Lecture 01: Introduction: Lecture 01: Introduction IS246 Multimedia Information
Prof. Marc Davis
UC Berkeley SIMS
Monday and Wednesday 2:00 pm – 3:30 pm
Fall 2004
http://www.sims.berkeley.edu/academics/courses/is246/f04/
Today’s Agenda: Today’s Agenda Introductions
Problem Domain
Goals of Course
Course Overview
Action Items for Next Time
Today’s Agenda: Today’s Agenda Introductions
Problem Domain
Goals of Course
Course Overview
Action Items for Next Time
Who Am I?: Who Am I? Assistant Professor at SIMS (School of Information Management and Systems)
Background
Why Am I Here?: Why Am I Here? Creating technology and applications that will enable daily media consumers to become daily media producers
Research and teaching in the theory, design, and development of digital media systems for creating and using media metadata to automate media production and reuse
Student Introductions: Student Introductions Who are you?
Name
Undergrad degree and current department
Special areas of expertise and interest
Why are you here?
What you want to learn from the course
Today’s Agenda: Today’s Agenda Introductions
Problem Domain
Goals of Course
Course Overview
Action Items for Next Time
Global Media Network: Global Media Network Digital media produced anywhere by anyone accessible to anyone anywhere
Today’s media users become tomorrow’s media producers
Not 500 TV Channels — 500,000,000 multimedia Web sources
What is the Problem?: What is the Problem? Today people cannot easily find, edit, share, and reuse media
Computers don’t understand media content
Media is opaque and data rich
We lack structured representations
Without content representation (metadata), manipulating digital media will remain like word-processing with bitmaps
Types of Multimedia Data: Types of Multimedia Data 1D
Audio (speech, music, sound effects, etc.)
MIDI
2D
Photographs
Graphics
3D
Video (2D + Time)
Animation (2D + Time)
Computer graphic models
4D
Computer graphic model animation (3D + Time)
Moore’s Law for Cameras: Moore’s Law for Cameras 2000 Kodak DC40 Nintendo GameBoy Camera $400 $ 40 2002 Kodak DX4900 SiPix StyleCam Blink
2004: Nokia 7610 Phone: 2004: Nokia 7610 Phone Integrated megapixel (1152 x 864 pixels) camera
Integrated video recorder with audio function and 4x digital zoom for video clips up to 10 minutes long
65,536 color-display, 176 x 208 pixels
Bluetooth wireless technology and USB connectivity
Advanced XHTML browser
8 MB internal dynamic memory and 64 MB Reduced Size MultiMediaCard (MMC)
Downloadable Java™ MIDP 2.0 applications
The Media Problem: The Media Problem Vastly more media will be produced
Without ways to manage it (metadata creation and use) we lose the advantages of digital media
Most current approaches are insufficient and perhaps misguided
Great opportunity for innovation and invention
Need interdisciplinary approaches to the problem
Today’s Agenda: Today’s Agenda Introductions
Problem Domain
Goals of Course
Course Overview
Action Items for Next Time
Goals of the Course: Goals of the Course Acquire theoretical and practical foundations to analyze, design, and produce multimedia information systems
Media theory
Media practice
Current and future media systems and applications
Learn to apply media theory to media design
Gain further experience in project-based learning and teamwork
Develop an enduring framework and methodology for media analysis and design
What This Course Is: What This Course Is Graduate level lecture/seminar/studio in multimedia information
Highly interdisciplinary
Information Management and Systems, Computer Science, Electrical Engineering
Film Studies, Cognitive Science, Linguistics
Film Practice, Design, HCI
Project-based and team-oriented
Requires stretching, commitment, and active participation
What This Course Is Not: What This Course Is Not Topics
Computer science or engineering course on media signals and systems
Film criticism course
Advanced media production skills course
Media networking, protocols, compression course
Methods
Exams
Who This Course Is For: Who This Course Is For Students from
SIMS
Film Studies
EECS
Law, Business, Journalism, Architecture
Other departments
Interested in
Synergizing a variety of disciplinary approaches to a complex, important, and fascinating problem domain that will shape the future of human communication, technology, and culture
Today’s Agenda: Today’s Agenda Introductions
Problem Domain
Goals of Course
Course Overview
Action Items for Next Time
Course Format: Course Format Most classes will be lecture/discussion sessions
Lecture ~50 minutes
Discussion ~30 minutes
For each class two students will prepare discussion questions and help lead discussion
Some classes will be working sessions
Assignment 3 Overview and Ideation
Annotated Storyboard Working Session and Crit
Final Project Overview and Ideation
Some classes will be student presentations
Media Production and Theory Presentations
Final Project Presentations
Course Overview: Course Overview Course phases
Theoretical and practical foundations
Current issues and methods
The future of multimedia
Course assignments
Theory application
Using a camcorder
Short media production
Final project
Course Sessions: Part I: Course Sessions: Part I Theoretical and practical foundations
Communications theory and semiotics (Reddy, Iser, Barthes, Saussure)
Formalist media theory (Bordwell, Kuleshov)
Semiotic media theory (Metz, Eco)
Integrating theory and practice (Eisenstein)
Video production overview (Guest: Rachel Strickland)
Audio production overview (Guest: Rachel Strickland) Theory and history of computation (Hillis, Winograd)
Computational media theory (Manovich, Dorai & Venkatesh, Bloch)
Course Sessions: Part II: Course Sessions: Part II Current issues and methods
Metadata for media (Davenport, Davis)
Automated media analysis (Agrain, Jain, Foote -- Guest: Jonathan Foote)
Multimedia journalism (Guest: Paul Grabowicz)
Media asset management and reuse process (Christel, Dimitrova, Prelinger, Jenkins)
Commercial editing systems (Adobe Premiere)
Commercial media asset management systems (Virage)
Research multimedia systems (FotoFile -- Guest: Abbe Don)
Research multimedia systems (Informedia – Guest: Michael Smith)
Multimedia standards (MPEG-7)
Course Sessions: Part III: Course Sessions: Part III The future of multimedia
Future of multimedia information technology (Bush, McLuhan, Davis, Chang)
Active capture (Davis, Nack, Barry)
Adaptive media (Davis, Stern, Varian)
Mobile Media (Naaman, Sarvas, Toyama)
Final project presentations
Course Assignments: Course Assignments Theory application
Using a camcorder: “Object lesson”
Short media production
Annotated storyboard and goal statement
Rough edit
Presentation
Final project
Team and idea formation
Project proposal
Project design specifications
Project presentation and write-up
Grading: Grading 20% Theory Application Assignment
20% Mini Media Production Project
40% Final Project
20% Class Participation
SIMS Digital Media Studio: SIMS Digital Media Studio Hardware
Terabyte file server
Gigabit Ethernet
2 Mac G4 workstations
2 PC workstations
Various audio/video input options
5 Sony DCR-TRV50 DV camcorders
5 Audio field recording packs
Greenscreen Software
Adobe Premiere
Adobe AfterEffects
Adobe PhotoShop
FinalCut Pro
Media Streams
Collaboration tools
Brainstorming area
Wall whiteboards
Office Hours: Office Hours Marc Davis
Thursdays 1:00 pm – 3:00 pm
And by appointment
Ryan Shaw
TBA
Today’s Agenda: Today’s Agenda Introductions
Problem Domain
Goals of Course
Course Overview
Action Items for Next Time
Purchase Course Materials: Purchase Course Materials Purchase Course Textbooks
David Bordwell and Kristin Thompson. Film Art: An Introduction. 7th Edition. McGraw Hill, New York, 2004.
W. Daniel Hillis. The Pattern on the Stone: The Simple Ideas That Make Computers Work. Perseus Books Group, New York, 1999.
SIMS/CIS Computer Orientation: SIMS/CIS Computer Orientation See Ryan Shaw about
Filling out SIMS/CIS Account Request Form
Seeing Roberta Epstein on the second floor of South Hall to get SIMS/CIS orientation
Readings for Next Time: Readings for Next Time Wednesday 09/01
Michael Reddy: “The Conduit Metaphor: A Case of Frame Conflict in Our Language about Language” (Brooke)
Wolfgang Iser: “The Reading Process: A Phenomenological Approach” (Geoff)
Roland Barthes: “The Death of the Author” (Rebecca)
Roland Barthes: “From Work to Text” (Sarah)
In Class Writing: In Class Writing marc@sims.berkeley.edu
ryanshaw@sims.berkeley.edu
What is multimedia information?
What are the main challenges in multimedia information systems?