Presentation Transcript
FORMATION OF MODERN AMERICAN CULTURE, 1920-PRESENT: FORMATION OF MODERN AMERICAN CULTURE, 1920-PRESENT Introduction
Slide2: Course Introduction
Discussion of requirements, course format, online syllabus
Basic overview of course topics, themes, and readings
Slide3: Americanism and Mass Cultural Emergence
Today: D.W. Griffith, the film industry, and backward-looking perspectives on Americanism
Thursday: African-Americans, Americanism, and the Harlem Renaissance Still from D.W. Griffith, Birth of a Nation (1915)
Slide4: Contests over American Identity in the Early Twentieth Century
A. Rapid change produces uncertainty about American identity
B. Conflicts emerge
1. nativists promote expulsion or assimilation of immigrants
2. ethnic groups elaborate their own subcultures in dialogue with established American traditions
Slide5: Conflicts over Americanism pronounced in 1910s
1. Significance of World War I
a. heightens nationalist sentiment of certain ethnic groups
b. raises question of American loyalty and pride
2. Concepts of "Americanism" and "un-Americanism" come into popular use
Slide6: Debate over the meaning of "Americanism"
Should American identity look backward to a coherent, Anglo-Saxon past?
Or should it look forward to a future made partly by African Americans, new immigrants, and other racial groups?
The effort to enforce assimilationist model of American identity is evident in a variety of cultural contexts, including popular film
First motion picture: The Great Train Robbery, 1903
Slide7: Motion Picture Industry
Early movies reflected tastes and experiences of immigrants
Motion picture reform inspired partly by desire to reshape immigrant, working-class life
Also inspired by desire to make movies marketable to a national, middle-class market
Pittsburgh nickelodeon, pictured in 1908 Coliseum Movie Palace, Seattle, erected 1916
Slide8: D.W. Griffith and Motion Picture Reform
Griffith's vision of American identity is distinctly backward-looking
Biographical context
1. from the South
2. father a former slaveholder, mother religiously devout
Griffith: cinematic genius and moral crusader
1. combined various cinematic innovations to produce Birth of a Nation
2. saw motion pictures as powerful medium for enforcing white, Anglo-Saxon Protestant values D.W. Griffith
Slide9: Birth of a Nation controversial
1. breakthrough in reaching white, middle-class audience
2. film's popularity reflects complexity of American identity
Think about the racial accents of Griffith's representation of American nationhood as you read The New Negro this week.