Computer Animation: Computer Animation Displaying animation sequences raster animation Creating animation sequences object definition path specification key frames in-betweening Parametric equations


Steps of a simple computer animation: Steps of a simple computer animation 1. Creating animation sequences object definition path specification (for an object or a camera) key frames in-betweening 2. Displaying the sequences raster animation colour-table animation


Displaying animation sequences: Displaying animation sequences Movies work by fooling our eyes A sequence of static images presented in a quick succession appears as continuous flow


Why animation works: Why animation works The eye cannot register images faster than approximately 50 frames per second (30 is just about adequate) If a gap in the projection occurs, the eye seems to perform spatial interpolation over the gap


Displaying animation sequences: Displaying animation sequences To achieve smooth animation, a sequence of images (frames) have to be presented on a screen with the speed of at least 30 per second Animations frames can be pre-computed in advance and pre-loaded in memory computed in real time (e.g. movement of the cursor)


Raster animation: Raster animation This is the most common animation technique Frames are copied very fast from off-screen memory to the frame buffer Copying usually done with bitBLT-type operations Copying can be applied to complete frames only parts of the frame which contain some movement


Examples: Examples


BitBLT with logic: BitBLT with logic


Raster animation - procedures: Raster animation - procedures A part of the frame in the frame buffer needs to be erased The static part of the frame is re-projected as a whole, and the animated part is over-projected.


Double buffering: Double buffering Used to achieve smooth animation The next frame of animation is computed to an off-screen buffer at the same time when the current frame is transferred to the frame buffer.


Colour-table animations: Colour-table animations Simple 2D animations can be easily implemented using colour lookup table. This technique will be described later


CREATING ANIMATION SEQUENCES: CREATING ANIMATION SEQUENCES


Object definition: Object definition In simple manual systems, the objects can be simply the artist drawings In computer-generated animations, models are used Examples of models: a "flying logo" in a TV advert a walking stick-man a dinosaur attacking its prey in Jurassic Park


Models can be: Models can be Rigid (i.e. they have no moving parts) Articulated (subparts are rigid, but movement is allowed between the sub-parts) Dynamic (using physical laws to simulate the motion) Particle based (animating individual particles using the statistics of behaviour) Behaviour based (e.g. based on behaviour of real animals)


Slide16: Simple rigid objects can be defined in terms of polygon tables (3D) basic shapes such as line segments, circles, splines etc. (2D) Rigid body animation is an extension of the three-dimensional viewing


Path specification: Path specification Impression of movement can be created for two basic situations, or for their combination: static object, moving camera static camera, moving object The path defines the sequence of locations (for either the camera or the object) for the consecutive time frames


Static object, moving camera: Static object, moving camera Time


Static camera, moving object: Static camera, moving object


Static object, moving camera: Static object, moving camera The path specifies the spatial coordinates along which the camera moves The path is usually specified for a single point, e.g. the VRP


Static object, moving camera: Static object, moving camera During movement, the target point in the World coordinate system can remain the same (e.g. when walking or flying around the object to see it from all directions); change (e.g. standing in one location and looking round, or moving along a given path and showing the view seen by the observer while moving).


Static camera, moving object: Static camera, moving object Path specifying the object movement has to be defined The path is defined as the spatial coordinates along which the object moves


Static camera, moving object: Static camera, moving object Objects and their parts are defined in a local coordinate system Animation path is defined in the World coordinate system The path is specified for a single point, e.g. the centre of the object's local coordinate system Coordinates of the actual points describing the object are calculated afterwards


Slide24: It is important to remember that when the object moves along the path, not only its position changes, but also its orientation


Slide25: It is important to remember that when the object moves along the path, not only its position changes, but also its orientation X Y Z


KEY FRAMES AND IN-BETWEENING: KEY FRAMES AND IN-BETWEENING


Rigid body animation: Rigid body animation Rigid body animation uses standard 3D transformations At least 30 frames per second to achieve smooth animation Computing each frame would take too long


Key frames: Key frames Compute first a small number of key frames Interpolate the remaining frames in-between these key frames (in-betweening) Key frames can be computed at equal time intervals according to some other rules for example when the direction of the path changes rapidly


In-betweening: In-betweening The simplest method of in-betweening is linear interpolation Interpolation is normally applied to the projected object points


In-betweening - example: In-betweening - example Given coordinates of a 2D point key frame n: (xn,yn) key frame n+1: (xn+1,yn+1) time interval between the two key frames: 1/10 second To get smooth animation, needs at least 30 frames per second Solution: insert at least further 2 frames between the given two key frames


Calculating in-between frames using linear interpolation: Calculating in-between frames using linear interpolation x = (xn+1 - xn) / 3  y = (yn+1 - yn) / 3 for ( i=1; i<3; i++ ) { xi = xn + i * x yi = yn + i * y }


In-betweening: In-betweening Linear interpolation will not always produce realistic results. Example: an animation of a bouncing ball where the best in-betweening can be achieved by dynamic animation


In-betweening: In-betweening In-betweening should use interpolation based on the nature of the path, for example: straight path linear interpolation circular path angular interpolation irregular path linear interpolation spline


Parametric equations: Parametric equations Formulae using parametric representation of lines and curves, e.g. line segment circle Bezier curve A flexible tool for interpolation


Parametric equations - line segment: Parametric equations - line segment Example for line segment between two points, (xn,yn) and (xn+1,yn+1) calculate points in between the two given points xi = xn + t (xn+1 - xn) yi = yn + t (yn+1 - yn) t is the parameter which always changes between 0 and 1 when t = 0, we get xn when t = 1 we get xn+1 for 0 < t < 1 we get the points in between Parametric equations - line segment


Parametric equations - line segment: Parametric equations - line segment The only thing to decide is the number steps between point n and point n+1 This allows us to set the value of t , which is 1 divided by the number of steps For example, for 10 steps, t = 1/10 = 0.1 This formula works also for points in 3D


Parametric equations - Circle: Parametric equations - Circle Given Circle radius: r Centre at: (0,0) Parametric quations x( t ) = r * cos( 2t ) y( t ) = r * sin( 2 t )


Parametric equations - Circle: Parametric equations - Circle Parametric quations x( t ) = r * cos( 2t ) y( t ) = r * sin( 2 t ) Algorithm Select t for(t=0; t<=1; t = t+ t ) { plot point at x = x( t ) = r * cos( 2 t ) y = y( t ) = r * sin( 2 t ) }