logging in or signing up greek vase painting Sigismondo Download Post to : URL : Related Presentations : Share Add to Flag Embed Email Send to Blogs and Networks Add to Channel Uploaded from authorPOINTLite Insert YouTube videos in PowerPont slides with aS Desktop Copy embed code: Embed: Flash iPad Dynamic Copy Does not support media & animations Automatically changes to Flash or non-Flash embed WordPress Embed Customize Embed URL: Copy Thumbnail: Copy The presentation is successfully added In Your Favorites. Views: 3481 Category: Education License: All Rights Reserved Like it (2) Dislike it (1) Added: February 07, 2008 This Presentation is Public Favorites: 2 Presentation Description No description available. Comments Posting comment... By: priaksh (33 month(s) ago) nyc Saving..... Post Reply Close Saving..... Edit Comment Close By: shannanna (55 month(s) ago) hello. send this to me firstname.lastname@example.org. thanks a lot Saving..... Post Reply Close Saving..... Edit Comment Close Premium member Presentation Transcript Greek Vase Painting: Greek Vase PaintingSlide2: Vase Shapes hydra used for water “bell” krater used for mixing amphora used for wineSlide3: Vase Shapes (cont.) lekythos used for oil kylix used for drinking wine at a symposium Click here for more on Greek vase shapes.Geometric Kraterby the Dipylon Masterfrom the Dipylon Cemetery, Athens, GRca. 740 BCE3’ 4 1/2” highThe Metropolitan Museum of Art, NY: Geometric Krater by the Dipylon Master from the Dipylon Cemetery, Athens, GR ca. 740 BCE 3’ 4 1/2” high The Metropolitan Museum of Art, NY Q 1.1: Characterize the art of the Geometric period. Q 1.2: What is the narrative on this krater? Q 1.3: How is the human figure portrayed on the krater? Q 1.4: What is ameander, meander, and how is it used on this krater? 1Françoise Vase (Attic black-figure volute krater)Kletias and Ergotimosfrom Chiusi, Italyca. 570 BCEapprox. 2’ 2” highMuseo Archeologica, Florence, IT: Françoise Vase (Attic black-figure volute krater) Kletias and Ergotimos from Chiusi, Italy ca. 570 BCE approx. 2’ 2” high Museo Archeologica, Florence, IT This krater is known as the “Francois Vase“. Q 2.1: What narrative, if any, is represented on the krater 2Achilles and Ajax playing a dice game (detail from black-figure amphora)from Vulci, ItalyExekiasca. 540 - 530 BCEwhole vessel approx. 2’ highVatican Museums, Rome, IT: Achilles and Ajax playing a dice game (detail from black-figure amphora) from Vulci, Italy Exekias ca. 540 - 530 BCE whole vessel approx. 2’ high Vatican Museums, Rome, IT Q 3.1: How does this painting reveal Ajax and Achilles as great warriors? How does it humanize them? Q 3.2: What kinds of weapons and armor did these great Greek warriors have at their disposal? Q 3.3: Examine Exekias' Achilles and Queen Penthesilia. How does the portrayal of Achilles differ in this painting? 3Signature ofExekiasblack on redLouvre, Paris, FR: Signature of Exekias black on red Louvre, Paris, FR 4.1: This signature of Exeklias reads thus: “Exekias made me.” (Note: The Greeks did not put spaces between their words, as we do in English.) 4Achilles and Ajax playing a dice game (Attic bilingual amphora)from Orvietto, ItalyAndokides Painterca. 525 - 520 BCEblack-figure side (left)red-figure side (right)approx. 1’ 9” highMuseum of Fine Arts, Boston: Achilles and Ajax playing a dice game (Attic bilingual amphora) from Orvietto, Italy Andokides Painter ca. 525 - 520 BCE black-figure side (left) red-figure side (right) approx. 1’ 9” high Museum of Fine Arts, Boston Definition: bilingual pottery Q 5.1: What might account for the emergence of bilingual pottery? Q 5.2: Why might an artist prefer the bilingual style? Q 5.3: Eventually, the bilingual style becomes unfashionable. What might account for this? 5Oedipus and the SphinxAchilles Painterca. 440 - 430 BCEred-figure amphoraStaatliche Antikensammlugen, Munich, Germany: Oedipus and the Sphinx Achilles Painter ca. 440 - 430 BCE red-figure amphora Staatliche Antikensammlugen, Munich, Germany Definitions: red-figure pottery Q 6.1: The Achilles painter is considered to be one of the finest red-figure painters. What formal and content advancements does the red-figure style allow that the black-figure style doesn't? 6Web Resources: Web Resources Wikipedia's entry on Ancient Greek Pottery The Beazley Archive: Classical Art Research Centre [Note: Beazley is known as the first significant scholar of Greek pottery after Wincklemann.] The Metropolitan Museum of Art's web page on Athenian pottery – both black- and red-figure pottery is discussed. You do not have the permission to view this presentation. In order to view it, please contact the author of the presentation.