English Language Teaching Workshopfor Fukien Secondary School TeachersbyDr Phyllis ChewNanyang Technological University, Singaporephyllis.chew@nie.edu.sghttp://phyllischew.myplace.nie.edu.sg/14 April 2007 : English Language Teaching Workshop for Fukien Secondary School Teachers by Dr Phyllis Chew Nanyang Technological University, Singapore phyllis.chew@nie.edu.sg http://phyllischew.myplace.nie.edu.sg/ 14 April 2007
PROGRAMME1.Oral skills using stories & genres2. extensive reading strategies : PROGRAMME 1.Oral skills using stories & genres 2. extensive reading strategies
Emerging Lingua Francas: Emerging Lingua Francas
Emerging lingua francas: cantonese vs. MandarinHK vs. Singapore : Emerging lingua francas: cantonese vs. Mandarin HK vs. Singapore
Liminal Period in Hong Kong: Liminal Period in Hong Kong The medium of instruction controversy
Linguistic Aim for all students trilingual and biliterate
The HK Certificate of Education exam : The HK Certificate of Education exam Reading 20%
Writing 20%
Listenig 30%
Speaking 15%
School Based Assessment 15%
Slide7: ORAL SKILLS OR COMMUNICATIVE COMPETENCE IS NOW CRUCIAL
AND MORE
THAN 50% OF THE MARKS
What is storytelling?: What is storytelling? An ancient tradition
A modern communication tool
Our most natural form of communication
A time-tested way of bonding with students
Language and literacy: Language and literacy Listening skills
Comprehension
Vocabulary
speech
SOCIAL, EMOTIONAL , CUTLURAL: SOCIAL, EMOTIONAL , CUTLURAL Empathy- universal human traits
Inspiration
Survival of community through shared experiences
Passing down of values, traditions and messages in a non-didactic way.
Group work: Group work Say what your name means to each other. Give us the background to your name.
STORYTELLERS:: STORYTELLERS: Use their own words
Make eye contact with the audience
Change the delivery of the story according to how the audience reacts
Slide14: Storytelling is about connecting with the audience
Intellectual development: Intellectual development Active use of the brain
Problem solving
Perspective taking
UNDERSTANDING SECONDARY SCHOOL CHILDREN: UNDERSTANDING SECONDARY SCHOOL CHILDREN PERSPECTIVE TAKING
MORAL DEVELOPMENT AND REASONING AFFECTS ATTITUDES, VALUES AND BEHAVIOUR
Teaching perspective: Teaching perspective
HE HAS ONLY 0 LEVELS, 31 SHOPS AND $50 MILLIION A YEAR BUSINESS: HE HAS ONLY 0 LEVELS, 31 SHOPS AND $50 MILLIION A YEAR BUSINESS
Maradona – street kid to powerful footballer: Maradona – street kid to powerful footballer
Many kinds of stories: Many kinds of stories Anecdotes
Literary stories
Historical stories
Folktales
Reality stories
Riddles, jokes, proverbs
Family stories
etc
Memory triggers: Memory triggers Accidents, celebrations, friendship, school stories, being lost, first times, embarrassing times, family sayings, wise ones.
Trips, humor, victories, sports, tests, tricks, death, pets, festivals
Migration, birth/adoption, tales of hurt, fights, adventure, tales of adversity, heroes/role models, neighbors, survival
Group work: Group work Look at the small piece of paper. Tell the story to each other based on the 3 words in your paper.
*Why tell stories?: *Why tell stories? A natural way to transmit ideas
Stories give students an eperience o the world
Stories creates atmosphere of caring and enhances relationship
Students who are told a lot of stories will start to tell stories themselves – hence building their self-confidence and self-esteem
Listening to stories improves imagination and helps in forming images for later writing
It improves listening skills.
It develops vocabulary and beauty of the language
It sparks interest in reading
*New book on stories in the classroom: *New book on stories in the classroom Ruth Wajnryb, Stories. Narrative activities in the language classroom. Cambridge Handbooks for Language Teachers. Cambridge: Cambridge University Press 2004.
*stories on the web: *stories on the web www.healingstory.org/crisis/crisis
http://www.dancingponyproductons.com/welcome.html
http://hazel.forest.net/whootie/default/html
www.wisdomtales.com
www.storyarts.org
www.aaronshep.com
www.cathyspagnoli.com
etc
Storytelling along the Singapore river: Storytelling along the Singapore river Storytelling in Singapore
EVERYONE CAN TELL A STORY!: EVERYONE CAN TELL A STORY! GAME TIME
To tell a story you need:: To tell a story you need: A thoughtfully chosen story
A genuine desire to communicate
A simple, clear, natural manner of speaking
Choose a story that : Choose a story that You really like
Has only a few characters
Has a simple plot
Learning a story: Learning a story Don’t memorize the story word for word
Its ok to memorize words or phrases that you like, and the beginning and end of the story
Learn the main events of the story, not the words
Learning the stucture of a story: Learning the stucture of a story Read
Listen
Draw
Learning the structure : Learning the structure Write
Outline cobra and python: Outline cobra and python Orientation Rainy day, met in cave
Fell in love – why – describe physical beauty of cobra and phyton
Problem – why, their parent’s obejctions
Resolution – meet where, when
What happen at meeting
Is there a moral
See Handout: using your voice effectively: See Handout: using your voice effectively Pitch changes
Pace
Pause
Power
tone
Key words: Key words Characters
Settings
Objects
Emotions
themes
Story in a sentence: Story in a sentence Write a summary of the story in one sentence
Think in terms of newspaper headlines: Think in terms of newspaper headlines YOUNG BLOND, STEALS PORRIDGE
VANDALISES BEARS COTTAGE BUT EVADES CAPTURE BY QUICKY GETAWAY THROUGH UPSTAIRS WINDOW
After the story: After the story Wait – don’t plunge into the discussion
Allow the story to ‘settle” in the listerner’s minds by doing quieter reflective activities first
These activities could include:: These activities could include: Visualizing some aspect of the story
Drawing the part of the story that interested them most
Writing their responses to the story
Group work: Group work Draw a picture of ONE of the following:
Your very first
Home,
Accident
Test
Pet
Friendship
Death
Migration
Explain the drawing to your group.
Look at handout: Look at handout Some suggestions for further activities in the classroom (for secondary schools & above)
Slide45: TEACHING LANGUAGE THROUGH
GENRES
STORIES ARE NARRATIVES: STORIES ARE NARRATIVES Orientation/setting
Complication/problem
Resolution
Coda
Slide47: STORY MAP Draws attention to text structure and sequence Setting:
Characters: 3 little pigs, wolf, reporters, police
Place: In the countryside, farmland Problem;
The wolf needed to borrow a cup of sugar Goal:
To bake a birthday cake Event 1
The wolf sneezed outside 1st pigs door and the house
of straw accidentally fell down. The wolf ate the pig. Event 2
The 2nd pig wouldn’t open the door - busy shaving.
The wolf sneezed outside the door, the house of sticks
fell down. The wolf ate the pig. Event 3
The 3rd pig wouldn’t let the wolf in. Instead, he insulted
the wolf. The wolf tried to break the down the door. Event 4
The police arrived. Resolution:
The wolf ended up in prison.
Wolf claims he was framed.
Slide48: STORY LADDER Draws attention to text structure and sequence
THE WORLD OF MULTIMODALITY: THE WORLD OF MULTIMODALITY
When you want to remember something,write it down: When you want to remember something, write it down
What I hear, I forget What I see, I remember What I do, I understand Confucius
The genre of contrastsin diagram form: The genre of contrasts in diagram form
Slide54: Venn Diagram for group analysis of Robinson Crusoe
Slide55: The pigs leave home to build
their own homes.
Pig 1- The wolf goes to the
pig’s home and asks to be
let in. The pig doesn’t let the
wolf in so he huffs and puffs
and blows the house down.
The pig runs away
Pig 2- The wolf goes to the
pig’s home and asks to be
let in. The pig doesn’t let
him in so he huffs and puffs
and blows the pig’s house
down.
The 2 pigs runoff to the 3rd pig’s
house.
Pig 3- The wolf asks to come in but
noone answers. The pigs put a big
pot of water on the fire under the
chimney.
The wolf climbs down the chimney
and into the boiling pot of water
The wolf goes to borrow a cup of
sugar.
The wolf has a bad cold.
Pig 1- The wolf goes to the pig’s home
and knocks on the door. The door falls
down. The wolf goes in and the straw
makes him sneeze. The house falls down.
The wolf eats the pig..
Pig 2- The wolf rings the doorbell. 2nd
pig doesn’t let him in. He is busy shaving.
The wolf sneezed and the house fell
down. The wolf ate the pig.
Pig 3- The wolf goes to the pig’s house
and knocks on the door. The pig
wouldn’t let him in but instead
insulted the wolf’s granny.
The wolf became so angry that he
tried to break down the door.
The police came for the wolf.
Reporters jazzed up the story.
The wolf ended up in prison.
3 pigs
Wolf
Houses
of
straw,
sticks,
and
bricks VENN DIAGRAM: COMPARE AND CONTRAST
The three little pigs/ The true story of the three little pigs
Slide56: Stone Fox - Compare/Contrast
Book/Movie
Slide57: H-Map (compare/contrast map Cold air/
warm air
sudden change
more fast
very windy
air rises
thunderstorms
rain storms
air cools Warm, cold air
weather change
some precipitation
some wind Warm air/
cold air
slow change
move slowly
light wind
air 35 showers
air warm Cold Front Both Warm Front
Why a genre approach?. : Why a genre approach? . Narrative is the easiest but that’s only a portion of what is used in life and in the exams.
Asian students generlaly prefer modelling.
Slide60: The genre approach is linked closely to:
The 20% factor
80% of the key information is found in 20% of the materials: 80% of the key information is found in 20% of the materials
Slide62: 80% of good writing comes from understanding your audience
and target objectives
Slide63: A 20% increase in paying attention to listening cues is equivalent to an 80% edge.
what are the main types of texts?: what are the main types of texts?
NARRATIVE: NARRATIVE Mystery
Science fiction
Fantasy
Adventure
Fairy tales
Myths and legends
PROCEDURAL: PROCEDURAL DIRECTORIES
FORMS
LISTS
INSTRUCTIONS
Problems
Some diaries
*PROCEDURAL: *PROCEDURAL *RECEIPES.
PERSONAL: PERSONAL recount
Informal notes for oneself
Stream of consciousness writing
Learning logs
Personal diaries
*PERSONAL: *PERSONAL recount
EXPOSITORY: EXPOSITORY Encyclopedias
Atlases
Reference books
Non-fiction
reports
*expository: *expository Reports
*Expository : *Expository Exposition/argumentative
ARTISTIC: ARTISTIC Plays
Haikus
Odes
Ballads
Limericks
sonnets
The genre approach is the mosttime saving and focussed strategy for theexamination: The genre approach is the most time saving and focussed strategy for the examination
EXTENSIVE READINGBY Dr Phyllis Chew: EXTENSIVE READING BY Dr Phyllis Chew
Why teach reading of books?: Why teach reading of books?
Students discover how texts work (concepts of print)
They know what constitutes a good book
They understand how language can be used in different ways
They feel what it is to be a reader, not just be able to read
WHAT IS READING?: WHAT IS READING? Complete this sentence :
“Reading is ………”
Slide78: “It is a number of interactive processes that allow the reader to construct or build knowledge”
(Julian Bamford and Richard Day, 2004. Extensive Reading in the Second Langauge Classroom)
WHAT EXTENSIVE READING IS NOT:: WHAT EXTENSIVE READING IS NOT: It is not translation
It is not reading aloud
It is not answering comprehension questions
Reading Comprehension vs. Extensive Reading: Reading Comprehension vs. Extensive Reading Short difficult text
Large no of comprehension questions
Analyze the text in terms of language features
Some translation activities based on the text.
Research shows that students learn reading strategies if they already have some amount of intermediate skills.
Free downloads: Free downloads http://www.extensivereading.net/
http://groups.yahoo.com/group/Extensive reading/
http://www.erfoundation.org
http://www.penguinreaders.com (Click on Teacher’s Guides” in the bottom, right corner)
How do we learn to read?: How do we learn to read? We learn to read by reading (there is no other way)
The more students read, the better readers they become
FLUENT READING NEEDS:: FLUENT READING NEEDS: A large sight vocabulary (quickly, automatically and fast)
a large general vocabulary (ie you just needs to pause briefly if you don’t know the meaning of the word)
How to acquire fluency in reading?: How to acquire fluency in reading? By reading
“i minus 1” Where “1” is the current level of acquisition. This is the only way to acquire a large sight vocabulary.
“easy is good”
“choice should be interesting
POSSIBLE OUTCOMES OF READING INSTRUCTION : POSSIBLE OUTCOMES OF READING INSTRUCTION Fluent
Skilled, strategic reader
Lifelong reader
Joyful readers
Lifelong readers
Why should reading be joyful?: Why should reading be joyful? Think about teaching someone to swim
For beginning student, strategies don’t work so well; but joy does.
*According to Prowse, Extensive Reading is:: *According to Prowse, Extensive Reading is: Easy
Interesting
Self-selection
OUTCOMES: OUTCOMES
OUTCOMES: OUTCOMES
Implication for FL Reading: Implication for FL Reading
(Richard Day “Reading Dependence Hypothesis: “How EFL learners end up as readers depend on the path they take.”
ASK: Where do you want your readers to end up? Be aware of the outcome before you decide.
Extensive reading is vital if there is a insufficient classroom contact time: Extensive reading is vital if there is a insufficient classroom contact time
The experts…..:
“first rate literature makes one say: “Until now, I never knew how I felt. Thanks to this experience, I shall never feel the same way again.” W.H. Auden
The experts…..
Ask students what they like? : Ask students what they like? What is the name of your favourite book? Why do you like it?
How many books do you own? Where do you keep them?
What are the names of some of these books?
If you could change places with someone, who would it be?
What do you like best about reading?
What is your favourite television show? Why do you like it?
What is your hobby?
Do you collect anything? If so, what?
How do you feel about reading for fun?
Do you own a library card?
If you were to write your own book, what would it be about? Why?
What games or sports do you like?
What is the next book you plan to read? Betty Coody, pp 10-11
Slide95: Dole, Brown and Trathern (1996) found that students’ attitude towards reading makes a big difference – they claim that materials and attitudes are the most important variables in the decision to read.
“Reading is Magic” What do experts say?: "stories leave an indelible impression, and their author always has a niche in the temple of memory from which the image is never cast out..."
Howard Pyle
"A book is a garden, an orchard, a storehouse, a party, a company by the way, a counselor, a multitude of counselors."
Henry Ward Beecher “Reading is Magic” What do experts say?
Creating classroom experiences that foster an enjoyment of literature: Creating classroom experiences that foster an enjoyment of literature
Reader Response: Reader Response “When a reader reads the print, something happens within the reader”
(Rosenblatt, 1998)
Reading is a lived through experience. It involves feelings, images and thoughts that are brought to mind while we read. Readers respond to those feelings during and after reading.
Slide100: A Lesson from Baghdad by Abdul Baha
Teachers need to:: Teachers need to: Help students express their responses to literature
Provide activities that deepen and enrich these responses and understandings
Response Journal Guide: Response Journal Guide Fiction
I don’t understand when…
This makes me think of…
This reminds me of…
This is like…
This makes me feel…
I can picture….
I like the part…
I didn’t like the part…
The part I remember most is….
Other Response Activities: Other Response Activities Write a letter from Magpie to Dog explaining why she left him
Sketch the part of the story you liked the most/least
Write a poem entitled “FOX”, based on the character in this story
The Importance of Responding to reading literature: The Importance of Responding to reading literature Students take ownership of the reading process
They understand that there is no “right” answer when talking about literature
They become more critical in their thinking about texts
They become more creative in their writing
Group Work: Group Work You will be given a book to read together as a group.
What type of fiction is it?
Evaluate the quality of your text using the following questions as a guide:
Slide106:
Is the book a good story?
Is there action?
Is the plot original and believable?
Do the characters grow and change in the story?
Does the author avoid stereotyping?
How does the setting affect the action, characters, or theme?
Does the story move beyond the setting and have universal implications?
Is the theme worthwhile?
Is the style of writing and use of language appropriate?
Does the book exemplify the characteristics of a genre?
(Adapted from Sutherland & Arbuthnot, 1996)
Slide107:
A reading programme isn’t balanced if it doesn’t have non-fiction
Slide108: Non-fiction links readers to the unlimited possibilities of the world around them…….readers will learn that truth really can be stranger, and more exciting, than fiction.
Kimberley Minafo Students love to discover new things
Slide109: The research shows:
Students who read non-fiction are better able to write non-fiction
Reader Response Activities: Reader Response Activities NON-FICTION
Response Journal Guide: Response Journal Guide Non-Fiction
What was the most interesting or exciting word/part of the book? What idea were you most interested in?
Describe your feelings towards this idea? Why do you feel this way?
Can you make any connections between your own life and the ideas you read about?
What places in the book made you think of something you have experienced or seen before or know about? Why?
Group Work: Group Work Browse through a selection of non-fiction books for learners of English
From your observations what constitutes good non-fiction for students?
List some possible criteria
Did You Have…..?: A catchy or interesting title
An attractive front cover
Accurate facts
Good organization
Exciting language
Clear explanations which don’t simplify the facts
Authentic photos/useful diagrams
Photos/diagrams which support the written text
Movement from simple to difficult concepts
Avoidance of stereotypes Did You Have…..?
*see handouts on Reader Response activities: *see handouts on Reader Response activities Some suggestions by Marc Helgresen
Responses to literature broadsheet
Is extensive reading a part of your school’s experience?: Is extensive reading a part of your school’s experience? What and where do children read?
Is the library accessible to students?
Did the classroom have its own collection of books?
Who chooses the books for students?
Do you give time for response activities about the books and stories that you were reading?