logging in or signing up greek vase painting Sigismondo Download Post to : URL : Related Presentations : Share Add to Flag Embed Email Send to Blogs and Networks Add to Channel Uploaded from authorPOINTLite Insert YouTube videos in PowerPont slides with aS Desktop Copy embed code: Embed: Flash iPad Copy Does not support media & animations WordPress Embed Customize Embed URL: Copy Thumbnail: Copy The presentation is successfully added In Your Favorites. Views: 3411 Category: Education License: All Rights Reserved Like it (2) Dislike it (1) Added: February 07, 2008 This Presentation is Public Favorites: 2 Presentation Description No description available. Comments Posting comment... By: priaksh (26 month(s) ago) nyc Saving..... Post Reply Close Saving..... Edit Comment Close By: shannanna (48 month(s) ago) hello. send this to me annettannett@yadex.ru. thanks a lot Saving..... Post Reply Close Saving..... Edit Comment Close Premium member Presentation Transcript Greek Vase Painting: Greek Vase PaintingSlide2: Vase Shapes hydra used for water “bell” krater used for mixing amphora used for wineSlide3: Vase Shapes (cont.) lekythos used for oil kylix used for drinking wine at a symposium Click here for more on Greek vase shapes.Geometric Krater by the Dipylon Master from the Dipylon Cemetery, Athens, GR ca. 740 BCE 3’ 4 1/2” high The Metropolitan Museum of Art, NY: Geometric Krater by the Dipylon Master from the Dipylon Cemetery, Athens, GR ca. 740 BCE 3’ 4 1/2” high The Metropolitan Museum of Art, NY Q 1.1: Characterize the art of the Geometric period. Q 1.2: What is the narrative on this krater? Q 1.3: How is the human figure portrayed on the krater? Q 1.4: What is ameander, meander, and how is it used on this krater? 1Françoise Vase (Attic black-figure volute krater) Kletias and Ergotimos from Chiusi, Italy ca. 570 BCE approx. 2’ 2” high Museo Archeologica, Florence, IT: Françoise Vase (Attic black-figure volute krater) Kletias and Ergotimos from Chiusi, Italy ca. 570 BCE approx. 2’ 2” high Museo Archeologica, Florence, IT This krater is known as the “Francois Vase“. Q 2.1: What narrative, if any, is represented on the krater 2Achilles and Ajax playing a dice game (detail from black-figure amphora) from Vulci, Italy Exekias ca. 540 - 530 BCE whole vessel approx. 2’ high Vatican Museums, Rome, IT: Achilles and Ajax playing a dice game (detail from black-figure amphora) from Vulci, Italy Exekias ca. 540 - 530 BCE whole vessel approx. 2’ high Vatican Museums, Rome, IT Q 3.1: How does this painting reveal Ajax and Achilles as great warriors? How does it humanize them? Q 3.2: What kinds of weapons and armor did these great Greek warriors have at their disposal? Q 3.3: Examine Exekias' Achilles and Queen Penthesilia. How does the portrayal of Achilles differ in this painting? 3Signature of Exekias black on red Louvre, Paris, FR: Signature of Exekias black on red Louvre, Paris, FR 4.1: This signature of Exeklias reads thus: “Exekias made me.” (Note: The Greeks did not put spaces between their words, as we do in English.) 4Achilles and Ajax playing a dice game (Attic bilingual amphora) from Orvietto, Italy Andokides Painter ca. 525 - 520 BCE black-figure side (left) red-figure side (right) approx. 1’ 9” high Museum of Fine Arts, Boston: Achilles and Ajax playing a dice game (Attic bilingual amphora) from Orvietto, Italy Andokides Painter ca. 525 - 520 BCE black-figure side (left) red-figure side (right) approx. 1’ 9” high Museum of Fine Arts, Boston Definition: bilingual pottery Q 5.1: What might account for the emergence of bilingual pottery? Q 5.2: Why might an artist prefer the bilingual style? Q 5.3: Eventually, the bilingual style becomes unfashionable. What might account for this? 5Oedipus and the Sphinx Achilles Painter ca. 440 - 430 BCE red-figure amphora Staatliche Antikensammlugen, Munich, Germany: Oedipus and the Sphinx Achilles Painter ca. 440 - 430 BCE red-figure amphora Staatliche Antikensammlugen, Munich, Germany Definitions: red-figure pottery Q 6.1: The Achilles painter is considered to be one of the finest red-figure painters. What formal and content advancements does the red-figure style allow that the black-figure style doesn't? 6Web Resources: Web Resources Wikipedia's entry on Ancient Greek Pottery The Beazley Archive: Classical Art Research Centre [Note: Beazley is known as the first significant scholar of Greek pottery after Wincklemann.] The Metropolitan Museum of Art's web page on Athenian pottery – both black- and red-figure pottery is discussed. You do not have the permission to view this presentation. In order to view it, please contact the author of the presentation.
greek vase painting Sigismondo Download Post to : URL : Related Presentations : Share Add to Flag Embed Email Send to Blogs and Networks Add to Channel Uploaded from authorPOINTLite Insert YouTube videos in PowerPont slides with aS Desktop Copy embed code: Embed: Flash iPad Copy Does not support media & animations WordPress Embed Customize Embed URL: Copy Thumbnail: Copy The presentation is successfully added In Your Favorites. Views: 3411 Category: Education License: All Rights Reserved Like it (2) Dislike it (1) Added: February 07, 2008 This Presentation is Public Favorites: 2 Presentation Description No description available. Comments Posting comment... By: priaksh (26 month(s) ago) nyc Saving..... Post Reply Close Saving..... Edit Comment Close By: shannanna (48 month(s) ago) hello. send this to me annettannett@yadex.ru. thanks a lot Saving..... Post Reply Close Saving..... Edit Comment Close Premium member Presentation Transcript Greek Vase Painting: Greek Vase PaintingSlide2: Vase Shapes hydra used for water “bell” krater used for mixing amphora used for wineSlide3: Vase Shapes (cont.) lekythos used for oil kylix used for drinking wine at a symposium Click here for more on Greek vase shapes.Geometric Krater by the Dipylon Master from the Dipylon Cemetery, Athens, GR ca. 740 BCE 3’ 4 1/2” high The Metropolitan Museum of Art, NY: Geometric Krater by the Dipylon Master from the Dipylon Cemetery, Athens, GR ca. 740 BCE 3’ 4 1/2” high The Metropolitan Museum of Art, NY Q 1.1: Characterize the art of the Geometric period. Q 1.2: What is the narrative on this krater? Q 1.3: How is the human figure portrayed on the krater? Q 1.4: What is ameander, meander, and how is it used on this krater? 1Françoise Vase (Attic black-figure volute krater) Kletias and Ergotimos from Chiusi, Italy ca. 570 BCE approx. 2’ 2” high Museo Archeologica, Florence, IT: Françoise Vase (Attic black-figure volute krater) Kletias and Ergotimos from Chiusi, Italy ca. 570 BCE approx. 2’ 2” high Museo Archeologica, Florence, IT This krater is known as the “Francois Vase“. Q 2.1: What narrative, if any, is represented on the krater 2Achilles and Ajax playing a dice game (detail from black-figure amphora) from Vulci, Italy Exekias ca. 540 - 530 BCE whole vessel approx. 2’ high Vatican Museums, Rome, IT: Achilles and Ajax playing a dice game (detail from black-figure amphora) from Vulci, Italy Exekias ca. 540 - 530 BCE whole vessel approx. 2’ high Vatican Museums, Rome, IT Q 3.1: How does this painting reveal Ajax and Achilles as great warriors? How does it humanize them? Q 3.2: What kinds of weapons and armor did these great Greek warriors have at their disposal? Q 3.3: Examine Exekias' Achilles and Queen Penthesilia. How does the portrayal of Achilles differ in this painting? 3Signature of Exekias black on red Louvre, Paris, FR: Signature of Exekias black on red Louvre, Paris, FR 4.1: This signature of Exeklias reads thus: “Exekias made me.” (Note: The Greeks did not put spaces between their words, as we do in English.) 4Achilles and Ajax playing a dice game (Attic bilingual amphora) from Orvietto, Italy Andokides Painter ca. 525 - 520 BCE black-figure side (left) red-figure side (right) approx. 1’ 9” high Museum of Fine Arts, Boston: Achilles and Ajax playing a dice game (Attic bilingual amphora) from Orvietto, Italy Andokides Painter ca. 525 - 520 BCE black-figure side (left) red-figure side (right) approx. 1’ 9” high Museum of Fine Arts, Boston Definition: bilingual pottery Q 5.1: What might account for the emergence of bilingual pottery? Q 5.2: Why might an artist prefer the bilingual style? Q 5.3: Eventually, the bilingual style becomes unfashionable. What might account for this? 5Oedipus and the Sphinx Achilles Painter ca. 440 - 430 BCE red-figure amphora Staatliche Antikensammlugen, Munich, Germany: Oedipus and the Sphinx Achilles Painter ca. 440 - 430 BCE red-figure amphora Staatliche Antikensammlugen, Munich, Germany Definitions: red-figure pottery Q 6.1: The Achilles painter is considered to be one of the finest red-figure painters. What formal and content advancements does the red-figure style allow that the black-figure style doesn't? 6Web Resources: Web Resources Wikipedia's entry on Ancient Greek Pottery The Beazley Archive: Classical Art Research Centre [Note: Beazley is known as the first significant scholar of Greek pottery after Wincklemann.] The Metropolitan Museum of Art's web page on Athenian pottery – both black- and red-figure pottery is discussed.