Share PowerPoint. Anywhere!

Theil II

Uploaded from authorPOINT Lite
Download as Download Not Available PPT
Presentation Description

No description available

Like authorSTREAM?


You can vote once a day till December
10th, Vote Now!
Views: 36
Like it  ( Likes) Dislike it  ( Dislikes)
Added: November 22, 2007 This presentation is Public
Presentation Category :Entertainment
Presentation StatisticsNew!
Views on authorSTREAM: 36
Presentation Transcript

Cognitive-Functional Linguistics – Some Basic Tenets II : Cognitive-Functional Linguistics – Some Basic Tenets II Rolf Theil Bergen, June 19, 2006


Why did we introduce the terms entrenchment, abstraction, comparison, composition, and association? : Why did we introduce the terms entrenchment, abstraction, comparison, composition, and association? The first answer: “Regarding the issue of innate specification I make no a priori claims. I do however sub-scribe to the general strategy in cognitive and functional linguistics of deriving lan-guage structure insofar as possible from the more general psychological capacities (e.g. perception, memory, categorization), positing inborn language-specific structures only as a last resort.” R. W. Langacker (2000: 2)


Why did we introduce the terms entrenchment, abstraction, comparison, composition, and association? : Why did we introduce the terms entrenchment, abstraction, comparison, composition, and association? The second answer: “The usage-based model … is applicable to all domains of language structure: semantics, phonology, lexicon, morphology, syntax. A linguistic system comprises large numbers of conventional units in each domain … A few basic psychological phenomena … [apply] repeatedly in all domains and at many levels of organization ….” R. W. Langacker (2000: 2)


Six Theses About Grammar : Six Theses About Grammar In “The English Passive”, chapter 4 in Con-cept, Image, and Symbol (1991), R. W. Langacker compares six theses about gram-mar – “accepted virtually without question by many theorists” (e.g. generativists) – with the corresponding cognitive view. They are listed on the next slide. Afterwards, we shall look at each of them in detail.


The Seven Theses : The Seven Theses


Descriptive Economy : Descriptive Economy The Descriptive Minimalism Thesis Economy is to be sought in linguistic description. Specifically, particular statements are to be ex-cluded if the grammar contains a general state-ment (rule) that fully subsumes them. The Descriptive Maximalism Thesis Economy must be consistent with psychological reality. The grammar of a language repre-sents conventional linguistic knowledge and includes all linguistic structures learned as established “units”. “Content units” coexist in the grammar with subsuming “schemas”.


Rules and Lists – 1 : Rules and Lists – 1 Cognitive grammar seeks an accurate characterization of the structure and orga-nization of linguistic knowledge as an integral part of human cognition. … The question whether the grammar of a language should include both general statements and particular statements sub-sumed by them is a factual rather than a methodological issue.


Rules and Lists – 2 : Rules and Lists – 2 If speakers in fact master and manipulate both lists (particular statements) and rules (general statements) from which these lists could be predicted, a truthful descrip-tion of their linguistic knowledge must contain both the lists and the rules.


Components of Grammar : Components of Grammar The Self-Contained Components Thesis Linguistic structure can be resolved into nume-rous separate, essential-ly self-contained compo-nents. The Continuum Thesis Only semantic, phonologi-cal, and bipolar symbolic units are posited. Sharp dichotomies are usually found only by arbitrarily selecting examples from opposite endpoints of a continuum.


Bipolar Symbolic Units = Constructions : Bipolar Symbolic Units = Constructions All levels of grammatical analysis involve constructions: learned pairings of form with semantic or discourse function – including morphemes or words, idioms, partially lexically filled and fully general phrasal patterns. P. 5 in Adele E. Goldberg (2006): Constructions at Work. The Nature of Generalization in Language.


Examples of Constructions – Varying in Size and Complexity : Examples of Constructions – Varying in Size and Complexity Morpheme Word Complex word Complex word (partially filled) Idiom (filled) Idiom (partially filled) Ditransitive pre-, -ing Avocado, and daredevil [N-s] (for regular plurals) going great guns jog memory Subj V Obj1 Obj2


Autonomy of Syntax : Autonomy of Syntax The Autonomous Syntax Thesis As a special case of the modularity of grammar, syntax is an autono-mous component dis-tinct from both seman-tics and lexicon. The Symbolic Syntax Thesis Syntax is not autonomous, but symbolic, forming a continuum with lexicon and morphology. Syntactic units are bipolar, with semantic and phonological poles.


Universality of Semantics : Universality of Semantics The Universal Semantics Thesis Supporting the autonomy of syntax thesis, it can be pre-sumed that semantic struc-ture is universal, while gram-matical structure varies greatly from language to language. The Language-Specific Semantics Thesis Semantic structure is language specific, involving layers of con-ventional imagery. Semantic structure is conventionalized conceptual structure, and gram-mar is the conventional sym-bolization of semantic structure.


Universal Semantics : Universal Semantics Language has means for making reference to the objects, relations, properties and events that popu-late our everyday world. It is possible to suppose that these linguistic categories and structures are more or less straightforward mappings from a pre-existing conceptual space, programmed into our biological nature. Humans invent words that label their concepts. P. 266 in Li and Gleitman (2002): “Turning the tables: language and spatial reasoning.” Cognition, 83, 265–94. (Cited in Evans & Green 2006: 62)


Conventionalized Conceptual Structure : Conventionalized Conceptual Structure Cognitive linguists argue against the view that language is pre-specified in the sense that … semantic organization [is mapped out by] a set of primitives. Instead linguistic organization is held to reflect embodied cognition …, which serve to constrain what is possible to experi-ence, and thus what is possible to express in language. P. 63-64 in V. Evans and M. Green (2006): Cognitive Linguistics. An Introduction.


From Embodiment To Conceptual Structure : From Embodiment To Conceptual Structure


Meaningless Morphemes : Meaningless Morphemes The Meaningless Morphemes Thesis In accordance with the auto-nomy of syntax thesis and the universality of semantics thesis, syntactic structure relies crucially on gramma-tical morphemes, which are often meaningless and serve purely formal purposes. The Meaningful Morphemes Thesis Grammatical morphemes are meaningful, and are present be-cause of their semantic contri-bution.


Meaningful Grammatical Morphemes – 1 : Meaningful Grammatical Morphemes – 1 [T]he claim [in autonomous syntax] that gram-matical morphemes are for the most part mean-ingless, being inserted for purely formal or grammatical purposes, is almost a necessary one, since the autonomy of syntax would ap-pear very dubious if we admitted that gram-matical markers are meaningful, and that their syntactic use is determined by the meanings they convey.


Meaningful Grammatical Morphemes 2 : Meaningful Grammatical Morphemes 2 The distinction between lexical and gramma-tical morphemes represents an artifactual dichotomization based on sharp differences between examples selected from the end-points of what is really a continuum. In reality, however, both lexical and gramma-tical morphemes vary along a continuum in regard to such parameters as the complexity and abstractness of their semantic specifi-cations.


Meaningful Grammatical Morphemes 3 : Meaningful Grammatical Morphemes 3 While so-called lexical morphemes tend to cluster near the complex/concrete end of the continuum, we see a clear gradation in series like ostrich–bird–animal–thing. So-called grammatical morphemes tend to cluster near the simple/abstract end of the continuum, but here too we observe a gradation: above–may–have–of. The scales clearly overlap.


Abstract Syntactic Structure : Abstract Syntactic Structure The Abstract Syntactic Structure Thesis Syntactic structure is ab-stract. Surface structures often derive from deep struc-tures which are significantly different in character, and contain elements (grammati-cal morphemes) that have no place in underlying struc-ture. The Overt Grammatical Structure Thesis Grammatical structure is entire-ly overt. No underlying struc-tures or derivations are posited.


The Content Requirement : The Content Requirement The only units permitted in the grammar of a language are: semantic, phonologi-cal, and symbolic structures that occur overtly in linguistic expressions; (ii) structures that are schematic for those in (i). This requirement rules out all arbi-trary descriptive devices, i.e. those with no direct grounding in phonetic or semantic reality: (a) contentless features or dia-critics; (b) syntactic dummies with neither semantic nor phonological content, introduced solely to drive the formal machinery of autonomous syntax; (c) the derivation of overt structures from abstract, underlying structures of a substantially different charac-ter.


The Generality of Syntax : The Generality of Syntax The Syntax-Lexicon Dichotomy Thesis Syntax consists primarily of general rules. It is to be distinguished sharply from lexicon, the repository for ir-regularity and idiosyncrasy. The Non-Generality of Syntax Thesis Lexicon and grammar form a continuum of symbolic struc-tures. This continuum contains no sharp dichotomies based on generality, regularity, or analy-zability.


Grammar versus Lexicon : Grammar versus Lexicon A Classical Generative Solution


Grammar versus Lexicon – 1 : Grammar versus Lexicon – 1 Lexicon hopar / JUMP, PRES hopa / JUMP, PAST dansar / DANCE, PRES dansa / DANCE, PAST spe:lar / PLAY, PRES spe:la / PLAY, PAST se:r / SEE, PRES so:g / SEE, PAST


Grammar versus Lexicon – 2 : Grammar versus Lexicon – 2 Lexicon hopar / JUMP, PRES hopa / JUMP, PAST dansar / DANCE, PRES dansa / DANCE, PAST spe:lar / PLAY, PRES spe:la / PLAY, PAST se:r / SEE, PRES so:g / SEE, PAST Grammar [V, PRES] → [V, PRES] +ar [V, PAST] → [V, PAST] +a


Grammar versus Lexicon – 3 : Grammar versus Lexicon – 3 Lexicon hopar / JUMP, PRES hopa / JUMP, PAST dansar / DANCE, PRES dansa / DANCE, PAST spe:lar / PLAY, PRES spe:la / PLAY, PAST se:r / SEE, PRES so:g / SEE, PAST Grammar [V, PRES] → [V, PRES] +ar [V, PAST] → [V, PAST] +a


Grammar versus Lexicon – 4 : Grammar versus Lexicon – 4 Lexicon hopar / JUMP, PRES hopa / JUMP, PAST dansar / DANCE, PRES dansa / DANCE, PAST spe:lar / PLAY, PRES spe:la / PLAY, PAST se:r / SEE, PRES so:g / SEE, PAST Grammar [V, PRES] → [V, PRES] +ar [V, PAST] → [V, PAST] +a


Grammar versus Lexicon – 5 : Grammar versus Lexicon – 5 Lexicon hop / JUMP dans / DANCE spe:l / PLAY se:r / SEE, PRES so:g / SEE, PAST kvi:ler / REST, PRES kvi:lte / REST, PAST de:ler / DIVIDE, PRES de:lte / DIVIDE, PAST Grammar [V, PRES] → [V, PRES] +ar [V, PAST] → [V, PAST] +a [V, PRES] → [V, PRES] +er [V, PAST] → [V, PAST] +te


Grammar versus Lexicon – 6 : Grammar versus Lexicon – 6 Lexicon hop / JUMP dans / DANCE spe:l / PLAY se:r / SEE, PRES so:g / SEE, PAST kvi:ler / REST, PRES kvi:lte / REST, PAST de:ler / DIVIDE, PRES de:lte / DIVIDE, PAST Grammar [V, PRES] → [V, PRES] +ar [V, PAST] → [V, PAST] +a [V, PRES] → [V, PRES] +er [V, PAST] → [V, PAST] +te


Grammar versus Lexicon – 7 : Grammar versus Lexicon – 7 Lexicon hop / JUMP dans / DANCE spe:l / PLAY se:r / SEE, PRES so:g / SEE, PAST kvi:ler/ REST, PRES kvi:lte / REST, PAST de:ler / DIVIDE, PRES de:lte / DIVIDE, PAST Grammar [V, PRES] → [V, PRES] +ar [V, PAST] → [V, PAST] +a [V, PRES] → [V, PRES] +er [V, PAST] → [V, PAST] +te


Grammar versus Lexicon – 8 : Grammar versus Lexicon – 8 Lexicon hopα / JUMP dansα / DANCE spe:lα / PLAY kvi:lβ / REST de:lβ / DIVIDE se:r / SEE, PRES so:g / SEE, PAST Grammar [Vα, PRES] → [Vα, PRES] +ar [Vα, PAST] → [Vα, PAST] +a [Vβ, PRES] → [Vβ, PRES] +er [Vβ, PAST] → [Vβ, PAST] +te


Grammar versus Lexicon – 9 : Grammar versus Lexicon – 9 Lexicon hopα / JUMP dansα / DANCE spe:lα / PLAY kvi:lβ / REST de:lβ / DIVIDE se:r / SEE, PRES so:g / SEE, PAST le:r / LAUGH, PRES lu: / LAUGH, PAST Grammar [Vα, PRES] → [Vα, PRES] +ar [Vα, PAST] → [Vα, PAST] +a [Vβ, PRES] → [Vβ, PRES] +er [Vβ, PAST] → [Vβ, PAST] +te


The Emergent Grammar : The Emergent Grammar A Cognitive Solution


The Emergent Grammar : The Emergent Grammar Predictable features need not be excluded from repre-sentation in individual items. The presence of a feature on a list does not exclude it from being predictable by rule. Rather the notion of rule takes a very different form. Linguistic regularities are not expressed as cogni-tive entities or operations that are independent of the forms to which they apply, but rather as schemas or organizational patterns that emerge from the way that forms are associated with one another in a vast network of phonological, semantic, and sequential relations. P. 21 in Joan Bybee (2001): Phonology and Language Use


The Rule/List Fallacy 1 : The Rule/List Fallacy 1 The exclusionary fallacy holding, on grounds of simplicity, that particular statements (lists) are to be excised from the grammar of a language if gen-eral statements (rules) can be estab-lished that subsumes them. P. 492 in R. W. Langacker (1987): Foundations of Cognitive Grammar


The Rule/List Fallacy 2 : The Rule/List Fallacy 2 If all the regularity is factored out of a linguistic structure, the residue is sel-dom if ever recognizable as a coherent entity plausibly attributed to cognitive autonomy. P. 393 in Langacker (1987): Foundations of Cognitive Grammar


The Cheshire Dog : The Cheshire Dog That is to say, if our memories for dogs ex-cluded all the predictable features (two ears, a muzzle, fur, a tail, wet nose, etc.), what is left would not be a recognizable or coherent entity. Similarly, if all predictable features are removed from a word, it would not be recognizable as an English word, or as a linguistic object at all. P. 21 in Joan Bybee (2001): Phonology and Language Use


The Emergent Grammar 1 : The Emergent Grammar 1 hopar / JUMP, PRES hopa / JUMP, PAST


The Emergent Grammar 2 : The Emergent Grammar 2 hopar / JUMP, PRES hopa / JUMP, PAST hopa... / JUMP, TNS


The Emergent Grammar 3 : The Emergent Grammar 3 hopar / JUMP, PRES hopa / JUMP, PAST hopa... / JUMP, TNS dansar / DANCE, PRES


The Emergent Grammar 4 : The Emergent Grammar 4 hopar / JUMP, PRES hopa / JUMP, PAST hopa... / JUMP, TNS dansar / DANCE, PRES σ…ar / VERB, PRES


The Emergent Grammar 5 : The Emergent Grammar 5 hopar / JUMP, PRES hopa / JUMP, PAST hopa... / JUMP, TNS dansar / DANCE, PRES σ…ar / VERB, PRES dansa / DANCE, PAST


The Emergent Grammar 6 : The Emergent Grammar 6 hopar / JUMP, PRES hopa / JUMP, PAST hopa... / JUMP, TNS dansar / DANCE, PRES σ…ar / VERB, PRES dansa / DANCE, PAST dansa... / DANCE, TNS


The Emergent Grammar 7 : The Emergent Grammar 7 hopar / JUMP, PRES hopa / JUMP, PAST hopa... / JUMP, TNS dansar / DANCE, PRES σ…ar / VERB, PRES dansa / DANCE, PAST dansa... / DANCE, TNS σ…a / VERB, PAST


The Emergent Grammar 8 : The Emergent Grammar 8 hopar / JUMP, PRES hopa / JUMP, PAST hopa... / JUMP, TNS dansar / DANCE, PRES σ…ar / VERB, PRES dansa / DANCE, PAST dansa... / DANCE, TNS σ…a / VERB, PAST kvi:ler / REST, PRES


The Emergent Grammar 9 : The Emergent Grammar 9 hopar / JUMP, PRES hopa / JUMP, PAST hopa... / JUMP, TNS dansar / DANCE, PRES σ…ar / VERB, PRES dansa / DANCE, PAST dansa... / DANCE, TNS σ…a / VERB, PAST kvi:ler / REST, PRES σ…Vr / VERB, PRES


The Emergent Grammar 10 : The Emergent Grammar 10 hopar / JUMP, PRES hopa / JUMP, PAST hopa... / JUMP, TNS dansar / DANCE, PRES σ…ar / VERB, PRES dansa / DANCE, PAST dansa... / DANCE, TNS σ…a / VERB, PAST kvi:ler / REST, PRES σ…Vr / VERB, PRES kvi:lte / REST, PAST


The Emergent Grammar 11 : The Emergent Grammar 11 hopar / JUMP, PRES hopa / JUMP, PAST hopa... / JUMP, TNS dansar / DANCE, PRES σ…ar / VERB, PRES dansa / DANCE, PAST dansa... / DANCE, TNS σ…a / VERB, PAST kvi:ler / REST, PRES σ…Vr / VERB, PRES kvi:lte / REST, PAST kvi:l…e… / REST, TNS


The Emergent Grammar 12 : The Emergent Grammar 12 hopar / JUMP, PRES hopa / JUMP, PAST hopa... / JUMP, TNS dansar / DANCE, PRES σ…ar / VERB, PRES dansa / DANCE, PAST dansa... / DANCE, TNS σ…a / VERB, PAST kvi:ler / REST, PRES σ…Vr / VERB, PRES kvi:lte / REST, PAST kvi:l…e… / REST, TNS de:ler / DIVIDE, PRES


The Emergent Grammar 13 : The Emergent Grammar 13 hopar / JUMP, PRES hopa / JUMP, PAST hopa... / JUMP, TNS dansar / DANCE, PRES σ…ar / VERB, PRES dansa / DANCE, PAST dansa... / DANCE, TNS σ…a / VERB, PAST kvi:ler / REST, PRES σ…Vr / VERB, PRES kvi:lte / REST, PAST kvi:l…e… / REST, TNS de:ler / DIVIDE, PRES σ…er / VERB, PRES


The Emergent Grammar 14 : The Emergent Grammar 14 hopar / JUMP, PRES hopa / JUMP, PAST hopa... / JUMP, TNS dansar / DANCE, PRES σ…ar / VERB, PRES dansa / DANCE, PAST dansa... / DANCE, TNS σ…a / VERB, PAST kvi:ler / REST, PRES σ…Vr / VERB, PRES kvi:lte / REST, PAST kvi:l…e… / REST, TNS de:ler / DIVIDE, PRES σ…er / VERB, PRES


The Emergent Grammar 15 : The Emergent Grammar 15 hopar / JUMP, PRES hopa / JUMP, PAST hopa... / JUMP, TNS dansar / DANCE, PRES σ…ar / VERB, PRES dansa / DANCE, PAST dansa... / DANCE, TNS σ…a / VERB, PAST kvi:ler / REST, PRES σ…Vr / VERB, PRES kvi:lte / REST, PAST kvi:l…e… / REST, TNS de:ler / DIVIDE, PRES σ…er / VERB, PRES se:r / SEE, PRES


The Emergent Grammar 16 : The Emergent Grammar 16 hopar / JUMP, PRES hopa / JUMP, PAST hopa... / JUMP, TNS dansar / DANCE, PRES σ…ar / VERB, PRES dansa / DANCE, PAST dansa... / DANCE, TNS σ…a / VERB, PAST kvi:ler / REST, PRES σ…Vr / VERB, PRES kvi:lte / REST, PAST kvi:l…e… / REST, TNS de:ler / DIVIDE, PRES σ…er / VERB, PRES se:r / SEE, PRES … and then?