:
There are three witches
Three murderer’s
Three murders by Macbeth
Three apparitions appear in castle
There is power in the number three dating back to Grimm’s Fairy Tales where characters received three wishes
Act IV: Scene 1: Act IV: Scene 1 Read IV.1-1061-1062
The three witches conjure three spirits to answer Macbeth’s questions:
An Armed Head: warns Macbeth against Macduff
Blood-stained Child: tells Macbeth that no man born of a woman can stop him
Child wearing a crown: tells Macbeth that he will rule Scotland until Birnam Wood matches on Dunsinane
Macbeth asks if Banquo’s children will rule and Banquo appears heading a table of eight kings
The apparitions and witches disappear and Macbeth vows to slay Macduff and his family
Act IV: Scene 2: Act IV: Scene 2 Lady Macduff cries over her husband’s departure
She tells her son that his father is dead (women did that back then just in case) but the boy doesn’t believe it
Macbeth’s murderers arrive and slay Macduff’s young son and chase his wife off stage to her death
Play movie scene: Lady Macduff and son death scene
Act IV: Scene 3: Act IV: Scene 3 Read IV.3-1065
In England Malcolm tests Macduff’s loyalty
He says that he has committed a crime
Macduff is saddened that a criminal will rule Scotland
Malcolm knows that Macduff is for real
Macduff finds out that his family was killed
He is sad and vows vengeance on Macbeth
Theme: Doubling: Theme: Doubling The witches prepare for Macbeth’s visit:
“double, double, toil and trouble” (IV.1-10)
Through equivocation we know that Macbeth will only listen to, or comprehend half of their message
When he hears the apparitions muses, he realizes that “stones have been known to move and trees to speak” (III.4-154) but he never considers the possibility that he may be defeated
Theme: Doubling: Theme: Doubling The “show of kings”
Doubling to the extreme
Each king is a descendant of Banquo
The 8th king is actually James I (who was an actual ruler and watched the play)
This king holds up a mirror and at one time or another reflected the real James I face in it
This carries the effect of doubling into the audience as well
Theme: Doubling: Theme: Doubling There are also doubled characters in the play:
Banquo is the mirror image of Macbeth in reverse
Lady Macbeth is the foil of Macbeth
Malcolm’s leadership style is contrasted to Macbeth’s
Macduff is a double for Macbeth
Theme: Doubling: Theme: Doubling Plot points and scenes also double:
The two scenes where the witches talk with Macbeth
Both Macbeth and Lady Macbeth have troubled sleep
Two murders committed on stage and two committed offstage
Two scenes of mother and child
Act V: Scene 1: Act V: Scene 1 Read V.1-1066
Lady Macbeth is ill
She mumbles and walks in her sleep
She confesses of crimes against Banquo, Duncan, and Lady Macduff
Play movie scene: Lady Macbeth
Act V: Scene 2: Act V: Scene 2 Military Discussion of:
Macduff and Malcolm have made progress against Macbeth’s troops
They plan to meet with the Scottish rebels in Birnam Wood and march on Dunsinane to overthrow Macbeth
Act V: Scene 3: Act V: Scene 3 Read V.3-1067
Macbeth and Doctor talk:
Macbeth does not fear the invasion
He relates that he cannot be killed by a man born of a woman
He also mentions that the woods must march on him in order to defeat him
Ironic that Seyton (pronounced Satan) should appear here as a servant to Macbeth
Macbeth will begin to see his death through Seyton
Seyton will live on, but not Macbeth
Seyton will also report death, very ironic
Watch movie scene
Act V: Scene 4: Act V: Scene 4 Read V.4-1068
Macduff and Malcolm meet the Scottish rebels at Birnam
Malcolm has the idea to camouflage themselves with branches before they march on Macbeth’s castle
Act V: Scene 5: Act V: Scene 5 Read: V.5-1068
Macbeth told that his wife is dead
Macbeth’s famous soliloquy comes
Macbeth is informed that Birnam Wood is marching towards his castle
Macbeth realizes what this means but still fights on believing that no man born of a woman can stop him
Watch movie scene
Allusion to Cane and Abel: Allusion to Cane and Abel Lady Macbeth’s washing of her hands is an attempt to wash the blood off her
This alludes to Cane and Abel and the mark that God placed on Cane after he killed his brother
The difference is that Cane’s mark prevents revenge and Lady Macbeth will die a few scenes later
Allusion to future psychological thought: Allusion to future psychological thought The doctor in Act V plays an important role:
He observes that Lady Macbeth’s dreams are used to infer the cause of her distress
He declares that it is the result of an “infected mind” (V.1-76)
Freud said, centuries later, that the dreams are the gateways to the waking world, Macbeth cannot dream, and Lady Macbeth has nightmares
According to Freud’s assumptions, then, both have lost their link to the real world and must be removed from it
Macbeth soliloquy: Macbeth soliloquy
Act V: Scene 6: Act V: Scene 6 Malcolm and Macduff prepare to assualt the castle walls
Act V: Scene 7: Act V: Scene 7 Read V.7-1069
Macbeth is now in armor
He kills some noblemen
He meets Macduff and the two duel throughout the remainder of the scene
Watch duel
Act V: Scene 8: Act V: Scene 8 Read V.8-1069-1070
Macduff says that he is not naturally born of a woman
“Lay on Macduff”
Macbeth taunts Macduff to keep fighting
Macduff kills Macbeth and appears to the warriors with his severed head
Malcolm is the new king of Scotland
Watch Macbeth death scene
The Problem of the Witches: The Problem of the Witches Are they real, or like the dagger, are the figments of Macbeth’s mind
They only voice ambitions that Macbeth already has
The problem with the witches not being real is that Banquo sees them too
They appear to Macbeth because he is a hollow man devoid of the ambition needed
Audience Relations: Audience Relations The audience relates to Macbeth
Macbeth’s dying is less of a release than Romeo’s or Brutus’s
Audiences identify with Macbeth’s imagination
We are Macbeth:
People who know that they are doing wrong but sometimes do it anyway
The play works because audiences have all thought about committing a crime and becoming him, this frightens and grips the attention
Problem of the Secondary Characters: Problem of the Secondary Characters Macbeth dominate the play that is why the audience relates to him
Lady Macbeth leaves in III.4 except for a short return in madness in V.1
Duncan, Banquo, Macduff, and Malcolm are not individualized to the audience does not relate to them
Porter, Macduff’s son, and Lady Macduff are vivid yet only appear briefly
Shakespeare does this a lot to ensure that the audience relates to the character he desires:
Mercutio is killed before he can eclipse Romeo
Falstaff’s death takes place offstage so as to keep the focus on Hal
Theme: Marriage: Theme: Marriage In each play, Shakespeare deals with the concept of marriage, though differently in comedy, tragedy, and history
Comedy: resolution of problems
Tragedy: cause for concern or trouble
History: Based upon faith and nobility
Through irony, the Macbeths are presented as a very happy couple at the play’s start
They are in love, happy, and share the good news (through a letter) of Macbeth’s assent to Thane of Cawdor
The Problem of the Post-Christian Setting: The Problem of the Post-Christian Setting The setting is medieval Catholic
Seems less set in Scotland and more of a kenoma, a cosmological emptiness described by heretics
We have been thrown into a post-Christian world with very little reference to Christian revelation
Although Macbeth’s crimes are not specifically anti-Christian, the tragedy is so universal it could reach many audiences
There is no spiritual comfort to gain here:
God did not defeat Macbeth
There is no guarantee that this will not happen again
Characterization of Macbeth: Characterization of Macbeth Very ambiguous
Unlike any other Shakespearean character
Knows his acts are wrong but swears to do them anyway
He is not entirely committed to evil
He lacks motivation to carry out his deeds
Unlike Hamlet or other characters, Macbeth does not have a good reason to kill
The audience still sympathizes with him because of his soliloquies of agony
Characterization of Macbeth: Characterization of Macbeth When Macbeth kills Duncan he:
Eliminates the only sane nurturer left in his life
He cuts the very root that feeds him
He disrupts the natural course of history
Macbeth even states later:
If it were done when, then well it were done quickly
He wants to hurry time along
The Problem of “The Child”: The Problem of “The Child” Shakespeare never clarified the childlessness of the Macbeths
Lady speaks of having nursed a child, now dead, even hints to having killed the child herself
We are not told that Macbeth is her second husband, but this can be assumed
They seem to expect no heirs, nor do the witches, even though Macbeth boasts, “bring forth men children only”
Lady seems to be Macbeth’s mother as much as his wife
It is difficult to imagine Macbeth as a father
Freud even commented that their childlessness could be the reason Macbeth kills
Theme: Time: Theme: Time Time dominates this play
It is devouring time, only death is regarded as the finality
Death, time, and nature are fused together
We see Macbeth pushing time forward
Lady also helps him with this by not allowing any possible opportunity to slip by
Theme: Murder: Theme: Murder The play is a night piece in a Northland of cosmos
The setting is darker than the origin of any audience member
Every person in the play, including the audience, is a target for Macbeth
Each is susceptible to Macbeth’s contamination and able to surmise a murder
The need for Porter the Clown: The need for Porter the Clown Read II.3-1052:
Keeper of the gates of hell admits Macduff and Lennox
Cheerful
Meant to contrast Porter with Macbeth
Porter sends out the idea of equivocation within the play
Macbeth remembers his lines “To doubt th’ equivocation of the fiend/That lies like truth” in Act V
All of the witched predictions were lies that sounded true, yet the Porter’s lines are truth that sound like lies
Irony: Irony Macbeth is an ironic masterpiece
Macbeth constantly says more than he knows in soliloquy
He imagines more than he says, sometimes through soliloquy
This raises a gap between consciousness and imaginative powers
Characterization of Lady Macbeth: Characterization of Lady Macbeth Lady Macbeth provides all of the drive that Macbeth lacks
She casts off her femininity to help
I.5-1049
Remorse and peace are weak and feminine to her
She even calls Macbeth womanish
Not a man, she is devoid of all sentimentality
She no longer fits into natural world
Characterization of Lady Macbeth: Characterization of Lady Macbeth Reread I.6.1049 “All our service…”
Metaphor: “Duncan’s honor is deep and broad”
Metonymy: “he honors our house” (the Macbeths themselves)
Hyperbole: “in every point twice done, then done double”
Her syntax is complex
Her rhythm is smooth
She uses the iambic pentameter of Shakespearean nobility
Characterization of Lady Macbeth: Characterization of Lady Macbeth Reread V.1-1066
This speech is in direct contrast to the previous one
Choppy
Shows a deranged and fragmented state of mind
Short and unpolished sentences
Reflects a mind too disturbed to speak eloquently
Now speaks in prose, denoting that she has lost her noble ranking