Slide2:
24 structural/structuring view 20 (art) historical view 23 power theory view 21 economic view /
production view 22 view of popular culture 19 view of representation 18 view of the artwork 17 body extensions 17 machine view 18 view of the picture 19 material view /
olfactory view (smell) 21 view of the market funding view /
cost view / sponsor view 23 view of the organizing
institution 20 view of collecting 24 view of the field +Performance as work
+Performance as sculpture
+Performance as image-generating action Performance as machine theater +Performance as sediment
+Performance as material collection
Performance as counter-concept to "representation" +Performance as demonstration of accomplishment
Performance as (repeatable) show +Performance as event
Performance as staged event
Performance as staging permanent performance
(Eva & Adele) +Performance as relict
+Performance as billboard newspaper
+Performance as installative collection
+Performance as curiosity cabinet
+Performance as "total" installation
+Performance as installation Performance as sign system
Performance as breaking through structures
+Performance as configuration of presence
Performance as space of tension +Performance as place-less art
+Performance as agreement soap
performance performative sculptures public
sculpture rent an
artist staged
events art events events
service live
art Fashion show
as performance
(Wolfgang Flatz)
fashion show (Rainer Aring)
(Andrej Bartenev)
the body as mannequin
(Text: Bettina Rehberg) street
happening body
statue (2) FormAnce (2) pop
entertainment street art (2) Danny Devos
minus delta t
Mike Hentz
Werkzeug-Gruppe
des Konzils /
Black Market International
Zygmunt Pio Trowski
Matthias Jakisch
Ulrich Lepka spatial aspects of the
performance design performance as
installation (see left.) cabaret +Performance as
gesamtkunstwerk? 22 entertainment view practical
joke (2)
performance history
art history
cultural history
psychology of collecting
philosophy/theory of collecting
memory discourse
memory theories
"end of history" discourse
Perception theory on
architecture (B. Leitner)
Phenomenology of
perception
Location research (Peter Arlt, Marc Auge)
Theory of urban locations
Architectural theory / Arch. discourse
structuralism (discourse)
semiotics / semiotics of theater
symbol theories of knowledge
system theory / system discourse
field theories
topological psychology
formal sciences
self-organization theory power theories
power discourse (with Foucault)
(game rules of art)
organization theory
critique of institutions discourse
culture manager debate globalization discourse
liberalism discourse
economy as discourse (Foucault)
(game rules of art)
media theory
pop theory / Pop-theoret. discourse
high&low discourse
techno-culture discourse
cultural studies discourse
fashion discourse / Retro discourses
hedonism debate
new subjectivism debate
fun debate
ontology of the event
art theory
morphology
criticism of the institution discourse
curators' debate
material debate
difference philosophy
rhizomatics image theories
morphology
pictural turn (discourse) still life
performance "Still Life" (Johan Lorber/Lorbeer)
sculptural installation Every form of street action,
street theater, street music,
cabaret (Word Play Group) Situation comedy performance as
image-generating action (s.l.) highly semantic
acts (cf. highly semantic spaces) image concepts The picture behind the picture (in front of the picture)
(Boris Nieslony)
pictorially oriented actions action
painting the performer creates a picture –
is part of the picture see also: gestures
gestural painting (Michael Burges)
see: gesturing bodies moving
sculpture (2) sculpture in
motion human
sculptures living sculptures kinetic
sculpture (2) (2) Photo
Performance Nigel Rolfe
Jochen Wüstenfeld &
Thomas Werner
Ingolf Keiner
Heinrich Lüber
Ken Unsworth
K. Rinke (2) primary
demonstrations representation cliche Performance as counter-concept
to "representation" economy of
material performance as
curiosity cabinet plundering
rummaging
from the depot fundamental
materialism (R. Krauss) highly semantic spaces ob-jects
in existence and dignity Surrogate Relics performance as sediment (s.l.)
all existence is also a trace performance as material collection (s.l.) Performance collection as
travelling depot performance as relic (s.l.)
(see: sediment) Performance as billboard newspaper (s.l.) the exhibited archive
(B. Nieslony, Jürgen O. Olbrich) Service (2) Archive (see also: Schwarze Lade) Performance as
installative collecting (s.l.) Performance as "total" installation (see left) performance as total picture
(Fake shop – performance installation) Performance as
total sculpture Performance as permanent
collection situation structures
the artist becomes part of the text
- the viewer becomes part of the text
see also: performance as situative production Precursors of
performance art
Futurist performance
DADA
Theater der Grausamkeit
Fluxus (see detail )
Situationists
Lettrists
Gutai (Japan) important art historians on performance art:
RoseLee Goldberg, Bonnie Marranca, Justin Hoffmann, (...) important art theoreticians/editors
on performance art:
Elisabeth Jappe, Jürgen Raap,
Paolo Bianchi, Gerhard Johann Lischka,
Allan Kaprow, J.L. Schröder (PSi7), C. Doswald,
J. Kistus, R. Puvogel, M. Hübl, H.-N. Jocks,
Victor Mazin & Olesja Turkina, Paul Schimel,
F-A. Hettig, Ilena Pintilie Teleaga, (...) central manifesto on performance art:
see: programmatic texts product view Performance in advertising spectacle culture
(decentered attention)
spectacle theater (LE) self-organization vulgar performance Entertainment cf. performance
as accomplishment street art Every form of street action
Street theater (Osamu Kuroda), street music,
cabaret Performance in
pop music
role of emotions Freakshow Performance as show
(performance is the heart of the show) Performance as
demonstration of
accomplishment (s.l.) the art of entertainment comedy as stylistic structure attitudes (2) extremely personal forms of behavior
(Ida Brun, Henriette Hendel-Schütz)
The "Model" is a service (see left) catwalk performance
(B. Bérard & M. Josipovic) shop window performance
(Colette) (Luciano Castelli)
(Festival der Regionen)
(Roi Vaara – walling in)
(Gerd Belz & Raoul Marek)
(Marie Teresa Hincapie)
Department Store Performance
(Anne Hoy) (seals in the department store:
W. Georgsdorf) experience world Events event jeopardy event art / event culture
(Fabrikanten) (A. Heller) (Gelatin) fluxus (2) Performance as event (see below) performance artist
as curator/artist
(Jean Dupuy, B. Nieslony, Roi Vaara, Seiji Shimoda & Kazuhiro Nishijima (NIPAF),
Le Lieu (Jean Claude Saint-Hilaire), Nigel Rolfe, Ray Langenbach,
Chumpon Apisuk, Amanda Heng, Christel Burmeister, Anet van de Elzen,
Norbert Klassen, Heinrich Lüber & Karin Roth, Danny McCarthy, Milos Vojtechovsky)
(Vollrad Kutscher: Performance Parties) (Masaki Iwana)
(BBB.Johannes Deimling – builds own networks
(Gabriele Oßwald & Wolfgang Sautermeister) (Michel Giroud)
(catalyst arts) (Das Archiv: Sabine Kaeser) (Eloy Tarcisio)
(R.József Juhász – studio erte) (Rafael Montanez Ortiz) (Sue Broadhurst)
(Magnus Palsson) (Ryszard Piegza) (Chuke Stake) (Jordan McKenzie)
(Gusztav Ütö & Konya Reka) (Marissa Carr) (Dziugas Katinas)
(Wladislaw Kazmierczak & EWA Rybska) (Louise Liliefeldt)
other organizers:
(Gesine Weise, Jürgen Wolfstädter) (Zap Art)
(Sylvie Ferre, Emily Tabassi, Lukasz Guzek) curating as performance Projects
(see: project art) Artist Run Spaces Das Konzil
Kunoldstr. 34
Büro Berlin
Bodo Berheide
(Galerie-Kollektiv Wuppertal)
Werkstadt Odem
Kl. Ausstellungsraum des
Künstlerhauses Hamburg
Servicebüro Hamburg
Ultimate Akademie
cf. networks performance society including exhibition institutions concept of performance
oriented to power theory
in the works of M. Foucault and Judith Butler institutionalized space See also:
violence see also: cliches of representation Performance as breaking through structures
(cf. Nöth) poetic structures stylistic structures
(comedy as a stylistic structure) structurelessness
(Do happenings have structures?) minimally structured events Performance as semiotic text
(cf. Nöth) Performance as negative
demarcation from other structures senses excluded
(in the field of art) See also: Performance
as open system See: avoiding narrative structures Performance as sign system
(Cf. Nöth) 25 spatial view score as
flow structure
(see: view of the score)
(see: performance as staging) building
performance building as
performance deconstruction of architecture as performance
(Gordon Matta-Clark) Renovation as
performance
(George Steinmann)
Reconstruction as
performance
(David Ireland) hidden performance architecturally determined
performances Architecture in transformation -
chance for performance
(factory hall flair)
zones of transition (LE) factory halls /vs/
White Cube Performance as place-less art (s.u.) See also: Performance
as total installation Environment environment art
(James Melchert)
(Insa Winkler) doing away with the stage
(Stadtwerkstatt)
theater of "divided" space Performance as
agreement (2) Art without exhibition spaces –
where the audience already is Performance –
a game of locations a place is a voice threshold situations
passage, transition, gate, door,
translation (B. Nieslony) (cf. PSi7)
gates transitions, virtual airport
(Mo Diener, Sergei Nikokochev) (Buckminster Fuller,
100 meter kitchen – P.Arlt fünf ingenöre,
Stadtwerkstatt: time spiral tower) 25 architectonic view Places and Spaces "founded" places/spaces location, place, site, area, room, space Performance location Desolate spaces – factory halls,
derelict buildings, contaminated areas magic places private spaces
living spaces conventional places / non-places
(Peter Arlt, Fabrikanten) View of Locations spatial structuring
(see also: spatial view) game rules
ritual (s.l.) Archives on Odyssey (minus delta t) structural characteristics of singularity,
unrepeatability (uniqueness), indeterminacy
and finiteness of the performative event
ephemeralness (James Lee Byars)
"never show them again" Nature locations / natural locations
(Cf. Land-Art as Action Art)
(Jill Orr) (Yin Xiao-Feng) ceremony
art (2) celebration
art happening (3) Extensive arrangement taking up space, including everything. life as a celebration (invitation to the feast) public celebration baroque celebrations/celebration culture: music, jugglers,
sculpture, trumpery, fireworks, entertainment stage shows
(Laurie Anderson (P. Hobermann),
Jon Rose, Robert Ashley,
Diamanda Galas –
Blue Man Group) (in the variation: overflowing
to total life)
cf. agit pop 60s Cf.: living pictures
(tableaux vivants)
cf.: LKW structures of action being a still life taken from
everyday life Life as art – art as life. (see below)
Not a medium-related result.
Cf. Plots / Real Performance Literature:
Büro Berlin (catalogue book)
Zwei Monate experimentelles Arbeiten
(catalogue)
Susanne De Ponte / Ereignis und Wahr-
nehmung: eine interdisziplinäre Unter-
suchung zu den Events der Künstler-
gruppe „GANG ART“ (book)
Victor Turner
Michel Foucault !! / Mikophysik der Macht
M. Foucault / Botschaften der Macht (Reader)
Pierre Bourdieu / Die verborgenen
Mechanismen der Macht (book) !!
Elias Canetti / Masse und Macht (book)
Cillie Rentmeister / Frauen, Körper, Kunst
Mikrophysik der patrarchalischen Macht
(article)
Marianne Wex / „Weibliche“ und „männliche“
Körpersprache als Folge der
patriarchalischen Machtverhältnisse
(extensive picture study !!)
Literature:
RoseLee Goldberg / performance –
live art since the 60s (book)
GAG Art (Catalogue) Michel Giroud
Heidegger / Beiträge zur Philosophie
(Vom Ereignis)
Susanne de Ponte / Ereignis und Wahr-
nehmung (Eine interdisziplinäre Unter-
suchung zu den Events der Künstler-
gruppe GANG ART) + Hubert Sowa
H. Szeemann / When Attitudes become
Form (exhibition)
Kunstf. Bd. 134 / art & pop & crossover
Ed. Paolo Bianchi
Richard Shusterman / Kunst Leben
INFuG / Bemerkungen zur Ereigniskunst
Let´s Entertain – Life´s guilty pleasures
Stefanie Menrath / Performativität von
Identiitäten im Hip Hop
Literature:
Georg Franck / Ökonomie der
Aufmerksamkeit (book)
J.-F. Lyotard / Das postmoderne
Wissen (book)
Performance contra Globalisation (PSi7)
Jill Lane / (PSi7) Reverend Billy: mimesis an
the dialectics of (not) shopping
Literature:
Performance Ritual Prozeß – Handbuch
der Aktionskunst in Europa / E. Jappe
Gregory Battcock & Robert Nickas /
The Art of Performance – A critical
Anthology (book) !
Annabelle Melzer / Dada and Surrealist
Performance (book) !
Mel Gordon (Ed.) / DADA-Performance
Kunstforum Bd. 146 / Das Gartenarchiv
(Paolo Bianchi)
Kunstforum Bd. 32 / Künstler und andere
Sanmler
RoseLee Goldberg / Performance Art:
From Futurism to the Present (book) !!
RoseLee Goldberg / Performance :
Live Art since the 60s (book)
Joachim Dietrichs / Zum Begriff
Performance (book)
Kathy Rosalyn / Toward a Theory of
Performance Art (book)
Coco Fusco / Corpus Delecti:
Performance Art of the Americas
Timothy O. Benson / Conventions and
constructions: the performative
text in DADA Literature:
Relikte + Sedimente (catalogue OK Linz)
Kunstforum Bd. 145 Künstler als Gärtner
(Paolo Bianchi)
Kunstforum Bd. 146 Das Gartenarchiv
(Paolo Bianchi)
Dorothea von Hantelmann
Raum fort und fort (catalogue OK Linz)
Erika Linz / The warehouse theory of
memory is wrong – Zur Performativität
semantischer Wissensstrukturen (lecture)
Clemente Padin u.a. /
From Representation to Action
Dinah Jung / (PSi7) / Performing Fragrance
Performance
Between Identity and Representation (PSi7)
Literature:
Philippe Dubois / Der fotografische Akt !!
Herbert Blau / performative aspects
of photography
M. Köhler / Das konstruierte Bild –
zur Fotographie und Performance (book)
Nigel Rolfe / Sculptures in Motion (cat.)
Johannes Lothar Schröder / Identität,
Überschreitung, Verwandlung:
Happenings, Aktionen und Performances
von bildenden Künstlern
Kunstforum Bd. 152 Kunst ohne Werk –
Die Transformation der Kunst vom
Werkhaften zum Performativen
Paolo Bianchi (Ed.)
T. Warr, A. Jones / The artist´s body !
D. Ronte, H. Schober / Von der
Performance zur Malerei
Out of actions (catalogue) – Zwischen
Performance und Objekt 1949-1979
Philippe Dubois / Der fotografische Akt
Peter Simhandl / Bildertheater (book)
Clemente Padin / Non-Object Poetry:
Action Art
Robin Deacon / (PSi7) Hard Water and
other Objects
Visual Representation (PSi7) / Nic Leonhardt,
B. Brandl-Risi, P.W. Marx, Vera Apfelthaler
Literature:
Pia Müller-Tamm & Katharina Sykora (Ed.)
Puppen Körper Automaten –
Phantasmen der Moderne (book)
Ric Allsopp & Scott deLahunta /
The Connected Body ? (book) !
RESEARCH – Industrial culture handbook
Olaf Arndt & Johannes Kockel (Ed.) /
RRM Dieser Wahnsinn muß ein Ende
haben - Maschinenperformances 91-92
ars electrocia catalogues
prix ars electronica catalogue books
Martina Leeker (on extended perform.)
Martina Leeker (article) / zur Zwiespältig-
keit von performativen Künsten und
digitaler Technik
Kerstin Evert (on Stelarc)
Archeology of the Future (PSi7): J. Birringer,
Helen Paris, Leslie Hill, Tomie Hahn, Marina
Grzinic, Scott deLahunta, Jörg Sonntag,
Yacov Sharir
Yvonne Gaudelius & Charles Garoian / (PSi7)
Machine/Meat: Abjection, Romanticism
and Identity
M. Beatriz de Medeiros / (PSi7) Telepresence
and Performance Art Literature:
Victor Turner / Das Ritual –
Struktur und Antistruktur
W. Nöth / Strukturen des Happenings !
semiotic view: Patrice Pavis
Umberto Eco / Semiotics of Theatrical
Performance (article)
Kurt Lewin / The Principles of Topological
Psychology (book)
Marvin Carlson / Places of Performance –
The Semiotics of Theater Architecture
Jean Alter (semiotician on performance)
Michael Quinn / Celebrity and the
Semiotics of Acting
Burke / Grammar of Motives
L. Wittgenstein
Literature:
Phänomenologie der Wahrnehmung
Poetik des Raumes (G. Bachelard)
William Worthen / Disciplines of the Text,
Sites of Performance (article)
Marvin Carlson / Places of Performance –
The Semiotics of Theater Architecture
Flatz / Demontagen 87-91
Time/space performance/installation
Goffman
Dan Graham
Robert Smithson / Gesammelte Schriften
the body as material
=> body view conference of plants
(Lili Fischer) fünf ingenöre: P. Arlt,
Elke Knöß, Wolfgang Grillitsch,
Martin Kaltwasser, Benjamin
Foerster-Baldenius dismantling
(Wolfgang Flatz) Multimedia Shows
(Rosa Galindo, Pedro Garhel) (Peter Weibel) living
sculptures (Gilber & George 1969) (Eva & Adele)
(Colette) (James Lee Byars) (Thomas Niggl)
(Timm Ulrichs 1966 „first living artwork“)
(Peter Greenawy: 100 Objects ...) (Richard Long)
(Muntean/Rosenblum Steir. Herbst „why die?“)
(Egle Rakauskaite: Honigmulde) curators on performance art:
Rob La Frenais, G. Hattinger, E. Jappe,
Noel Sheridan, B.Nislony, (...)
see also: performers as curators machine
sculptures machine sculptures
mechanical sculpture machine theater
(time´s up/Just Merrit)
(Chip Flynn, Liz Young)
(Jim Whiting) fighting machines
(Leo Schatzl, Franz Xaver, SRL
Survival research laboratories
(Mark Pauline, Bram Renstorm),
Peter Zegveld, Mark Heckert, Eric Werner) music machines / sound machines
(time´s up, Joe Jones, Scot Jenerik)
(Matt Heckert)
(The Users: Symphonies for
Dot Matrix Printers) machine performances
(Julian Knowles) see: Material "machine":
prostheses, hinges, models (curator: G. Hattinger) cf.: prix ars electronica
Interactive art computer
performances electronic performance
(Space violins: Jon Rose) digital performance (2) robot
performances („Wall Street Performance“ /
Momoyo Torimitsu) (Stelarc) telematic sculptures /
Live TV with telepresence –
remote controlled over
1000 km (Stadtwerkstadt) Cybersex
Performances bio feedback mechanisms
(spin sphere – time´s up
Just Merrit) painting actions
(Barbara Heinisch:
danced pictures)
(Joel Hubaut) (Group: Hejettes Szomlyazok)
painting battle see: prostheses, hinges, models action with body objects (Made In Eric)
arm/head extensions: (Rebecca Horn)
One Minute Sculptures (Erwin Wurm / Bd.145)
(Franz West, ...) (Nikolaus Lang) artist as gardener
the garden as site of the action
(Teresa Murak) growing seeds,
cress dress
(Montri Teomsombat) rice dress
(Joseph Beuys) 7000 oaks Costume performances
costume show (cf. A. Heller)
(Pat Oleszko, Vincent Trasov,
Paul Cotton, Claude Wampler) flight show
(Stadtwerkstatt)
cf. Futurists Performers as editor/writers/art theoreticians:
Jürgen Raap, Allan Kaprow, B. Nieslony, Roi Vaara, Hubert Sowa,
Johannes Lothar Schröder (PSi7), Jean Dupuy, Stefan Fricke (Fluxus theoretician),
Arnoud Labelle Rojoux, Alain-Martin Richard, Michael Murin,
Clive Robertson, Daniele Roussel, Tina Keane, Charles Garoian (PSi7), (...) Black market International:
Boris Nieslony
Zygmunt Piotrowski (former)
Nigel Rolfe, Jürgen Fritz
Norbert Klassen
Jacques van Poppel, Roi Vaara
Zbigniew Warpechowski
Tomás Ruller (former)
Alastair Mackay MacLennan (part-time.)
Helge Meyer u. Marco Teubner (2000) Büro Berlin:
Fritz Rahmann
Hermann Pitz
Raimund Kummer
(...) minus delta t:
Karel Dudesek, Mike Hentz,
Chrislo Haas, Wolfgang
Georgsdorf, ...
("Performance Departures“)
"everything is performance“ Stadtwerkstatt Linz (STWST)
Georg Ritter, T. Lehner,
Gabi Kepplinger, Gotthard
Wagner, W. Georgsdorf,
R. Zendron, Flati, Blaas,
Markus Binder, Elfi Sonnberger, et al. ASA
s.u. Die Fabrikanten
W. Preisinger
G. Harringer
P. Arlt Festival of the Regions (A) Material performances
(Roman Signer) (Ralf Vormbusch)
short-lived sculptures Die tödliche Doris:
(Käthe Kruse, Wolfgang Müller,
Nikolaus Utermöhlen, Tabea Blumenschein)
ironicizing the rituals of
contemporary music groups Collecting (for an exhibition)
as performance
(Isidoro Valcárcel Medina) view of collecting
custodian view
(basis for historians'
research) work actions / work demonstrations
(Franz Erhard Walther) work emerges through use
cf. also Udo Wid & E. Wurm permanent event locations:
Moltkerei Werkstatt Cologne (E. Jappe)
(...) Performance is anti-museal important periodicals:
Performance Research (London) / Inter (Quebec)
High-Performance (Ed. Sara Wolf, Ed. Tim Miller &
Linda Burnham) / Performance Art Journal /
Performance Magazine (Hg. Rob La Frenais)
Studio International (London) / p-form (Seattle)
Datum (Holland) / Live Art Online (UK) / P-Form /
Switch (technology and art) / TDR – the Drama Review
Women & Performance: A Journal of Feminist Theory Gutai (Atsuko Tanaka, Kazuo Shiraga, Jiro Yoshihara,
Sadamasa Motonaga, Saburo Mirakami, Akira Kanayama,
Shuso (Shusu) Mukai, Shozo Shimamoto, Naoki Kanayama) actionist painting
(Gutai => George Matthieu) (Yasuo Sumi)
(Shanna Noyes) (Sadama Montanaga) Not yet categorized:
Bruce Adir (Adair) / Jim Allen /
Thérése Ampe-Jonas / Georges Azzaria
Artur Babiarz / Isabelle Bedou
Nayland Blake / Waldemar Bochniarz
Letitia Bolognesi
Colin Campbell / Carmichael Catherine
Costes Carsette / Tim Clark / Paul Cotten
Sue Dakin / Mona Desgagné / Herbert Distel / DLR
Paul Dorn / Leopold Duszka-Kolcz / Sophie Fabien
Gabriele Forster / Vidya Gastaldon
Joel Glassman / Daniel Grenier / Matthias Groeber
Ryszard Grzyb / Klaus-Peter Haase
Plassun Harel / Alexander Harvey / Helhard Haug
Matt Hawthorn / Saiki Hiromu
Peter Horobin / Joelle Keandre/ Birgit Kilp
Marleen Kos/ Barbara Kozlowska / Jill Kroesen
Uli Kruass / Marcin Krzyzawowski / Claudia Leder
Sung-Yon Lee / Li Qiang / Qiang Li
Isaia Mabellini (Sarenco) / Victor Meertens
Gruppe Meier / Christian Messier
Ronald J. Meyers / Antoni Mikolayczyk
Kati Molnar / Melinda Moran / Helmut Martin-Myren
Frank Na / Michaele Nolte / Erik Odijk
Catherine Parisot / Jittima Pholsawake / Micky Plüsch
Apinan Pohgananda / Wolfgang Rahs / Tim Richter
Andrea Ritter / Antoinette de Robien (Robin)
Valentin Rottemaler / Michael Sagorny
Hiromu Saiki / Seppo Salminen
Sarenco (Isaia Mabellini) / Ingrid Scher
Marcus Shira-Tilles / Mayumi Yayoi Shozo
Emil Siemeister / Suras KV Solwonk
Christian Späte / Rüdiger Steiner / Tobias Stengel
Wally Stevens / Wolfgang Störchle / Elke Suhr
Eva Szanto / Ryo Takahashi / Christoph Tarnow
Christophe Terpent / Frank-Udo Tielmann
Jarry Vis / Jonas Wille
Yit Mun Kwahn (artists village) / Silvia Ziranek
Zyklus - Grac de la Luna / Myrna Renaud
Richard Harding / Shannon Rose Riley
Oeykue Potuoglu-Cook / Thomas Defranzt
Heather Crow / Michael Mayhew / Latifa Fakiri
Barry Edwards
conflating gesamtkunstwerk
(Wolf Vostell)
See also category 10 after M.-L. Lange:
Performance as synaesthetic montage
Synaesthetics (Art Clay) view of the exhibition Attempts to "exhibit" performance:
Relicts + Sediments (OK Linz 12/1993) battle view See also:
fighting machines movement/body techniques from
eastern martial arts traditions
(see also: dance performance) See also: view of destruction
See also: energetic view sporting aspects no events
(Roman Signer) view of the stage organic material
(Andrés Pereiro-Schmidt) extreme smells
(Micha Brendel)
smells that "move"
(Robert Jelinek) Dirty conditions as
power conditions (A. Kosa)
Who is allowed to besmirch whom ...
(Paul McCarthy)
(Jason Lim – Bierregen)
Cleanliness mania in Singapore
(Amanda Heng) no fixed
"locale" work concept action as work (s.u.)
trans-formation /vs/
formation the body as object view of public appearances political "appearances"
seen as performance performance as a configuration
of presence (the action) (BN) the (linguistic) image
wants action (BN) preemptory speech
(initiation) relinquishing,
not selling (BN) networking (BN)
(the physical network) consenting disempowerment
in imitation (BN) prelinguistic picture
dependency B.M. is an event view of the in-between (space) B.M.: ... The immaterial center of
performance, of every encounter,
the shared knowledge is:
what is between the persons,
what is between the things, ... B.M. is in the arrangement of the "MA",
of the in-between space, this nothingness,
a kind of mental embarrassment. list of networks:
Todays Place
The Prediction
Reindeer Werk
Das Konzil
Werkzeuggruppe des Konzils
Minus delta t
East-West-Study-Project
Aufmerksamkeitsschule
Verein für Projektkunst e.V.
ASA-European
The Current Affairs
Bazillus
The Neoist´s
MATERIAL und WIRKUNG
Werkstatt Odem
Club Moral
Moltkerei Werkstatt
Throbbing Christle
(Genesis P. Orridge &
Cosey Fanni Tutti & u.a.)
Kunoldstraße 34
Augenladen Mannheim
Le Lieu Quebec/Can
Büro Berlin
Artist Village (Singapore) the artist as
exhibition object
(Skip Arnold)
(Oleg Kulik) power position of the viewer:
the artist as exhibition piece
in the box (Skip Arnold, Roi Vaara, K. Dudesek) The performer in the glass box
with no freedom (of action)
(Skip Arnold)
body becomes a monument in a box
(Mourad Cherait)
Skip, the act – is the art work
(self-exhibition) Perceived as fetish
(as part of the collection)
(Skip Arnold) Cf.: contextual view
Cf.: energetic view
theory of gravitation probability field Gravitation:
B.M.'s performance is a field
The attractor: the force of attraction ASA installs: the field (BN) the in-between a battery of the
in-between tension /
gradient of potential charged spaces constructed
by performance "MA" Japan. (east/west study project)
(MA Festival 1995) terrorism and
performance
(Kunstf. Bd. 117)
(Muda Mathis) Reduction /
celebrated void
(instead of show) Clownerie
clown acts
(Laurie Anderson)
cf. view of play and
of the carnival Performance as
"opening circus"
(important events) taboo materials
(blood, flesh, cot, urine, sometimes animals
consecrated utensils, naked bodies)
(Brus, H. Nitsch, Monty Cantsin, C. Kolig,
C. Langenbach) Beyond performance
(Kunstf. Bd. 100)
Visual works by (former) performers
(Tom Puckey, Dirk Larsen, Floor van Keulen,
Peter Baren, Urs Lüthi, Gina Pane, Sef Peeters,
James Lee Byars, Marina Abramovic, Albert van
der Weide)
action arts:
(according to M.-L. Lange)
Happening, Fluxus,
Land-Art,
Action Painting,
Body Art, Event,
Situation-Art purposeful use of smells
(H. Nitsch, Lili Fischer, A. Kosa, ...)
burning scent material (Ralf Vormbusch) Living Sculpture and living art works
(Category 05 according to M.-L. Lange)
humans as sculptural objects the poetic network (BN)
mental existence between
persons A performance is supplied like a commodity.
The Black Market actions are still very close to this commodity
character (BN) ASA should be more free and floating. Performance is never a re-presentation,
except of itself (George) Performance = exercise in occupying thresholds
(neither stage nor audience space) (George)
(cf. P. Handke) Performance negates the difference between
being and appearance, presentation and re-presentation
(George) surrealistic performance theater of pictures
(Bob Wilson, Laurie Anderson) (Peter Brook, Jürgen Fritz, Fischer-Lichte) field researcher
(Lili Fischer) material experiments (Richard Alpert) revealing the invisible
of the visible
(Lyotard to Daniel Buren) expressive action painting
as starting point:
(G. Brus, O. Muehl, H. Nitsch,
R. Schwarzkogler) OM Theater as a
transgressive gesamtkunstwerk
(O. Muehl to H. Nitsch) football club (association culture)
(Biefer/Zgraggen)
Artist-in-Residence in a ball club
(Dough Hall) robotics
AI research / AI discourse
connectionism
cyberdiscourse / cybertheory
net discourse
technoscience and cyberculture social power conditions
(Paul McCarty) surveillant exercise
of power
(Julia Scher) shopping exhibition –
the show must go on
(Vanessa Beecroft) scenes
(Vanessa Beecroft) Manager training as
performance
(Robert Reschkowski)
cf. analysis of body language
(Pantomime) See: experiments
with the audience circus
animal performance Minnesong (advertising)
minstrel performance
Literature: (... continued)
Jean Dupuy (Ed.) / Collective conscious-
ness. Art performances in the seventies
Arnaud Labelle-Rojoux (artist) /
L´Acte pour L´Art (book) !
Carl E. Loeffler & Darlene Tong /
Performance Anthology (book) !
Henry M. Sayre / The Object of Perform.
The American Avant-Garde since 1970 !
Paul Schimmel / Out of Actions (catalogue)
M. Carlson / Performance. –chap. P. in
its historical context
Out of Actions (catalogue) – Between
Performance and the Object 1949-1979
Prof. Dr. Bonnie Marranca /
Performance Arts Journal
Performance Research (A Journal of
Performing Arts) Vol.1 No.1 Spring 96
Performance Anthology – Source Book of
California Performance Art !!
Thomas Dreher (Diss.) / Performance Art
nach 1945 – Aktionstheater u. Intermedia
Joan Borsa / Performin interconnectedness:
the cathartic installations of Aganetha Dyck,
Ann Hamilton and Susan Shantz
Performance in 18. Century (PSi7)
Avantgarde (PSi7) Organizational structure (Victor Turner) tourist view of the curator
(exoticism and spectacle) What was done (act)
When or where it was done (scene)
Who did it (agent)
How he/she did it (agency)
And why (purpose) (Burke) on stage /vs/
off stage – activity power of words
power of acts
locations of power turning bodies into machines
(Futurists)
Tele-Existence (Stelarc) Bauhaus (Oskar Schlemmer): the first
school to undertake a serious study
of performance as an art form
Merzbühne theories (Kurt Schwitters) power fields
(Kurt Lewin) (fuck head) The visual spectacle
(Jan Fabre) modern clowns
comic performers Literature: (... continued)
Andreas Nebelung / Zwischenräume –
sechs ästhetische Erfahrungen (essay
Kunstf. Bd. 152)
A. Nebelung / Zwischenräume (book)
Ivo Osolsobe
Charles Morris
Keir Elam
Josette Feral
Erika Fischer-Lichte (FL) / Semiotik
des Theaters
Perspectives of Uncertainty: Locating the
Imperceptible (PSi7)
1995 First Annual Performance Studies Conference
1995 Performativity and Performance (Ed.: A..Parker & Kosofsky Sedwick)
1996 Vol.1 No.1 Performance Research (Journal)
2001 7th Performance Studies Conference Mainz PSi7
(PSI Performance Studies International) Diverse ars electronica projects
(knowbotic research – simulation space)
see: machine view, TV view,
acoustic view, etc. implications for performance of the
emerging world of cybertechnology performative aspects
of photography (Herbert Blau) pictures drawn/ painted with the
body (Carolee Schneemann)
see: Painting Bodies (Joan Jonas,
Matthias Jackisch)
(Rolf Hinterecker) Post Performancism the performative as
the "weak point"
of representation Performative marketing and
attention techniques Stunts as
performance ? power of themes between (Buber/Rosenzweig)
intercorporeality (Merleau-Ponty)
betwixt and between (Turner)
ecstasies of the things (Böhme)
space-time force field
(Fischer-Lichte) category of the "between" as guiding category
for an aesthetic of the performative performance as
living pictures enterprise theater for
managers (Kosilo)
Becoming "managers"
with theater methods Unnatural bodies
(Jim Whiting)
dancing machines accidental
(jumping cars)
(Leo Schatzl) A further understanding of performativity:
Efficiency = (calculable) performativity (Lyotard) Performantere = "better" information:
It is a matter of knowing which game the opponent is playing
(Lyotard) Performativity of the commander (his power)
increases with every execution of a command
(Lit.: Lyotard) masked avengers
(Guerrilla Girls) Investigating event structures
(INFuG) contacts with rock/pop:
(Yoko Ono – J. Lennon)
(Cornelius Cardew: Scratch Orchestra)
(Throbbing Gristle (Christle))
(Cabaret Voltaire (ars electr.))
(Robert Longo) (Urban Sax) mechanical
Bauhaus stage
(ars electronica) shattered
performance
(Janusz Baldyga) minute pictures
(Erwin Wurm) performative
sculptures working with and in the field (Marietheres Finkeldei) the power of
attribution
(exercises something
performative) On the in-between as
a mental dimension (PB) Turn from work
to event (PB)
The event takes
the place of the
art work (FL) view of materiality is shifted into focus (FL) (LE) Performance cultures
of the Middle Ages (FL)
The culture of the Middle Ages
can be understood as being
genuinely performative "Presentations“ (Soviet Union)
Presentive Events / life = kajf
"life itself is the drug" art without history
cannot be passed on (?)
(Mersch) Preservation =
Participation "The Perfect Smile“
or performance
as collection object
(James Lee Byars) Party Performers
(ICELANDIC LOVE CORPORATION) marketing strategies
(Com & Com) the renaissance
of the circus (cf. A. Heller) Bio-mechanics
Mechanical Dances
Dancing automatons
Mechanical ballets
Bio-mechanical exercises Painting and Performance
(Bauhaus) (Emilio Morandi) architect as performer
(Buckminster Fuller) Live art
(Claes Oldenburg,
Jim Dine, Al Hansen) Posed performances
(Urs Lüthi) Animate and inanimate
sculpture
(Jannis Kounellis)
Frozen performance
(Jannis Kounellis,
Luigi Ontani) Behavior Tableaux - body language
(80 static poses: Scott Burton) "Transformance"
(commentary on power & money:
Martha Wilson and Jackie Apple) Life style: that´s entertainment The perfect pose
(„The worlds first Pose Band“
Paul Richards, Ron Calla) The Performance Show (1975)
up to 30 artists in each program
(Rose English, Sally Potter, Clare Weston, ...) Penny-peep-show conditions
(Charlemagne Palestine, Olga Adorno,
Pooh Kaye, Alison Knowles, Dupuy)
(Stadtwerkstatt) punk performances
(Throbbing Gristle)
(Genesis P-Orridge)
punk (Pyromania) 1979: the move of
performance towards
popular culture
"the media generation“ ´coming out´ of performance
into the mass culture
(Eric Bogosian, Michael Smith) "Hotel Pompino“ (Van gogh TV)
"No one is sure of himself“ (Stadtwerkstatt TV) Club Shows
(John Kelly, Karen Finley,
Anne Magnusson) See: Club Shows Performance as
fashionable and
fun `avant-garde
entertainment´ gymnast & dancer
(Molissa Fenley)
cf. extreme situations performer acts in
a picture (Miranda Payne)
(B. Nieslony) Living paintings
(Stephen Taylor Woodrow –
hanging on the wall) smell and taste rituals (see: Nitsch) Painting Bodies:
Saburo Murakami,
Kazuo Shiraga,
Shozo Shimamoto,
Yves Klein,
Claes Oldenburg,
Jim Dine,
Nam June Paik,
Paul McCarthy,
Ana Mendieta,
Shigeko Kubota,
Stuart Brisley,
Janine Antoni,
Rachel Lachowicz,
Cheryl Donegan,
Keith Boadwee,
Schneemann,
McCarthy (Penis)
C. Kolig (anal)
Elsbeth Böninger
Arai Shin ichi comparisons: absent bodies clothing/architecture
for the homeless
(Lucy Orta) (Bruce Gilchrist u. Jonathan Bradley / Stelarc) Extended bodies
extendable bodies
Prosthetic bodies
body/light sculpture
(Atsuko Tanaka) fighters and lovers
(Abramovic/Ulay) art and entertainment combination
(Van Gogh TV, ...) portrait made of skin and bones
(Orlan) spectacular
performances
(Chris Burden) „ Pure Performance “
(ski boot advertisement:
skiing through deep snow)
In action with all one's senses,
thoughts and powers
(beside oneself)
Being absorbed in the movement –
Forgetting technique (W. Pfaff) Life as public
appearance (scater, boarder,
dancer, driver, poses, ....) (Sport & Games)
power bodies (in
new theater) violent hands
(threatening gestures) tools with a life of their own
(see also: tool view) chain reactions
(Fischli & Weiss)
(R. Signer) organizations in
action leeways are
in-between spaces playing
suspends domination Places as
in-between spaces (s.u.) Performance as:
Business management style Performative event field
(GANG ART)
art of the event Performative-temporal character
of picture genesis (Phil. Hubert Sowa) attitude toward the
field of events (GANG ART) admission fees
(GANG ART) The visual versus the verbal (PSi7) "quickly changeable
sculptures" (actions
by Roaman Signer) Surrealistic a.p. (ecriture)
(Pollock, COBRA, Situationists, Lettrists,
Manzoni, Klein, Spur, Egon Schrick, Barabara Heinisch) painted with blood
(Y. Klein, Giuditta Tornetta) Theatralizing
painting extended
performances (Stelarc = Stelios Arcadiou) (2) community
performance art event
paradigm (INFuG, GANG-ART
further development of the event) (cf. Events) digital
environments extending the self
in the machine
unleashing identity
in the machine
unleashing the body through
unmediated connection to the machine On the use of the performative
in digital environments performance of
machines olfactory stimulations (Fluxus) Happenings
& Events InstallAction (Le Lieu,Simon Beer, Angie Hiesl,
Fritz Rahmann) develop installation concept
from action concept The right place (Renee Kolla) (Nigel Rolfe)
(Th. Werner &
J. Wüstenfeld)
(Heinrich Lüber)
(Li Portenlänger) See also: tableaux vivant see also:
Mimicry of Life outdoor
performance Performance art =
art without object
(Seamus Malone) achievement view "Performance" of
software and processors cf. also body view –
physical view (of achievement) "Performance“
in the new economy performing art cabaret, entertainment Party-Culture as
Performance performance
clips (2) simultaneity of
high & low (Mike Kelley)
critical art and pop sexual
presentations in
party life (Beate Ronig – story telling) Collecting as a kind of long-term performance (J. Olbrich) (Laurie Anderson)
Songs about art:
(Yan Duyvendak) greed for life aesthetics of theft
(cf. gift) emotions of the
mass emotions at large sporting
events role of emotions
in power struggles energetic field Arranging the "mood" through the
selection of certain places
Different places/spaces convey their
own specific affective messages storage and mobilization
of memory content following
affects (cf. NLP) battle emotions work aesthetic as outmoded
concept is superseded by
the aesthetic of the performative (FL) performative aspects
of object art (FL) The performance
character outweighs
the artifact character The presentation character outweighs
the artifact character (FL)
(cf. exhibition practice of Udo Wid)
Museum and exhibition productions –
a phenomenon of performative cultural presentation
(study by: Prof. Gaehtgens) (comp. studies by Eva Sturm)
(cf. starting schema for this poster group: On the Art of the Exhibition) art history marginalized
performative art for a long time
1995 an awakening performative aspects
of installation art
(M. Dion, U. Wid) Performance = accomplishment and
self-assertion in a
competitive situation The concert podium as
stage in new music
(research: Riethmüller) stage concepts
cf. Stadtwerkstatt-TV event society
and game culture (fun culture) Theater as event flowing transition between
art and popular culture
(Prof. Bonnie Marranca) Performance = capabilities and
self-assertiveness in a
competitive situation Performative Codes
(Cf. Habitus) Performative view of playing:
emphasizes what is oscillating and unfocused,
the "in-between", the framework performative sound locations (s.l.) Computer animation of
memorial architectures – memory theater
(Giulio Camillo, Robert Fludd) fear comes from
constraints,
anxiety unconscious effect of
sexual fragrances
(pheromone) sexuality as emotional
decoy in advertising
(erotic enticements) Postmodern emotion culture (J. Gerhards):
hedonist goal of avoiding
negative emotions fear-anxiety system
anger-annoyance system A bright friendly
room relaxes the mood black market Literature: (... continued)
Johanna Pfaff-Czarnecka / Macht
und rituelle Reinheit
Judith Butler / Hate Speech
Hakan Gürses (lecture) / Identität
F. Nietzsche
Arthur J. Sabbatini / Terrorism, Perform
Bateson, Goffman, Turner (analysing
processes of crisis)
Dan Graham (article) / Theater, Kino,
Macht (in: mise en scéne)
theater miniatures (John Bock) Picture theater – fine artists
of the 20th C. as theater reformers
(book: Peter Simhandl) Animotion – performative
spatial installation
(Stefanie Wilhelm) (John Bock) natural disaster as performance/event
"the highest form of a possible experience“
(Walter de Maria) cf. (R. Signer) sculptural arrangement
(S. Berchthold, I. Keiner) (I. Keiner & S. Berchtold) causality machine
(Sandor Doro – Sándor Dóró) Performance installation
(Mike A. Hentz) interactive video
performance
(Christin Lucas) Gunpowder Performance
(Cai Guo Qiang) Earth works
(Anna Mendieta) Polaroid events
(a´ battery a“ : Chrigg Perren,
Vänci Stirnemann, Fritz Franz Vogel,
Victoria Zappata) Installative instrument to
demarcate space
(Simon Beer)
(Stefan Enderich) trivial performance
(Ulrich Frey & N. Klassen) spaces with
wind machines
(Ralf Filges) PerFORMance
(Parzival (Pörsch)) Performers trained in architecture or stage design
(Andrea Saemann, G. Ritter) view of presentation
view of depicting
view of reproduction
(more important for the theater field)
cf. communication view the artist as
scientist
(Udo Wid) effectivity Dirtyblueclothes (Howard Fried) Athletic event
(against the wall)
(Barry le Va) Wrestling with profi wrestlers
(Howard Fried)
Boxing match
(Arthur Cravan) mounds of earth, earth and sand islands
(Darryl Sapien, Gutai) burning lens made of ice
(Paul Kos) shadow plays
(Jim Melchert) (Gelatin)
(Anet van de Elzen) The Theatrics of
Performance Art
(T.R. Uthco) Re-assembling a B-Car
as Performance
(Chris Burden) Cindarella in a Dragster
(Suzanne Lacy) 2 Performers at great height on
chairs on the wall
(T.R. Uthco: Doug Hall & Jody Procter)
persons over 65 high on the wall
(Angie Hiesl) Description of a performance
(... as performance: Judith Barry) organization art – integrating every
imaginable institution (Stadtwerkstatt, U. Wid) The concept of organizing
marks the point of transition
between art and life (H. Sowa) action form /vs/
work form (F. E. Walther) performative perception
of space
(Cf. Skip Arnold) reception of spatial arrangement:
participating action/embodiment
and translated performance (H. Sowa) Abiding and handling (Sowa) (Sowa) not an observing stay,
but a participating stay (Sowa) understanding the space as
practically traversed execution loss of gestural
language in
modernism (LE) performative staging
of nakedness (Beecroft, Gelatine) Economic view
of exposure in image,
text and performance
(article: G. Brandstetter) Integrative history
of performance art
(Bonnie Marranca) technically
infiltrated bodies view of objects appearance of geometrical, machinic
structuralism of postmodern dance
(Cunningham) dolls as forgotten
people, family machine,
execution machine (Kantor) scurrilous machines of
love and death (Kantor)
cf. "fake" amputation robot
(fictive: John Fare) (Artaud): automated personnel
(people as though controlled with invisible wires) Theater of objects, entirely
without human actors,
theater with technical devices
and machines (SRL) (LE)
object theater transitional objects:
when the subject
tends to become thing media and
techno-body Object theater also opens
up new theater models
between installation, kinetic
object art and landscape
art (LE) cf. Tableau Vivant:
imitating 18th C. paintings Theater is also an
art of sculpture (SE) (LE) The aesthetic object works as a
trigger, catalyst and framework
for a process (for the viewer) sculptural culture of
the body (LE) Sculptures: Theater is here in
greatest proximity to fine arts view of re-presentation (LE) Energetic theater would be outside
the realm of representation Performance instead
of depicting (LE) (LE) Theater, that tends to become a mute
gesture – on the exhibition of processes (LE) The principle of the exhibition
seizes linguistic material, in addition to
body, gesture, voice view of
traces Space becomes a site of traces (LE)
(cf. Relicts and Sediments)
From Appearance Thinking to Traces Thinking museum function
of the theater (LE) Surrealism
includes the call
for a
"Performance Art“ Environmental Theater (as Schechner called
the "surrealistic street" of an exhibition (LE) Clubs and meetings
as ephemeral
installations Club Culture: a form of
living room theater circus-like
show of
strength Varieté nerves: people want
distraction / "number principle" shift from work
to event
(DADA, Futurism) style characteristics of mannerist
traditions (tendency to extremes ...) Transition of theater
to an event (LE) power scenarios
(from: La Fura dels Baus) productive art performativity of
semantic
knowledge structures
(Theory: Erika Linz) semiotics of the body (LE) linguistic text,
staging text and
"performance text" (LE) Telegram style and
broken syntax
(in Expressionism) network of lines of force
(light direction with Wilson) Landscape Play:
... thinking of stage and
text more like a
landscape
(Gertrude Stein) (Christoph Rütimann, Franklin Aalders,
Christian Möller) space moods
(outside the realm of action) Theater as
raising awareness of architectonic processes
(Julian Maynard Smith) (Kipper Kids, Susanne Helmes,
Marie Kawazu, Jürgen Raap,
Walther Stehling, Rainer Aring,
Hong O-Bong, Andrej Bartenev,
Karen Finlay, Osamu Kuroda,
Gelatin) (Nancy
Blanchard) performance coupled with installation
(V. Acconci) (Stefanie Marshall) process of a
sculptural
development
(Janusz Baldyga) working with models
(Vanessa Beecroft)
people as dolls Duo as trademark
(Brigitte Bérard & Mileva Josipovic) Performance with
historical references
(Chen Chieh-Jen)
(Kaori Haba) consume realism
(Lisa Cieslik) (Theo di Ricco) topicalizing exhibition
openings
(Eva & Adele) art as commodity item
(Gretchen Faust) artist as trademark –
making sales calls
(F.E.M. Frauke Ellen Müller) Pop-Kitsch (Friederike & Uwe) self-experiments with machines (Bruce Gilchrist)
boundaries of the human body (Just Merrit) EEG-Experiments
(Bruce Gilchrist,
Udo Wid, Horst Prehn) Sport and body work
(Paul Harrison & John Wood) (H.G.G.N.) ritual machines
(Rebecca Horn) J&W Management Consulting
(Patricia Jacomella & Maria Walther)
profiting from artists of the 3rd world rummaging in material
(Servie Jannsen) (Jonathan Meese ) Fetishizing child
idols (Mike Kelley) Techno-hybrid
Performances
(Monika Fleischmann) For Artaud, a performance must be
unique, a real experience, unrepeatable,
and it must actually transform the
audience and the actors into a
different state. against violence
(Suzanne Lazy) performance as sculpture
performance sculptures
(Heinrich Lüber) construction of the desolate
(Paul McCarthy)
material recycling: rubbish & the desolate
(Paul McCarthy) rolling in material (grass, dirt, ...)
(Paul McCarthy) rolling in mud:
(Illka Juhani Takalo-Eskola) installative situation
(Alastair MacLennan)
(Christine Biehler – Jürgen Fritz) latex performance
(Viktorine Müller) dance as combat sport /
stuntman
(Alexandre Périgot) ArtPirates
X-Ray-PSY = Michael Mierse,
Georgy Bretschneider,
Wolfgang Freund,
Marcus Krips, Parzival,
Enno Stahl,
Jo Zimmermann auctions
(A. Reinthaler) personal performance training
(= applied performance)
(Robert Reschkowski) driving around with window-cleaning
equipment (Christoph Rütimann) reflections on
advertising
(UlunMichael Steinke) kissing walls – imprints
(Ella Tideman)
face imprints (Goji Hamada) In a framework at the top
of a tree (Th. Werner &
J. Wüstenfeld) (Hannah Wilke, Pierre Molinier,
Tatsumi Orimoto, Jared Bark,
Walter Pfeiffer)
(Joa Selin & C. Ranzenhofer)
(Arnulf Rainer) traces – foot stamps
(Günter Saree) Performance in consume temples:
confronting consumers with wounds/mourning
(Muntean/Rosenblum) important organizations: The Living Art Museum,
The Western Front (Vancouver), The Performance Space
(Australia), Perforum (Pfäffikon), The kitchen (NY),
Hallwalls (Buffalo), Galeria Dzialan (Warsaw) Power seminars (as performance)
walking over fire and glass ...
(Habitus of these trainers: cf. Schlingensief) active "work" with art objects –
attracts sculptures in its wake
(Jerzy Beres) crashing head against
the wall (Ralf Berger) (Christian Boltanski)
(Fabrice Gygi)
(Tetsunori Kawana) Entertainment as
advertising and sales
strategy for products
(Mariola Brillowska) Art-Entertainment
(Mariola Brillowska) Dance in comic
costumes
(Peter Callesen) projections as theatrical
productions (color, light, sound,
mirror, prisms) (Milton Cohen) played installation
(Brian Conolly) (Ross Sinclair) several days of excavation
work (Ion Grigorescu) artist in
robot-like
appearance
(M. li Antúnez Roca)
robot theater machine: stream of fire/stream of water
(Erik Hobijn) Performer as
illusionist
(Holunda –
Atelier Juxus) anarchic situations
(Hank Hyena)
(Gillian Waering) sculpturally tied
bodies (Maria Pohland) body between foils
"under pressure"
(Hanna Frenzel) painting as crucified
woman (Natascha Fiala) finger-fan performance
(Linda Christanell) semiotic
action experiments
(Helmut Hempel) consecrated places
(Stefan Kurowski & friends) artist as engineer and behavior scientist
(time´s up, Tim Boykett, Udo Wid)
Mechanics of stimulation - stimulation dispenser (C. Kolig) Tactile
satisfaction and
torture devices
(C. Kolig) use of explosive material
(Marcos Kurtyz, Signer, Drill Hall,
Guy Pro-Diaz, John Latham,
Ivor Davies) tree explosion,
simulated dog explosion &
explosions at flight show
(Stadtwerkstatt) Confrontation with police
and border patrol authorities
(Marcos Kurtyz)
Pursued by the police as a foreigner
(Helena Villalobos) Performative "attacks" on art theory texts
(resolution of a Greenberg text: John Latham) painter as actor giving what is to be found
in crime, in war
(Artaud) The "happening"
movement was
essentially carried
by painters (Richard Martel) Performer as
advertising medium (ERGO) staged photography
(B.J. Blume & Anna Blume)
(Cindy Sherman)
(Hannah Frenzel)
(Pierre Keller) (G. Brus)
(R. Schwarzkogler) dressed in foil
(Lambert Janssen & Urs Küng)
woman in foil (Hong O-Bong)
wrapped in transparent film (Miriam Steinhauser) Ocean panorama –
Happening (Tadeusz
Kantor)
Beach performance
(Pino Pascali) body exhibited next to other
artifacts (James Luna) Performance with food (Paisan Plienbangchang)
subsequently rubbish (Surapol Phanywatchira) Video archive about P. (Ryszard Piegza) performers with their
own museums (Jacques &
Catherine Pineau) important performance
archive (Le Lieu) gallery made of clothes
(Judy Freya Sibayan) entanglement with hoses
(A. Schubert & Dieter Pütz) consume critique through exaggeration
Pink-Man (Manit Sriwanichpoom) Machine and body
(The Shadow Machine:
Peter Courtemanche,
Ken Gregory, Carol Sawyer,
Alvin Erasga Tolentino) tennis ball machine
tosses glowing balls
(Valentin Torrens) clay pigeon tossing machine
tosses glowing clay pigeons
(Stadtwerkstatt – G. Lindorfer) political ironic
deification of capitalism
(Iwan Wijono) Artist Village:
Tang Da Wu (founder), Jason Lim,
Koh Nguang How, Lee Wen, ...) gesticulating like brokers
with the train station
time tables (Sislej Xhafa) (Fluxus,
George Brecht,
INFuG,
Gangart,
Larry Miller,
B.B.B.Johannes Deimling,
Esther Ferrer,
Die Fabrikanten,
Stadtwerkstatt)
(Allan Kaprow,
Jonathan Meese,
John Bock) (Jürgen Olbrich,
Jürgen Kierspel,
Wolfgang Hainke,
Manfred Vänci Stirnemann,
Thoroughly Pseudo,
Fricker,
Boris Nieslony,
Ruedi Schill & Monika Günther,
Jacques van Poppel,
Ulun Michael Steinke)
large images via illuminated
windows with residents'
participation
(Pawel Althamer) (cf.
Clickscape by the Stadtwerkstatt) body in large water hose
(Pawel Althamer) chemical experiments
(Lukas Berchthold) (Eve Bhend &
Jörg Köppl,
Gordon Monahan) bondage
situations
(B. Nieslony) transit space airport
(Cooperation Project X) (Mo Diener)
(Cees Krijnen)
(Myriam Laplante) performance as picture set
in motion (Judith Haman) performers wear black
costumes – like figures
from traffic signs
(Yvette Helin) dance with large
rubber bands
(Esther Maria
Häusler) DressWorks: every "dress"
created in conjunction
with a performance
(Katja Hergenhahn) interpreting material findings as
a labyrinth (Marie Teresa Hincapie) Sculptures appear
like forms of action
(Joa Iselin & C. Ranzenhofer) magic show – life as a pigeon
(Christian Jankowski)
soothsayer services manned turn: person integrated in wooden
frame: human as component of the sculpture
(Köppl / Zacek) large projections of objects
(playing with the objects on a turn table)
(Diane Landry) Kitsch
(Liew Kung Yu) pyrotechnic
performances
(Jens Nielsen, Roman Signer) pictures brought into life
(Gérald Personnier) company/product instead of artist/work
(Protoplast: Philippe Cuny, Kate Isler,
Alex Silber) projection performance
with several overhead projectors
(S.A.C. modeller´s club: Mark-Steffen Bremer,
Anna Weber, Petra Kowalenko, Ulrich Wegenast,
Stephen Thomas)
In interaction with stills (Gelatin) Photo action with small
animal figures (Yukio Saegusa) money-critical actions
(Karin Schlechter &
Sol Lyfond) (High Red Center) Virtual performance architecture – video/mirrors systems
(Scott Simeral) production assistant
with Schlingensief (Elisabeth Steger) capturing a moment
as performance – Polaroid
(Tache/Magor) meditative actions ritual display of
objects (BN) combat situations
(Carlos Amorales) Flow = the
result of becoming
purely "absorbed"
in in the activity Sport with extreme involvement
(flow – a Zen feeling) Dorfbod´n (100 Tage Prozeß Weibern OÖ) a year outdoors
(Tehching Hsieh) genealogies of performance
(Josef Roach) accident / techn. catastrophe as
performance (Jean Tinguely)
Happening with self-destructing machines
(Jean Tinguely) throwing food
(Nam June Paik) burning money
(repealing bourgeoisie values) iconoclasm –
destruction of pictures
as performance
(Humer - porno-hunter) silencing & chewing: immediacy
(Institute for Direct Art:
Mühl, Brus, Nitsch, Weibel, Kren) idea of the gesamtkunstwerk
(R. Schwarzkogler) transforming a museum into
a house of God (GAAG) sound performance with construction
machines from a large building site
(Stadtwerkstatt) Material theater (Stadtwerkstatt) performance with
architectural elements
(Roi Vaara) The Ladies
Ona B, Evelyne Egerer,
Birgit Jürgenssen,
Ingeborg Strahl,
Lawrence Weiner Icelandic Love Corporation:
Sigrun Hrolfsdottir, Doris
Isleifsdottir, Joni Jonsdottir,
Eirun Sigurdardottir Bodytainment
(Stahl Stenslie) file cabinet machine theater /
machine performance (Intercourse –
Istvan Kantor) controlled torture scenes party performance
(Vjing, Djing, ...) A.P.A.-Party: life
and product consulting
(Elfi Sonnberger,
Martina Kornfehl, et al.) Performance: striving for a
common image (B.M.) consume critique (Montri Teomsombat) surfing
(Rolf Hinteregger) (Artaud) Attack of power instances: state,
university, family, religious, ... Non-object
(Neide Dias de Sa) multi-projection show
(USCO M. Callahan) Performer as advertising medium
(Nenad Bogdanovic) ECART Group
(John Armleder, Luchini,
Rychner, Raoul Marroquin) communication
sculpture (Hilmar
Fredriksen) male dominated
society –
performance as
infor-mance
(Karin Anarchia) Botanic Ballet (Andre Bartenev) expanded installation concept
(Simon Beer) (A. Birchler & T. Hubbard) Architecture-related
performances
(A. Birchler & T. Hubbard:
Impenetrable space -
(after Kafka Re-Inviting the Diva
(Lori Blondeau) (Aiyyana Maracle)
Re-Inventing the Diva
(Sheila James & Yasmin)
(Carol Sawyer) (Alvin Erasgo Tolentino)
Cyber Space – Psychic Diva (Kira Wu) see "pure dance" ballasts
(Robert Smithson) action as moving sculpture
(Tan Chen) photos of executed people:
... revealing another image layer
behind these images
(Chen Chieh-Jen) acting in "concrete" locations
(Günfer Cölgecen) event images (electronically
controlled)
(Hansjoachim Dietrich) Repeats of historical performances
(ECART) imitating
antique sculptures
(Franticek Klossner) ventriloquist doll
(Gebrüder Kunst) hammer blows
"nature study
(Paul Gernes) Group material & effect
(BKH Gutmann) 1948: last appearance by
Artaud and Cage enters
Black Mountain College Commentary on ring-shaped representation in over
32 views: everything is always and simultaneously present.
Depending on the time segment, some things are (fashionably) in the foreground –
but the rest is still present .... time-controlled household
appliances (Dick Higgins) High Red Center
(Jiro Takamatsu, Genpen
Akasegawa, Natsuyuki Nakanishi) stockmarket speculation with art money (Fabrikanten) combat sport & power training
(Regula Knopp) (Shigeko Kubota,
Carolee Schneemann) anarchist actions
(ArtPirates) circus artistry
(Osamu Kuroda) stockings
(Margit Leisner) robot community
in human-free zone
(Chico MacMurtrie) power of circumstances /
dilemma
(Jamie McMurry) The boat is full
(every creator a name)
(Valerian Maly & Klara Schillinger) working with milk
(Ottó Mezzaros) Varieté / Vaudeville
(Oogiri) (Rakugo = Storytelling) contact persons from various countries/continents:
M. Vänci Stirnemann (Switzerland), Richard Martel (Canada),
Seiji Shimoda & Shozo Shimamoto (Japan), Ayah Okwabi (Africa),
John Held (USA), Clemente Padin (Uruquay), Warren Burt (Australia),
Lee Sang-Jin (Korea), Jozsef Juhasz (Slovakia), Artpool – Galantai (Hungary),
Guy Bleuys (Belgium), Zygmunt PioTrowski (Poland), ASA & H.J. Tauchert &
Inge Broska (Germany) Cynic Pop-Diva (Pipilotti Rist)
Shooting Diva (Pipilotti Rist)
chemical material
(Tomás Ruller) discourse as site of the unfolding of power
(Lit.: M. Foucault) force theory view
(Cf. Foucault) cf. archeology with
M. Foucault (the
Archeological Archivist) Power wants to tame, cut back, control
and organize the discourse
(discourse control through taboo) seen in terms of the theory of
acts of power (Foucault) can people be portrayed
as commodities
(Santiago Serra) What is an appearance? (Alex Silber) what is the picture after the action
(Kjetil Skoien) slide projections and music
(Kjetil Skoien) sculptural ritual
(Lorna Stewart) system view view of signs (System´Art Groupe: Michèle Métail,
Louis Roquin) acrobatics
(new modern
acrobatics – f´Legussozy) Interactive costumes
(Lori Weidenhammer) art marksman (Jürgen Wolfstädter) self-exhibition (Timm Ulrichs) sifting
(Volker Anding, Laib) cf. intimate performances (FS) social static
(Spencer Tunick) Performance of the
steel works facilities
(driving through with
the works train) Performing Internet (PSi7) Prodigious Performance (PSi7)
(wonderful, violent, ...) popular performance (PSi7) Performing
Fragrance Performance
(scent, fragrance) Literature: (... continued)
Nicholas Whybrow / (PSi7) Schauplatz Berlin
The performing city
Urban Performances – Performing The City (PSi7) Bodiescapes
(PSi7) Transforming the Canon (PSi7) (PSi7) Performing the
human historically
Still to be researched on the Internet:
Milan Adamciak
Arahmaiani Rahmayani / Julie Bacon
Olimpiu Bandalac / Jozsef Bob / Maris Bustamante
C. Ondine Chavoya / Chen Shi Sen
Rosalyn Constantino / Raquel Mendieta Costa
Angel Delgado / Ricardo Dominguez
Amanda Dunsmore / Felipe Ehrenberg
Károly Elekes / Maria Elena Escalona
Stano Filko / Michael Fortune / Eri Furukawa
Toshimasa Furukawa / Maria Elena Gaitan
Mizuho Handa & Tomoko Takahashi
Birgit & Wilhelm Hein / David Hull
Noor Effendy Ibrahim / Patrick Jambon
May Joseph / Elzbieta Kalinowska
Padungsak Kochsomrong / Julius Koller
Marleen Kos / John Kovach / Pawel Kwásniewski
Aileen Lambert / Mi-Jeong Lee / Won-Hyung Lee
Jessica Lerner / Pia Lindman / Roshan Linsi
Jerzej Lipcynski / Hoang Ly / Janos Markus
Cesar Martinez / Radislav Matustik / Mauntin Shue
Dan McKereghan / Peter Meluzin / Aldo Menendez
Charles Merewether / Wathiqu al a Meri
Ottó Meszaros / Marta Minujin / Jose Munoz
Aung Myuint / Nagisa Nakasone / Yumiko Okada
Simone Osthoff / Pagac-Oravec (Duo)
Cosmin Paulescu / Silvia Pellarolo
Dan Perjovschi (cf. Amalia)
Phanyawatchira Khaissaeng & Surapol
Cosmin Pop / Vladimir Popovic
Marilena Preda Sank / Antonio Prieto-Stambaugh
Maria Elena Ramos / Mohammed Rezda
Jae Rhee / Robin Rhode / Nelly Richard
Peter Ronai / Tracey Rose / Lotty Rosenfeld
Masano Sano / Santiphap Inkongam
Zoltán Sebestyén / Rudolf Sikora / Lukasz Skapski
Ewa Smigielska / Leandro Soto / Merian Soto
Wojciech Stefanik / Neung-Kyung Sung
Takeo Suzuki / Sompong Tawee / Rie Tanaka
Sean Taylor / Harumi Terao / Attila Torö
Felix Gonzalez Torres / Carmelita Tropicana
Teresa Vascancellos / Evelyn Velez-Aguayo
Szabolcs Veres / Piya Visuttiiprapanont
Maya Wagatsuma / Susanne Walders
Wang Mo-Lin / Piotr Wyrzikowski / Yasmin
Jana Zelibska / Aida Zurinna / Vladimir Kordos
Jamie Hutchison
Archeology of the Future:
Intelligent Stages, Neural Systems (PSi7) Intelligent Stages (PSi7) Collecting as cultural
memory Performance contra Globalisation (PSi7) Oral history performance (Gretchen A. Case) A Sociology of the Institutionalisation
of Performance Art (PSi7: Britta B. Wheeler) Body Shape (PSi7)
The Shapes of Sensation Transforming spaces through kissing
(Nezaket Ekici) Calligraphy / writing art as performance
(Nja Mahdaoui) The "presentation" of
pictures while opening and
closing medieval
codices (PSi7 W.C. Schneider) performativity of forms
of materialization
(Proj.: Kinetographien) What must be questioned are: "models" as statically conceived
and spatially structured explanations (e.g.: semiotic
sign models, psychoanalytical topographies of
un/conscious, spatial text terms) (Proj.: Kinetographien) performativities of
energetic matter
(Kinetographien) machinized sculptures (Proj. Kinetographien) mobile architecture dancing graphies (Calligraphies)
(Proj.: Kinetographien)
Slide3:
17 playful view
view of playing 15 view of orality 14 existential view 13 intensity view 12 ethical view 10 emotional view 09 everyday view 09 everyday view 10 recipient view /
tactile haptic view 11 political view /
intercultural view 12 aesthetic view /
visual view / light view 13 identity view 14 view of the artist performance with language(s) 16 effect (consequence) view 17 carnival view +Performance as whereabouts
+Performance as life
Performance as life-art-work
Performance as celebration
Performance as "translation"
(PSi7) +Performance as act
+Performance as analytical postulate Performance as demonstration
Performance as political phenomenon
Performance as political strategy
Performance as praxis of destabilization
Performance as subversion
Performance as communication guerilla see above +Performance as attention
+Performance as aesthetic category
Performance as aesthetics of existence Performance as a praxis of
articulating identity
Performance as memory work +Performance as formational field of experiment
Performance as life-art-work (2) +Performance as originary human language
+Performance as language
Performance as narrative Performance as play celebration
art (1) direct art gender-
tainment (1) manifestation speech
performance interdisciplinary
actions poesie
sonore ceremony
art (1) Tableaux
Vivants Happening (1) story
telling (1) life art agitations games feminist
performances agit prop manoeuvre agit pop guerilla
art the art of
the act art action action literate
performance literary
performance literature
performance sonore
lectures lectures (3) poetry
in action spoken words
performance intercultural exchange
in performance performance in
politics Performance =
the art of the act (Black Market)
performative action prediction (1) psychoanalytical view /
psycho-physical view view of destruction gender-
tainment (2) communication aesthetics
sociology (Bourdieu)
identity discourse
performativity views
postmodern views sociology (Bourdieu)
cultural studies
new subjectivism
privatism debate
life philosophy
(game rules of art) manifesto of tactilism
existentialism (primacy of the act)
psychoanalysis / disgust theory
Lacanism discourse
queer theory (PSi7)
gender studies
psychological theories of performance
psychology / action psychology
see also Gustav Metzger Black cultural theory
cultural criticism
feminist studies / feminist theory
gender studies
anthropology of gender
cultural history
postmodern views
postcolonial theory
(Game Rules of Art)
aesthetics as art theory
aesthetic discourse
art theory / morphology
perception theory
debate on the sublime
aura debate
revulsion theory
communication aesthetics
performance studies ethnography existentialism
(primacy of action)
existential philosophy
subjectivism debate
performative theories
ethnology
analytical philosophy
linguistic philosophy
rhetoric
language studies / linguistics
structuralism
speech act theory (Austin, Searle)
pragmatics/interactions and
conversation analysis
socio-linguistics
linguistic performance theory
literature studies
literature discourse
linguistic turn (discourse) private /vs/
public living prediction
(Reindeer Werk) living tableau performance is playing life
(as topic) re-enacting everyday
situations performance as celebration (see: encounter) public celebration
(fire-eater ...) life as a celebration (invited to the table) Inge Broska
Hans-Jörg Tauchert
Jürgen Olbrich
thoroughly pseudo
Boris Nieslony
Ulun Michael Steinke
Reindeer Werk:
Lebende Vorhersage –
The Prediction 79-82
the act act forums Gestures (2) space of action pleasure of grasping /vs/ touch prohibition
(Franz West – pieces that should be experienced with the body)
(desire for touch) Intervention (2)
(Alain-Martin Richard) directness
(as central quality of performance –
in comparison with communication
through media) disgust view the untouchable "let's do some action" Taboo taboo violation/taboo breach
(Tibor Hajas, McCarthey) (Fluxus)
(autoperforation artists: Micha Brendel,
Else Gabriel, Rainer Görß, Via Lewandowsky)
(Schlingensief / What else could be violated?) disgusting performances showroom /vs/ space to act (minimal public distance) nauseating abjects "participant"
as actor Performance culture as
hotbed of a new
reception art emotional space /
space of feelings zones of dis-rupture the emotional as a
fundamental position
emotional force of performance performativity of feelings venting games performance as exorcism (see above) violence as critical
array of instruments brutality as a
fundamental position destruction in art the conference as
life of the act performance as analytical postulate (see above) being tense together (2) intercultural performance projects
intercultural dialogue (P. Jacomella & M. Walther) intercultural transformation
(Translation Transition Transformation – PSi7)
intercultural collaboration (PSi7) Asian ideas without intentions encounter (2)
Communitas taboo violations (2)
(discourse control through taboos) east art / west art performance as subversion (see above) performance as destabilizing practice (see above) performance as demonstration (see above)
(Milan Kizak) (Canada) Performance as social, political
strategy resistance movement
protest movement, sit ins Aktivismus / Activism
(Chumpon Apisuk, Arahmaiani (A. Rahmayani)) Political women's movement
Performance art performance is a
paradigm of feminism itself (V. Export, Lorraine O´Grady:
Guerilla Performances)
guerilla theatre gender (in) performance feminist
narrative
performance anarchist approaches
(Charlemagne Palestine) "a" battery "a"
The Prediction
Büro Berlin
ASA-European
Rent An Artist, Prediction
Black Market International
STOP.P.T.
Performance Networks
Situationists, Lettrists
IRWIN, Lidl Akademie
Chris Reinike
Rasa Todosijevic social
movement
(cf. projects by IRWIN) Queer Happening (2) Performance as attention (see above) attention as raw material (2)
the general essence of performance ethical equivalency see also: political view attention as raw material (1)
the general essence of performance arranging morbid
curiosity
visual drama aesthetics of presence (cf. ZEN) self-attention contemplation /vs/
ecstasy quality of perception aesthetics of the atmosphere the enflamed aura
(charisma) aesthetics of living places
aesthetics of life practice aesthetic of performative art re-auratization
in performative art Western taboo of
transgressing beauty:
cutting the face
(Gina Pane)
(Orlan) aesthetics of existence
(M. Foucault) There are as many performance
aesthetics as forms of living
or language games (D. Charles
with Wittgenstein) with regard to
aesthetics /vs/ ethics
cf. Wittgenstein Performance as an aesthetic
phenomenon (as aesthetic
category) see above logic of different
identities invented
identities
(Lynn Hershman) exhibition of
the self cross-dressing
(role playing)
(G.J. Lischka) drag
performances tableau
vivants (2) Living Tableau Performance as
"translation" (PSi7) into a different
area. After a P-phase, artists are
often active in other fields. see:
the enflamed aura
(charisma) see:
contemplation /vs/
ecstasy see: attention
(energy field as centered
attention) see: the brutal see: most sublime moments of
physical presence see: uninhibited
performances passion see: view of destruction attempts to establish new concepts of art Quality anonymous performance
(Charles Kaltenbacher)
(Ria Pacquée) (Emil Gropoz) personality I am an artwork Performance is
quality (Disc.) presence abidance
(Heidegger) see: Identity PreFormance Form ance see: aesthetics
of existence
(Foucault) the art of existing see: Performance as life life-art as self-experiment
analytical philosophy
epistemology
cognition sciences
cognition theories
artistic research
constructivism
resemblance theory 16 epistemological view Performance as observation
Performance as spiritual exercise thinking in movement
(Peripatetics, INFuG,
ARGE Kulturtheorie,
Stefan Szczelkun) Happenings as
quiet research the body's performative forms
of insight performance as
analytical session (see below) art as knowledge system
(Kunstforum: Jean Odermatt "LKW Gotthard")
(George Steinmann) interdisciplinary approaches
in performance
see: interdisciplinarity view reference system of
terms Performance as
conscious dream (see below)
(Terry Fox) cf. "linguistic turn“ rhetoric Fairy Tale: Performance
as rightful speaking
(Grimm's Fairy Tales: Joan Jonas) Performativity of
Language 15 linguistic view Oral traditions
(see study: Eva u. Attila Kosa) poetic structures the conference as speech laboratory Story telling techniques speech theory Performance /vs/
Competence speech act poesie d´action DADA story telling (2) speaking, singing, screaming
(Jilia Heyward, Shelley Hirsch)
(Michael Schmid – screaming naked)
(Kim Tomczak) experiments with sound
characteristics of sound creation
sound poems
(Carles Santos, Henri Chopin et al.)
(Meredith Monk) cf. living environments
(living pictures as in the baroque era) ceremony (B. Nieslony) audience participation
open end audience participation agitation & propaganda
(Marxist, Leninist) (Sonia Knox,
Elisabeth Chitty) (Ray Langenbach)
(Marcel Odenbach) (U. Rosenbach)
(Marcella Bienvenue)(Chris Reinicke) situative production
maneuver, sit ins sound poetry
(Larry Wendt,
Serge Pey,
J.-A. Deelder,
Julian Blaine,
Jaap Blonk,
Jean-Francois Bory,
Jacqueline Cahen,
Diane-Jocelyne Cote,
Jean Dupuy,
Paul Dutton,
Cyrille Fontaine,
Giovanni Fontana,
Bernard Heidsieck,
Joel Hubaut,
Arnaud Labelle-Rojoux,
Jean Jacques Lebel,
Alberto Masala,
Joseph MacKenzie,
Martha & Jenny,
Angéline Neveu,
Tibor Papp,
Michael Rice,
Valeri Scherstjanoi,
Cesar Figueiredo,
Enzo Minarelli) Poles: often related to
one's own life Poland: almost like
story-tellers, but
always relating to
real life Performativity as establishing identity
as a process of repeated citations Literature:
Performance as an aesthetic category
(edition of a performance journal)
Dwight Conquergood / Performing as a
Moral Act: Ethical Dimensions of the
Ethnography of Performance (article)
Marvin Carlson / Performance – a critical
introduction (book) !!
Gerhard Johann Lischka / Momente
Ästhetischer Praxis
De Certeau
Ruth Askey / Humanistic Concerns in
Performance (article)
Dieter Mersch / Reauratisierung in
performativer Kunst (research project)
Kunstf. Bd. 152
Dieter Mersch / Kategorien für eine
Ästhetik „performativer Kunst“
J. Derrida / Given Time
Doris Kolesch / Ästhetik der Präsenz
Fischer-Lichte (research project) /
Ästhetik des Performativen (FL)
Beauty now (catalogue)
Literature:
Sue-Ellen Case and Jeanie K. Forte (Ed.)
Performing Feminisms: Feminist Critical
Theory and Theatre (book)
Senelick Lawrence / (book)
Gender in Performance
Geraldine Harris / Staging Femininities
Performance and Performativity
Routledge Reader in Gender and Perform.
Performative Acts and Gender Constitution
(essay 1988!) / Judith Butler
Kate Davy / ... Reception, Context, and
Address in Lesbian Performance
The politics of black performance (book) /
Catherine Ugwu
African-American Performance (book) /
A. Bean (Ed.)
P.A.N. (catalogue book)
Black Market International (brochures)
Büro Berlin (catalogue book)
Herbert Blau / To All Appearances:
Ideology and Performance
Randy Martin / Performance as political act
Baz Kershaw / (PSi7) / Ecoactivist performance
The Environment as Partner in Protest
Literature:
Justin Hoffmann / Destruktionskunst
Michel de Certeau !! / Kunst des Handelns
Paul Ricoeur (application) / Lehrstuhl für
Philosophie des Handelns
Konserviete Welt / Eva Sturm
Kultur als Handlung / article: Gertrud
Koch /Texte zur Kunst 99 – 9 – Heft 35
Ästhetische Handlungen u. Demonstrationen
Samson D. Sauerbier
Habermas, Apel
(Theory of Communicative Action)
Interpassivität / Ed. R. Pfaller
Karl Gröning / Hände Literature:
L.K.W. (catalogue) OK Linz
Performance Art, die Kunst zu leben
Life is art enough / Ed. Anita Beckers
Life is art enough / Felix Philipp Ingold
Linda Montano / Art in Everyday Life
Performance art – Die Kunst zu leben (book)
Literature:
Texte zur Kunst Sept. 1999 9.Jg. Heft 35
Notes on Camp / Susan Sontag
Kate Davy / Fe/male Impersonation:
The Discourse of Camp (article)
Expansionen (catalogue) Wiener Festw. 79
Georg F. Schwarzbauer (FS): Physische und
Psychische Energien in der Performance
Clifford Geertz, P. Bourdieu
Mihaly Csikszentmihalyi / Das flow-
Erlebnis (also: John MacAloon)
Richard Poirier / The Performing Self
Suture – Phantasmen der Vollkommenheit
(catalogue and symposium publication)
Peter Gorsen / Körperrituale der Travestie
und des Transvestismus (article)
Petra Klaus / Hardcore-Performance (article)
Hakan Gürses / Identität (lecture Gmunden)
Dieter Mersch
T.Warr, A. Jones / The artist´s body !
Orientalities: Representing National and Intra-
National Identities Through Art an Music (PSi7)
Vera Apfelthaler / Drag, Performance und das
performative Körpergedächtnis
Literature:
Kunstforum Bd. 150
Zeit – Existenz – Kunst
Peter Gorsen / Der spielbar gemachte
Alltag oder die Rückkehr des
Existentialismus in der Performance Art
(catalogue essay)
Roland Barthes / La Mort de l´Auteur
Heidegger / Existentialphilosophie ...
Heidegger / Sein und Zeit
Jaspers, Sartre, Merleau-Ponty
Staging the Holocaust (PSi7)
Miriam Yahil-Wax / (PSi7) Where language ends
Literature:
Eva Kosa / Ilias (masters thesis) !
Doro Franck (article) / in:
Relikte & Sedimente
Eva Sturm / Im Engpaß der Worte
J. Lacan
John L. Austin / How To Do Things wih words
John R. Searle / Speech Acts: An Essay
in the Philosophy of Language
J. Butler
Herbert Paul Grice, Strawson
Eli Rozik / Categorization of Speech Acts
in Play and Performance Analysis
L. Wittgenstein (language game theory)
Pierre Bourdieu / Was heißt sprechen?
Die Ökonomie des sprachl. Tausches !!!
V. Flusser
Mikhail Bakhtin / Speech Genres ...
J. Kristeva
J. Derrida !!!
Shoshana Felman / Don Juan avec Austin
Richard Baumann / Story, Performance,
and Event: Contextual Studies in Oral
Narrative
Marvin Carlson / Performance; chapter
The performance of language
Noam Chomsky (competence /vs/
performance)
Literature:
Zur Wirkungssicht: cf. article by
Marie-Luise Lange
Jill Dolan / The Dynamics of Desire:
Sexuality and Gender in Pornography
and Performance (article)
Marvin Carlson / Performance – a critical
introduction (book) !!
Roger Caillois
Hanne Seitz (Ed.) Schreiben auf Wasser
Robert P. Crease / The Play of Nature -
Experimantation as Performance
P. Bianchi / Kunst ohne Werk – aber mit
Wirkung (article Kunstf. Bd. 152)
H.G. Furth / Wissen als Leidenschaft
Thomas Kellein / Fröhliche Wissenschaft
Helen Freshwater / (PSi7) Contagion,
Containment, and Censorship (article) Literature:
Spielregeln der Kunst (series)
Eric Berne / Games People Play
Roger Caillois / Man, Play, and Games
Johan Huizinga / Homo Ludens (book)
Vom Ursprung der Kultur im Spiel
V. Flusser (homo ludens) various articles
Victor Turner / Vom Ritual Theater. Der
Ernst des menschlichen Spiels !!
Gregory Bateson / A Theory of Play and
Phantasy (Essay) !! Important concepts
to performance theory
Erving Goffman op.cit.
Mikhail Bakhtin (concepts of carnival and
dialogism) -> Julia Kristeva
Hans-Georg Gadamer / Die Aktualität des
Schönen. Kunst als Spiel, Symbol u. Fest
TOYS´N´NOISE (catalogue OK)
Bachtin
J. Piaget , L. Wittgenstein, F. Schiller
Andreas Nebelung
Barchorski u. Röcke (research project) /
Dramaturgie von Witz und Witzkultur in
Spätmittelalter u. früher Neuzeit
Gebauer (research) / Die Aufführung der
Gesellschaft in Spielen
Gebauer, Wulf / Spiel – Ritual – Geste
Vom Ernst des Spiels (book)
(2) expanded
performance The allotropic = the purest thought of
alchemy; does a process of insight need
20 years or can an event create it in a
second political revolutionary
approaches political actionism
politically motivated actions
actionism in parliament
symbolic actionism (PB) consequences of performances
Why performances ?
the function of performance
within a culture (Lit.: M. Carlson)
function/meaning of performance insight as consequence political, social consequences
(see political view) consequences for the field of art
(game rules of art)
cf: revolutionary approaches agitation, impotence
as consequence censorship as
consequence
(Karen Finley)
(Ron Athey – NEA USA) legal
prosecution
as consequence
(G. Brus, P. Weibel) collective consciousness
(Jean Dupuy) observation as
performance (Robert Filliou) Performance without the performer
not appearing and not conducting either
(Rose Finn-Kelcey) ersatz performer
(Rose Finn-Kelcey) Conference or sermon as form
of performance (Lili Fischer)
sing-song (Lili Fischer) helplessly exposing oneself to the audience
(Wolfgang Flatz, Abramovic) sadistically tortured
(Hermes Phettberg) strictness Levitation (canceling
gravity)
(Terry Fox) nauseating smell (Else Gabriel) taboo topics
child abuse
(Rosa Galindo, Pedro Garhel,
B. Nieslony) mental situation nomadic artists (nomads)
as mediators between art
and everyday life => celebrations (Alain Gibertie)
movement "les Vivants“ singing sculpture
(Gilbert & George) life: intense, burning,
infernal spectacle
(Tibor Hajas) light compositions
(Nan Hoover) light music
(Rolf Julius, Christian Möller) Performance with (dead) animals
(V. Export, Siglinde Kallnbach, Werner Klotz (snails),
Via Lewandowsky, Alastair MacLennan, H. Nitsch,
R. Schwarzkogler, Otto Mühl, Zbigniew Warpechowski,
Mark Tomson/Thompson (work with bees),
Stadtwerkstatt (bug race), Zitronenfalter (Brook),
Attila Kosa (taxidermist), Paul Kos (Trophy),
Josef Beuys (coyote, horse, dead hare), J. Kounellis (horses),
G. Duintjer (horse), Bender&Nern (horse),
Arnulf Rainer (Painting Performance with Monkey),
Stephan Us (dead sparrow), Elisabette Mileu (fish)
Pascale Grau (ladybug), Bonnie Sherk,
Tatjana Ilic (bird in mouth), Marco Ivaristtis,
Kim Jones (Rat-Burning), Ella Tideman,
Markus Schwaighofer, Walter Stehling (dog),
Ramiro Oviedo (snake), Hélio Oiticia,
Carolee Schneemann (snake, fish, chicken),
Kaprow (chickens), Rafael M. Ortiz (chicken destruction),
Mark Boyle (insects in the throes of death),
Simon Whitehead (tracking animals)
Cf. animal performance (circus)
(Allan Kaprow, Tadeusz Kantor,
Jean-Jacques Lebel, Wolf Vostell,
Al Hansen, Rauschenberg, Robert Whitman,
Nitsch, Schneemann, Knizak, K. Dewery,
Alain Jouffrey, Zorka Saglova) Penetrating the atmosphere –
What is art and what is "reality“?
(Harrie de Kroon) dignity performance (Zofia Kulik, Przemyslaw Kwiek) building up intensive energy fields
(Rolf Langebartels) bizarre piece of existence theater
(Via Lewandowsky)
childhood experiences, primal fears,
destructive fantasies,
drive analysis (Alex Mlynarcyk,
Colette,
Luigi Ontani,
Johan Lorbeer,
Claudia Triozzi,
Myriam Laplante,
Faisal Abdu´Allah) celebration of psycho-physical
naturalism (Otto Muehl, H. Nitsch) see above: therapeutic view experience of primal excess
(H. Nitsch) Disguise as performance
(Orlan) (Yasumasa Morimura)
Publicly sympathizing in
disguise (Ria Pacquée)
cf. also: masks operation performance
Operation as performance
(Orlan) remodeling identity
Identity in process energetically putting oneself into a
Samurai (Charlemagne Palestine) –
Hagakure: in praise of energy (Mishima) to exhaustion
completely expending oneself
(Gina Pane) (McCarthy)
(Reindeer Werk) (Denis Oppenheim)
(Marina Abramovic: dance to
unconsciousness) (Marcos Kurtyz)
(Dorte Strehlow: dragging sack)
(Melati Suryodarmo: dances,falls, ...)
total overload (Stuart Brilley) lightshows Shan – discipline of attention
(Zygmunt Piotrowski - School of Attention) (2) Neurotic Rituals – in the
intensity of a hysterical psychosis
(Reindeer Werk) Eva Seanto
Ulrike Rosenbach
Simone Forti
Deborah Hay
Elaine Summers
Trisha Brown
Lucinda Childs
Alison Knowles
Charlotte Moorman
Angelika Festa actions for the life of the earth
(Ulrike Rosenbach) Phosphorescence
(Fried Rosenstock) The performer as avid
recipient of an exhibition
(Tomás Ruller) (Ralf Samens) Performance as memory work (see above)
(Schmiz&Drux: Alexander Schmid, Michaela Drux) "Polis Performance“ (Matthias Schönweger) experiencing the greatest possible intensity:
as goal of the performance
(Peter Stembera) light extinguishing
machine
(Andreas Techler)
Smashing lightbulbs 20 performance-meters
become a marathon
(Albert van der Weide) nauseating material battles key experiences inflation of
self-expression every insight is only possible
through action /
knowledge is a matter of doing (Grotowski) responsibility
(Z. Warpechowski) Performance as
perfect corporate identity /
corporate identity performer surrendering identity
in every performance
(Nieslony) Language Happenings
(Emmet Williams) Performance as provocation
(Else twin Gabriel, Micha Brendel,
Via Lewadowsky)
Pro-Vocation - calling displacement of the dominance of the visual (sense of sight) sense of touch important parameters of p.:
identity of the subject coerced performance
of life mourning
performance
(Hans-Jörg Marti) Intensity and energy:
Vital works: Abramovic/Ulay
energy dialogue energetic view destruction in art symposion DIAS (1966, ...)
(O.Muehl, H.Nitsch, P. Weibel, A.Hansen,
Gustav Metzger, Susan Cahn, John Sexton,
Kurt Kren, Vostell, R.M. Ortiz) extreme situations
mental and physical burden
(Chris Burden) (Barbara Sturm)
mental boundaries (Stuart Brisley,
Geert Duintjer) viewer in the role of the
performer (in complicated
technical installations)
(Chris Burden) (V. Acconci)
naked performance by the "audience" organized
through private ads (Spencer Tunick) poetic text as
starting situation (Charles Dreyfus) (Colette: declared the
course of her life an
art work) playing with the audience's
attention
(Giuseppe Chiari) Touch and Feel Cinema (Valie Export)
Body Contact (Schechner)
Touches (Franz Müller) identity transfer
(Valie Export) real-physical investigations
(Attila Kosa)
Vivisection (intervention in live animal ...)
(B. Nieslony) (organic) decay
decomposition (Kosa) the body as building extreme performance
(Text: Lischka)
(Julie-Andree Tremblay) Performance as valuative
achievement, as configuring
presence to action (BN) view of performance Performance: concrete realization of
the linguistic utterance (... voice, breath, gesture,
mouth, ear, eye) ... what is personal, physical in
every act of speaking (cf. also habitus) performative speech act
(... imbedded in ritual situations, etc.) bed in (for peace)
(Yoko Ono) the recipient as
(necessary) witness As human existence intervening in an immediately effective way
in the existence of a public body (BN) (BN) The energetic sum:
Emergence (higher plane of being),
not conducting secondary discourses view of world view configuration (of presence) rightful speaking –
performance (BN) Is performance a language? loving people
(openness / taking no position / ...) authentic
introverted
autistic (BN) B.M. is an intercultural
elected affinity B.M. is a principle with
ethnic-cultural dimensions B.M.: ... certain states of knowledge
cannot be held down absolute solitude
in the act B.M. Micro-emotions are
the tools of taking action In the arrangement of "MA",
the in-between space, this nothingness,
B.M. is a kind of mental chagrin. constraining thinking processes
(sabotage – Robert Jelinek) cf. view of the field see: taboo materials organic material liberation from
religious and
sexual taboos disruption, shock
as consequence (Kees Mol) exposure
shame
embarrassment (Peter Land) (BN)
chagrin insight
illumination
comfort daydreams emotions
mourning
(Hans-Jörg Marti) purification
(cleansing)
liberation touched, moved increased
attention desire for presence, physicality,
sensuousness, material experience
(Bernd Schulz) mental chagrin (B.M.) cheering
entrancing
enticing put into
a trance querying
disquieting
perturbing
frightening soiled reminder of what is held in
common (among people) cf. ethical view tensed outrage philanthropy Walking and Thinking
Thinking is Walking
Walking as cultural act
border-crossers (Kunstf.Bd.136) Performance is based on the
presence of acting artists unmediated reference to the
audience as essential
characteristic of the
action arts Feminist Actionists
(Carolee Schneemann,
Joan Jonas, Ann Halprin)
body as material (see left) emotional turn (following cognitive turn) psychical border-crossing
performances (category 01 according to M.-L. Lange) Experimental actions
(Category 06 according to M.-L. Lange)
cf. context view destruction actions
(category 07 according to M.-L. Lange) (W. Flatz)
symbolically directed against civilization
(Wolf Vostell, G. Brus, O. Mühl, R. Schwarzkogler) self-exposure see also:
Narratively structured performance
(Category 12 according to M.-L. Lange) politically intended actions
and performances
(category 13 according to M.-L. Lange)
(Janus Markus = J. Markus-Barbarossa) Art and Revolution
(P. Weibel, V. Export, O. Mühl, G. Brus
UNI Vienna 1968) play theory
language game approach (Wittgenstein)
postmodern views
anthropology (of laughter) playful insight performance is playing role plays (s.l.) game rules (of art)
musical score as game rules (s.l.) play of locations (see above.) games (3) cathartic games (see below.) free play (see: Improvisation)
free play with materials, objects,
body movements, action locations
(see: release view) playing with frameworks
(cf. context view)
(Schlingensief) Sites of performative learning:
laboratory, workshop, ...
trial action
trial thinking (analogous to trial action) (religious) rapture / ecstasy intoxicated state negotiating identities
in use the mental network (BN)
the network of intentions thinking and acting
in intensities (BN) Performativity
of netgames escalation begins with
one´s own body
(Engelmann) audience and performer participate
in the same energetic space Performance is
present (Francis Francine: Drag-Performer with
Warhol & Smith / Mario Montez, Jack Curties: Drag-
Performer with Warhol) drag queen / drag king
(Diane Torr) Drag (Mary Noéle Dupuis) Excess, the
moment of delirium
(McCarthey) rap meets poetry
(cf. Marvin Carlson)
return of the text testing the audience's
reactions
(see: borderline situations)
(La Fura dels Baus) Performance aims to provoke dismay, fear, anger,
desire, anxiety, hate (Li.: J.-F. Lyotard) mind shift-ing
experiments Performance as a meeting
of different cultures
(Abramovic/Ulay, Minus delta t) the body is the focal point
of investigations
(Abramovic/Ulay) gender surfing (playing with
gender roles)
(ritual double genderedness – shamans) speech or
body knowledge
(cf. Eva Sturm) beings from another world
(Mariko Mori) playing and humor
see also: Fluxus
(G. Brecht) performer takes
sleeping pills – audience has to
react (Ma Liuming)/
sleep pieces (Geoffrey Hendricks)
on the drip with sleeping drugs (Holtappels) Experiments with the audience (Dan Graham)
(Viktorine Müller (vacuum-packed audience),
Mike Hentz (enclosed, shackles),
Nikolaus Urban (locked in, stabs),
V. Export (whipping),
Jason Lim (beer rain, flour rain),
Markus Hensler) black
performance lesbian
performance linguistic
performance multicultural
performance
(PSi7) political
performance ecological
performance race and
Performance
(Fabio Mauri)
(Laurie Carlos)
(Adrian Piper) Sadomasochistic
Performance:
(Bob Flanagan,
Sheree Rose)
(Paul McCarthy)
(Mike Parr)
(Da Blunschi) autobiographical
performance (Rachel
Rosenthal, Spalding Gray,
Julia Haywards,
Laurie Anderson) camp performance
lesbian camp performance
(Helena Goldwater)
gay camp performance
(life as theater)
Theater of the Ridiculous engaged
performance ethnicity and
performance
Literature: (... continued)
Jill Dolan / The Feminist Spectator
as Critic
Michelene Wandor / Studies of British
feminist performance
Lance Carlson / Performance Art as
Political Activism (essay)
Catherine Elwes / Floating Femininity:
A Look at Performance Art by Women
(essay)
Lynda Hart & Peggy Phelan / Acting out –
Feminist Performances (book)
Valie Export / (essay) Persona,
Proto-Performance, Politics
Coco Fusco (artist) / The Other History
of Intercultural Performance (essay)
Susanne Schwinghammer-Kogler / (PSi7)
Interculturalism and aesthetics or the
deconstruction of an eurocentric myth
Norma Broude & Mary D. Garrard (Ed.) /
The Power of Feminist Art
Edith Almhofer / Performance Art –
Die Kunst zu leben
Patrice Pavis (Ed.) / The Intercultural
Performance Reader
Erika Fischer Lichte (intercultural approach) Literature: (... continued)
Allan Kaprow / Step Right in Assemblage,
Environment & Happenings (book) !!
Udo Kultermann / Art-Events and
Happenings (book) !
Kathy O´Dell / Contract with the skin -
masochism, Performance art and the 1970s
J.L. Moreno / concept of psychodrama
Julia Kristeva (theory of the "abject“)
David Jones / The Performance of the
Abject (article)
Sigmund Freud, Wilhem Reich Performance:
Restored behavior There is no performance without
Preformance (John MacAloon) Meta-communication (Bateson)
Psychological frame genuine /vs/ play (in comparison to theater)
in relation to the performer's use of the body
in relation to the role of the "viewer" deep play /vs/
shallow play (Geertz) materially unproductive,
rule-based, ,... temporary panic,
dizziness (Lit.: R. Caillois)
vertigo (Milica Tomic & Róza El-Hassan) flow – experience Concept of carnivalization
(Lit.: Mikhail Bakhtin / Bachtin) carnival – the place
for working out carnival – the place
for working out
(cf. view of destruction) annulment of hierarchical
relationship (of noncarnival life) carnival as testing bed
for new cultural and
social structures time of impossible
connections "dialogical"
performance intercultural
performance (PSi7) cultural development (see below) entertaining therapy function performance as
self-creation creative tension between
repetition and innovation Language as performance
(Austin, Searle) performative verbs a theory of language,
is part of a theory of action (Searle) explore alternate selves
(Eleanor Antin) performance artists as poet,
storyteller, preacher, rapper, ... Beginning in the mid-80s, language again
becomes more important in performances (often in social
and political context) Political Performance
(Adrian Piper)
(Padang Ilalang Group)
(Kathrin Butt)
(Michelarcangelo De Luca)
political climate:
(Mongkol Plienbangchang –
U-kabat-Group) garbage delivery
performance ethnic performance
(Guillermo Gomez-Pena, Laurie Carlos,
Jessica Hagedorn, Robbie McCauley, Coco Fusco,
Shirin Neshat, Lorraine O´Grady, Reona Brass) Cut piece
(Yoko Ono) Feminist view (Faith Wilding, Suzanne Wilding, Valie Export,
Martha Rosler, Barbara Smith, Marie Beth Edelson, Linda Montano,
Yvonne Rainer, Suzanne Lacy (Lazy) & Judy Chicago, Yoko Ono,
Eleanor Antin, Hannah Wilke, Shrin Neshat, Amanda Heng,
Carolee Schneemann, Betsy Damon, Leslie Labowitz, Martha Wilson,
Lydia Schouten, Fumiko Takahashi, Diane Torr, Split Britches,
Anna Deavere Smith, Nicole Croiset, Karin Anarchia, Anna Dancikova,
Taro Ito, Tina Keane, Anna Paci)
Literature: (... continued)
Peggy Phelan / Unmarket – The Politics
of Performance (book)
Sue-Ellen Case (theorist of feminist perf.)
Moira Roth / 1970s The Amazing Decade
Michelene Wandor / Carry On,
Understudies
Helene Cixous
Luce Irigaray
Julia Kristeva
Marcia K. Moen / Peirce´s Pragmatism
as a Resource for Feminism
Teresa de Lauretis / Sexual Indifference
and Lesbian Representation
Andrea Juno & V. Vale (Ed.) /
Angry Women (Kathy Acker, Susie
Bright, Wanda Coleman, Valie Export,
Karen Finley, Diamanda Galas, Bell
Hooks, Holly Hughes, Lydia Lunch,
Kerr & Malley, Linda Montano, Avital
Ronell, Sapphire, Carolee Schneemann,
Annie Sprinkle
Women and Performance (Journal)
Philip Auslander / (PSi7)
Performing Resistance in a Commodified
Context (PSi7) personal fears and obsessions self-exploratory
performance work on the self
(Eleanor Antin) physical changes
(Eleanor Antin) dandy as
model Cross-dressed performance sex education (AIDS)
(Hortensia Ramirez R.) Identity (as)
performance performance
demonstrations
(Guerilla Girls) social activist
performance feminist actionism
(originally. V. Export & U. Rosenbach)
body=social construction=transfigured nature
/vs/ material=body=nature gender: a category constructed through performance
(not a given social or cultural attribute) gender = a "doing“
man/woman dualities analysis (Elena Ferrer)
freeing buried female potentials (Mileva Josipovic)
(T junction) flood of light
(Sonia Knox) voyeurism of performance
(V. Export, Lydia Lunch, Rachel Rosenthal,
Elke Krystufek) performative tendency of
all creative writing mirror
(Iole de Freitas,
Joan Jonas,
Dan Graham) Performance as construction
of meaning (in actu and in situ) deconstructivist
essence of performance
(cf. Hakan Gürses) acts of meaning production /
meaning is acting/doing An utterance is performative, if it simultaneously
realizes what it designates Performance: concrete use of language Performative
aesthetic (H. Seitz) (FL) performance as
observation performance as
research laboratory Politically motivated
self-immolation as performance?
(Jan Pallach) Seppuku (Yukio Mishima) Performance as "spiritual exercise
(Lit.: W. Welsch) practice exercise Perception as
performative act ! category of the "in-between" as guiding category
for an aesthetic of the performative Experimentation as
Performance (Udo Wid) Core of a performative ethics and aesthetics:
intensification of life with all its capability for
expression, perception and pleasure (H. Sowa) (John Duncan) game moves with tremendous
performativity (Lit.: Lyotard) Cf. Butoh
(Christoph Mayer A)
Butoh: search for origins
in the depths of one's
own existence Performativity of the procedure
already replace (acc. to Luhmann) the
normativity of laws (Lit.: Lyotard) anonymity
(Guerilla Girls) human as dog
(Oleg Kulik,
Alexander Brener,
Peter Weibel) technology critique
(Fake shop –
Performance-Installation) controlled
facial muscles
(Huge Harry)
EEG-measurable: hunger,
fear, anger, mourning, joy
lie as performative act (Helga Moehrke)
(Monika Günther
& Ruedi Schill)
(Sompong Thawee) see: view
of playing (Ralf Samens,
Ben + Sam,
Ross Sinclair,
Udo Idelberger) modified (card) games
(Robert Filliou) Interpassivity (theory) Lecture as
Research Performance
(Marietheres Finkeldei) cf. identity view
(Performing Identities – PSi7) A performance "speaks" more directly than a presentation playing with identity see also: identity view participative research (performative)
vs. observational "standpoint" artist as (participative)
behavior scientist
(U. Wid, A. Fraser, Gina Pane) aesthetics without intent (PB) search for the
perfect Now (moment)
(James Lee Byars) Self-Performance-Art (PB) art without work,
but with effect (PB) Aura (air, breath) as what is
forgotten in humanness (D. Mersch) see: life-art-works interplay between
aesthetics & existence (PB) lived mental art work (PB) Presentation character has
outweighed artifact character
since the 60s (FL)
author = work Oral cultures are exemplary
performative cultures (FL) invisibility of the author (PB) Life – an instruction
manual:
the book of gestures
(Jochen Gerz) periodic performative
intensities (instead of works)
gathering for moments
of intensity opening oneself up to the experience
of intensive presence (Petra Deus) model of the accident (Allan Karpow)(Stuart Sherman)
event of disconcertedness par excellence
existential and bodily "abhorrence" that results
speechlessness and comes before thinking losing one's grip
possibility of ec-stasy Your presence
is the best work
(James Lee Byars) living artwork (Orlan) author view collective
authorship There are no repetitions,
only situative presence The human being becomes
human in playing play drive playing as a joint praxis
of suspension Laughter becomes chaotic
in carnival aesthetics of the moment (cf. ZEN) neo-existentialists
(@Home) private performances
(Jamea Lee Byars) portrait performances
(Irene Andessner)
(Giorgio Ciam) Light-
Performance dramatic self-
expression
(G. Brus, A. Rainer,
V. Export) Expressionistic and
psychological interests
(Viennese Actionists) dream illustrations
(Eleanor Antin)
dream theater
(the Surrealists) (Min Tanaka) in search of the
authenticity of experience art as investigation
(Chris Burden) rape scenario
(to break the code of silence)
(Ana Mendieta)
In reality of rape
(Sandra Orgel, Aviva Rahmani) completely surrendering to
the visitors (Marina Abramovic)
(Hermes Phettberg) (Julie-Andree Tremblay) self-experiments with psychopharmaca
(Marina Abramovic) Performing Identity: see also feminist view
(Yayoi Kusama, Pierre Molinier, Judy Chicago,
Faith Wilding, Urs Lüthi, Adrian Piper, Patty Chang,
Jürgen Klauke, Katharina Sieverding,
Linda Benglis, Robert Morris, McCarthy,
U. Rosenbach, Warhol, Leigh Bowery) see also: identity view war victims
(Mona Hatoum) gender transformation
suits (Lygia Clark) self-poisoning (Heli Rekula) performance as
ability to act (Al Hansen)
(Laurie Anderson)
(Andrea Saemann)
(Alexis Smith)
(Jean-Yves Frechette,
Jan Swidzinski,
Hanna Barbara,
Adriana Zamboni) Performances on: language and
its relationship to voice
(Amanda Stewart) border situations
(green line walk –
Die Fabrikanten)
Great Wall Walk (ULAY) Extremity in
the emotional
sphere resource of attention
art as a quick trick Art Attack
(Lynn Mc Cary,
Evan Hughes,
Alberto Gaitan) total irritation
(Schlingensief) science on and
for people (B. Nieslony) Literature: (... continued)
Theatralisierung des Politischen (article)
G. Rauinig / Wien Feber Null (book)
Geraldine Harris / Staging Femininities.
Performance and Performativity
Anette Baldauf / Gender & Performativity
Ian Watson / (PSi7) Interculturalism and
Aesthetics: Eugenio Barba´s Barter
Practice
Rosalinda Borcila / (PSi7) Citizen/Foreigner:
The Body at the Border
existential commitment
in performance
(Pane, Brisley) analytical chilly
rationality studies
(Helmut Schober, Scott Burton) (see also
sports view) (Loidl) (Charles Dreyfus) in the moment
of dread taking action = "taking in
hand"
(giving existence "a hand") be-holder (in actu) view of nonsense DADA (2) Performance = what
moves us: goals,
emotion, dreams,
fears, relationships What touches us ? Before there was
writing, before there was
theatre, there were
surely performances To analyze performance as the primary reality
(David E.R. George)
Performance as a model of existential reality The ethics of giving
is performative (the event as gift,
The gift as event must be irruptive,
unmotivated – Derrida) event aesthetics
as ethics (GANG ART) irreducibility of
the practical action Interventive actions of
public life Activity – Frames of
mind (Kaprow) "Peintre Nato"
theory of self-liberation agit-lecture (Bruce Barber) art propaganda The performative
indoctrination model
(Ray Langenbach) see: Attitudes
(techniques of aestheticization) exposing oneself
completely (extreme performance) (BN)
(Abramovic) celebration
art (2) Performance as the production
of an energetic body Performance as
ritual of transition in a
crisis situation (PSi7: Transition) haptic stimulations
(Fluxus) (Sabine Sonnenstein) cross-culture Girlism cf. theater view
cf. service view
cf. political view
see: lectures sound poetry /
phoneme (see also:
poetic theatre) performance as "theory event“
see: lecture performance see: communication view against discrimination
because of cultural differences
(G. Gomez-Penas, James Luna,
Adrian Piper, Tim Miller, Holly Huge,
Robbie McCauley) (Elvira Santamaria) Life Performance
(Abramovic, Ulay) interrelationships of
life are declared
art The ideas that are in
performance are
functions (interfunctions) gaining influence over attitudes
and interpersonal relationships
(Tadeusz Pawlowski) acting
performatively Oral tradition in
Romance countries strong lecture culture in:
Hungary, Czech Republic, Croatia ritual clowns
(Pueblo Indians) arrested theatrics ultimate
performance cf.
Pure Performance Ultimate performance with
oneself: (Bas Jan Ader,
Serge III (Serge Oldenbourg *1),
Tibor Hajas, Petr Stembera)
*1 Russian Roulette (Kees Mol => Nieslony)
poetically destructive performing artists view joy / logic of joy silliness
exuberance doubt no distance shame
(culturally determined) curiosity interest
system
interest logical
mental pleasure nostalgia gloating (em) bitter(ed)ness
hardness
strictness excitement performativity of thinking
(public collective thinking) aesthetics of destruction / deconstruction moods of contemplation,
solemnity or celebration rage and hate as motivation rituals and emotion /
ritualizing emotions emotions relating to the unfamiliar
the unfamiliar as monster emotional influences of light
(in space and through the seasons) It is not possible to speak
about ethics (praxeology)
ethics = action (performative) emotions with regard to
what is strange
The strange as monster
(see below) emotional power of expression
(cf. "southern" cultures) emotions in the battle of
the sexes emotionalization
of thinking laughter reveals hidden
fundamental fears cf. knowledge
as passion laughter reveals hidden
fundamental fears logic of joy exposure Literature: (... continued)
Elke Koch (research project) / Ritual und
Emotion.Theorie u. Begriff des Rituals am
Bsp. der Trauer
Jens Roselt (article) / Vom Affekt zum Effekt
Judith Butler (injurious speech / hate speech)
Slavoj Zizek
Kunstf. Bd. 126 / Große Gefühle (weak)
Luc Ciompi / Die emotionalen Grundlagen des
Denkens !!
Norbert Elias (sociology of emotions)
Jürgen Gerhards / Soziologie der Emotion view of behavior The (photographic)
picture becomes
performative in the
act of viewing ritualizing
(staging)
emotions Performatively generating
gender & sexuality Western "text-fixated" culture;
in comparison, non-western
cultures appear as "performance“ transformation as
aesthetic category (FL) see above outdated concept of effect
aesthetics superseded by the
aesthetics of the performative Literature: ( .... continued)
Doris Kolesch / Ästhetik der Präsenz
Mattenklott / Präsenzästhetiken
Mattenklott (research project) / Kultur des
Coming out (Coming Out und Subkultur -
Technologien des schwulen Selbst)
Mattenklott / Erzähltes Geschlecht
Andrea Sieber (research project) / Zum
Wandel der Geschlechterdifferenz in
körpersprachlichen Inszenierungstypen
der Liebe
Nietzsche
Mishima / Hagakure - Zu einer Ethik der Tat
Spielarten von Authentizität (conference) /
O. Hruschka, A. Matzke
Harald Begusch (Diss.) / CrossDressing?
TransSex? CoreGender?
Stefanie Menrath / Performativitäten von
Identitäten im Hip Hop
Between Identity and Representation (PSi7)
Staging Cultural Identity (PSi7)
presence aesthetics self-image performative constitution
of gender identity
(Annette Messager) performative
creation of
distinctions
(Gebauer with
Bourdieu) Identity & Habitus humans as players –
playing the role of themselves
(H. Plessner) memorial culture
tied to the body (cf. NLP) Memo-theatrical
dimensions of texts /
strategies for visualizing
literature (cf. ILIAS – E. Kosa) performative utterance Slam Poetry Performance =
always also an
embodiment
of language thinking as communicative performance
(dialogization; productive
debate) performativity of reading view of laughter culture most physical art
of laughing: the joke body language jokes laughter community jester's body with mimicking
gestures, pointing, masquerades carnival of thinking
(ridicule of other directions of thinking) playing as the essence of culture
culture as a game (Lit. Huizinga) event society
and game culture playfulness and fun culture
playfully devoted to chaos
(Gelatin) psychical view without an emotional push there is no action logic of anger, rage and
aggression rage-anger system basic state of
calmness Counterpart to energy:
flattening emotion – slowing down,
pasty appearance, flabby muscle tone,
quiet voice, cold skin, dull gaze Freudian concept of sublimation =
transformation of libidinous energy
into different types of processes tense and
relaxed
fundamental state of being Suspension of the familiar
ego boundaries, close to psychosis,
in both the ecstasy of love and
religious ecstasy (unio mystica) emotions are the central
suppliers of energy Insight comes from
suffering; disturbance first
forces the system into a
new way of functioning Emotion as a form
of social energy energetic observation of
psychic processes
(psychic energy) fear-angst system (V. Acconci)
abandonment panic system
existential meaning of angst ... Existence has always already
been tuned (Heidegger) voice (as emotionally controlled
component of communication) open thinking
(positive feelings,
pleasurable relaxation) constrained thinking: negative
feelings like anger, fear and
mourning, also revulsion and
shame have a specifically
divisive, distancing effect on
cognition thus connotated energizing and
(de)motivating
effect of affect
on cognition logic of joy
pleasurable play LKW (2)
art of life cf. service view Theater (Perf.)
as genuine experience
of existence (A. Artaud)
rebirth of life The ritual does not distinguish
between audience and
performers effectivity/rituals /vs/
entertainment/theater
(R. Schechner) intercultural
performer training
(Schechner) The 8 rasas (non-commonplace emotional states),
that the audience experiences through the art of the performer (W. Pfaff) experimental
self-experiments (theatrical) research work:
knowledge about oneself ... cf. body as medium
(Performing Resistance – Vienna) more game than battle
(Performing Resistance) Animotion
(Stefanie Wilhelm) senses up-set (BN) Light and
pineal gland
(Ingolf Keiner) postprop-
agitprop PIM performative indoctrination model
(Ray Langenbach) (Kees Mol) poetry and destruction
(Vasan Sitthiket) Performance art emerged from
the analysis of forms of representation
(Ray Langenbach) Text Performances
(Chumpon Apisuk)
(Waldtraut Winkler)
(Dominique Tronchet) culture politics as
core of performance
(Charles Garoian) Spoken word performance
(Kristin Lucas) banquet
(Tamar Raban, Raoul Marek)
celebration culture (Stadtwerkstatt)
(Werksküche: transpublic) censorship (Tania Bruguera) energy drawings of performances
(Morgan O´Hara) energetic
parallelisms
(Morgan O´Hara) Performance of thinking
(Hermann Bohmert) table football championship (Raoul Marek) computer game rules (Markus Hensler)
computer games (Paul Demarinis) Recipient-
Performer Club Moral
(Danny Devos & Annemie
Van Kerckhoven) (Gabriele Oßwald & Wolfgang Sautermeister)
(Steve MacCaffery, Enno Stahl,
Gilles Ateeu, Yves Boisvert,
Stan Lafleur, Jean-Pierre Verheggen) being a person among
people (BN) cultural respect (BN) person marked as
hermaphrodite
(Fen-Ma Liuming) posing with the
camera (Ma Liuming) irony and humor
(Bartolomé Ferrando, Rainer Aring)
(Marlene Madison Plimley) artistically autonomous
research work (Hayley Newman) Performance and the idea
of expanded writing
(Ric Allsopp)
Performance and writing Disquieting and renewing
energy (Ric Allsopp) existential questions
(Petra Deus) The oral apostles
(Ralf Filges (Ralf Fölling)) screams
(Siglinde Kallnbach) pictures of anonymous
people, tortured, executed
(Chen Chieh-Jen, Nieslony) Psychical energy
(Stuart Brisley)
feeling of "power"
depends on the energy
behind it (Erich Jandl =>
Andrea Saemann)
(Norbert Klassen) Fears for the dignity of
the human being in delusion
(Rolf Hinterecker) „Beauty now“
(Vanessa Beecroft,
Cindy Sherman,
Yasumasa
Morimura,
Matthew Barney,
Leigh Bowery,
Mariko Mori,
Pipilotti Rist) cage situations
(Bonnie Sherk,
Gómez-Pena & Fusco) Diagrams (thoughts,
feelings) (John White) hand generated light
(Richard Alpert) Animal ritual
(Bradley smith) artist image
(Susan Mogul) Learn where
the meat
comes from
(Suzanne Lacy) The great American
worker (Francis Brown) Feminist Art Workers
(Nancy Angelo, Laurel Klick,
Cheri Gaulke) On the ethics of the deed – Hagakure
(Yukio Mishima) act/effect realized in being
dealt with (H. Sowa) real action as taking
political effect pragmatic ethics and aesthetics
(with Rorty, Shusterman) (H. Sowa) intensifying
participation (after Sloterdijk) aesthetic action (Sowa) Situative existence
as carrying out action Understanding a situation
means ... actively grasping
it (Sowa) pragmatic
aesthetics stressing
the body (Sowa) reality as practical
execution of life (actus) meaning is
acting/doing (Sowa) understanding as
form of action (Sowa) Being – as performative practical Act (Sowa)
Practicist concept of being (with Heidegger) practical situative attention /vs/
contemplative aesthetic attention performative
understanding (Sowa) performativity of thinking
(public thinking) transition of theater to a celebration (LE) Theater of
perversion (LE) (LE) emotionally
unmediated
terrorizing radical
pain performances psycho-physical
attacks dealing with
the taboo hellish bodies: horror worlds:
electrical shocks, unbearable noise (LE) postdramatic theatre
of happenings (LE) audience in the
victim role DADA, Futurism
and Surrealism
seek mental,
psychical-psychological
and even physical
attacks on the
audience (LE)
(Mary Bauermeister) political theater media presence for political issues (Schlingensief) intercultural
theater perception politics hovering
attention (cf. trance) Performance as an
aesthetic category provocation aesthetics aesthetics of horror visual dramaturgy aesthetics of
the living Ethics is the aesthetics of the future
(RoseLee Goldberg with Lenin) Ethics is the Aesthetics of the
Few (ture) (Laurie Anderson) Ethics of catharsis
requires participation (LE);
transfer qua awakening of
uncontrollable
emotional reactions
(fear, revulsion, alarm) When Abramowicz
presents herself to the visitors ...
perception must turn into an
experience of responsibility Artaud: to be as one
condemned to be burned
and making signs from
up on the stake view of real experience existence-philosophical topicalization
of situation (Jaspers, Sartre, Merleau-Ponty) actors as theme
and main figure (LE) Solo-Performance self-transformation
(cf. self-mutilation) (LE) most radical form of
self-transformation: public suicide The performance artist's gesture
of self-presentation (LE) "language planes" instead of dialogues (LE) language as soundscape
music of multiple languages reading performances (Kathy Acker) view of the voice theater as
oral institution Speech act as
event speech acts
as actions the voice comes
directly from the soul Physique of the voice
in straining,
wheezing, rhythm,
archaic sounds
and screams (LE) Exposing the physique of the voice
in screaming, groaning, animal sounds (LE) showing and
communicating
(with Wittgenstein) "Shaken" by: enthusiasm, insight,
fascination, shock, excitement, confusion (LE) Theater-anthropological thesis: Bipolarity is not found
between ritual and theater, but rather between the
parameters of effectivity (in ritual) and entertainment
(in art) (LE) Dolls, stuffed animals as
(co-)players
(Boris Nieslony) (Paul McCarthy)
(Natalie Eberle) (Jürgen Raap) (Gelatin) (Henry Chopin) mimesis and
imitation
(Robert Hartmann,
Werner Reuber,
Ulrike Zilly) (Jeans Group:
Holger Dreissig) (Esther Ferrer,
Elvira Santamaria) (Giovanni Fontana,
Joel Hubaut,
John Giorno,
Bernard Heidsieck,
Fernando Aguiar,
Pierre-André Arcand,,
Michel Giroud) Language Performances
(Stefan Güpping) against sexism, racism
(Guerilla Girls) (Roddy Hunter) celebrations of
everyday life
(Milan Knizak) attacking the audience
(Istvan Kantor –
Monty Cantsin) actionist
reflection on the social
status of the painter
(Jean Le Gac) Poesie brut
(Alberto
Masala) ArtPirate (PSY =
Michael Mierse) shown
By: pseudo through and
through (M.V. Stirnemann
u. Gido Dietrich) honing survival
instincts (Ronaldo Ruiz) laboratory situation of knowledge formation
(UlunMichael Steinke) performance as language
(Ric Allsopp) Performance with language:
(Joan La Barbara,
Ferrando Bartolome,
Dick Higgins,
Massimo Mori,
Brian Catling,
Emmett Williams,
Fritz Schwegler)
feminine myths
of everyday life
(Mechthild Barth) Bruit-TTV (Louis Oueller,
Fabrice Montal, Robert
Faguy, Jocelyn Robert) monologues
(David Cale) Indian Movement (Jimmie Durham, James Luna)
(Brian D. Tripp) (Gundi Feyrer) own way of speaking
and living (KUSCH) Performed Text (Secession)
(Josef Bauer, Valie Export: finger poems) "Tactiles" (C. Kolig) use of toys
(Sigalit Landau, B. Nieslony) communication with the audience
(Sang-Jin Lee) Performance = intensification
of visual and tactile stimulations
(Wanda Golonka) Giving what is to be
found in love (Artaud) (Antoni Miralda) tradition and entertainment
art and life (Yuan Mor´O) commonplace ironicizing studies
about ballistics and others (Dr. Math.)
(Irma Optimist (Luchta)) Myth of
performer
recycling (Ursula Palla) The "Internationale“ in
10 min tact (Susan Philipsz)
The "Internationale“ with TV set
on pedestal (Wang Mai) incl. audience
(Karen Rahn) X days birthday celebrations
(Yutaka Sone) urban strategical interventions
(Shanna Noyes – Urban Canvas Art Initiative) 11 feminist view virtual
suicide (mirror)
(Cuco Suarez) Judaism
(Tanya Ury
concentration camp tatoo) (Mike Hentz,
Karel Dudeseck,
Monty Cantsin,
Padeluun,
Flatz) (Reindeer Work,
Boris Nieslony, INFuG,
Markus Schwaighofer,
Jean Odermatt,
George Steinmann,
Lili Fischer) linking cultures
(Dimitri Alithinos) Total participation instead
of spectacle (Situationists) experimental
games (Situationists) celebration as intersection
between action theater and society playful action,
pure play of the hands
(Verena Schwab) artist identity
(Büro Haake-Brandt) shop for energies of all kinds
(Ulf Freyhoff – FreiRäumeN) respectless sense of
humor (Kurt Fulton) "Something, an echo of
nothing / serial murder
(Franticek – Klossner) enticement/fobbing off
(Anja Ibsch) (Wladislaw Kazierczak)
(Werner Herterich) Hula Hop show (essence of body art)
(Oliver Kochta & Frank Lüsing) Re-Imaging Tableaux Vivants
(Stephanie Beaudoin,
Tarin Chaplin, Colette,
Kim Dawn & Christof Migone,
Shawna Dempsey & Lorri Millan,
Rachel Echenberg,
Nathalie Grimard, Louise Liliefeldt,
Christine Martin, David McFarlane,
The Other Theatre, Kathryn Walter) stimulating
emotionality
(Hansjörg Marti) electronic game environments
(Miltos Manetas)
bumper cars with game environment and
modified slot machines (Stadtwerkstatt) fighting for the right to be different
(Amalia Perjovschi) police stop
performance
(Isa Perkasa) fun objects
(Jim Pomeroy) 19years exhibition ban
(Zorka Saglova) practical
joke (2) breast performance
(Ewjenia Tsanana)
(cf. V. Export) Exposition voives:
Vito Acconci, Judith Barry, Genevieve Cadieux,
Janez Cardiff & George Bures Miller, Garry Hill,
Jochen Gerz, Pierre Huyghe, Kristin Oppenheim,
Moniek Toebosch singing performance
(see above) Action Poetry
(Lori Weidenhammer) games of fate stammering –
prelinguistic
utterance nn view
discourses
advanced studies
method complexes
theory complex
research directions
discipline direction reference literature
for the respective view /
conference references Performance Terms academic performance, akustische P, animal performance, anonymous P, architecture performance,
autobiographical performance, Bewegungsperformance, black p, breast performance, cabaret performance,
camp performance, collaborative P, costume performance, cover performance , cultural performance,
Dauerperformance, deconstruction performance, dialogical performance, didactical P, digital P,
dinner performance, Echtzeitperformance, ecological performance, electroacoustic P, electronic P,
ethnic p, ethnographical P, feminist P, Fingerfächerperformance, fragrance p, Gesangsperformance,
Grenzüberschreitungsperformance, gestic P, gestural P, homosexual performance, intercultural performance,
Intimperformance, Kaufhausperformance, Kommunikationsperformance, Konzeptperformance, konzeptualistische P,
Körperperformance, Kurzperformance, Langzeitperformance, Latex performance, Laufstegperformance,
lecture performance, lethal P, Light-P, life performance, machine performance, medical performance, minimal P,
minstrel performance, multicultural p, myth-related performance, naked performance, narrative P, operation performance,
party performance, permanent P, poetic P, political performance, popular p, Portrait P, posed performances,
private performance, projection performance, pure P, real time p, research p, retro-performance, revolutionary p,
Ritual P, Rollstuhlperformance, rhythmische P, Sauf-P, Schaufensterperformance, self-exploratory performance,
shamanist P, Stehgreifperformance, Stimmperformance, Tele-Performance, Telephone-P, Text-P,
theatralic performance, table performance, trivial performance, ultimate P, urban p, verborgene P, unsichtbare P,
Vortragsperformance, vulgar performance, Weihe-Performance, zerbrochene P, Zweierperformance These symbols highlight "canonized" performance directions. These directions
could also be called streams (BN), performance categories, concepts, movements,
media directions, performance (sub)cultures, (micro-)styles, practices, basic
patterns (of behavior) or performance "types".
As a supplement to these, see the non-canonized "performance terms“. These views cover content/analytical perspectives or delineate content zones.
Placement within these zones follows the principle: spatial proximity =
subject matter proximity.
The outer ring is generally more abstract than the inner area.
In Foucault's terms, these could also be called archeological fields. artist
(collective list) +Performance as ... (short definition) aggressive action (BN) action research school of attention imperturbability existential actions –
to the point of total
exhaustion
(Ben ´D Armagnac) feeling of total participation
(Flow) Intensive play (flow)
Deep play inner thunderbolt (Zen)
(Nam June Paik) Transvestite (Urs Lüthi,
Jürgen Klauke) fear situations
(Mark Boyle) Guerilla Art Action
Group (GAAG:
Jean Toche,
Jon Hendricks,
Silvianna, ....) Moments of "panic and destruction", where
consciousness threatens to collapse (Export on G. Brus) catharsis as
artistic effect presidential candidacy (Heinz Baumüller)
founding political party (Schlingensief) Light-Noise Performance
(G. Ritter, P. Haunschild) Performance Poetry Show
(Flati - Stadtwerkstatt) Rolling art – glass balls (Stadtwerkstatt) bets and gambling (Stadtwerkstatt) Transgender
(Siverding) Learning foreign languages as "art praxis"
(R. Ganahl) authenticity conventional life situations attitude in common (B.M.) environmental issues
(Mongkol Plienbangchang) child's language
ritualized speaking
(Heinrich Lüber) clumsy performer
(John Bock, Peter Land,
C. Schlingensief) (Vienna Group) B. Nieslony: shows languages of the body,
the physique, the gestures, the images,
the actions identity through
work (Arai Shin ichi) in the service of
humanity
(Rui Huang) Ethical "performance“
(internet newsletter)
cf. Wittgenstein Bingo (Jahn Mauritz Löcke) washing laundry with Golf War video
(Ali al Fatlawi) evolutionary research program
(ALMA) receiving guests
(any affair) Diva of spoken words
(Jill Battson) comic turn, carnival of mimicry
(Homi Bhabha) Picking up the audience
and taking them along
into the water
(Billedsofteater) psychical exceptional situations
(Michael Burges) ironic commentaries
(Charly Banana:
Ralf Johannes) rhythmizing language
(Toni Davidson) animal hears (sometimes pulsing)
(Stadtwerkstatt, Sándor Dóró) woman as a piece of meat
(Mary Noéle Dupuis) physical voice examination
(Natalie Eberle) identity game
with B. Bardot
(Lena Eriksson) audience brought in one by one (Franco B.) voice performance
(Jana Haimson) Political agitation
(Birgit & Wilhelm Hein)
gorilla masks feminist performance Thinking is deed, leap, dance ...
(Foucault with Deleuze with Nietzsche ...) non-existence of woman (Varsha Nair) losing (Mexican)
identity (Maricruz Penaloza) (Rakugo = storytelling) staging light
(Noah Riskin) situation with guests
(Hinrich Sachs) Performative dimension of identity constructions radical poetry
(Ruedi Schill, Erich Jandl) sharpening perception by
falsifying the result
(curse: Rudolf Heimo Eber,
Joke Lanz) Destruction of tradition and
memory for the benefit of the
identity of the now
(Myung-Hee Seon) Living in a bag
Called „I“ (Ryota Shimizu) human
weaknesses
(Smelly) Disrupt political
colonialism
(Spiderwoman) extreme self-presentation
(Kiev Stingl) mapping sites of
existence
(Janos Szirtes) for a re-politicization
of performance
(Hans-Jörg
Tauchert) Word on the street-performances
& Tele-poetics-performances
(Andrea Thompson) performance artist as
perception theorist
(David Thomas) pleasure and pain
(Eulalia Valldosera) Dame Magma
(Lori Weidenhammer) Nihilistic existence
(Ming Zhu) Tele-narrative (Adriana Zamboni) Exhibitionism (not accepted in
a performance: A´battery A“) self-referentiality of the performance (FS) Art as unmediated
direct communication (FS)
(James Barth, Heinz Cibulka) artificial disclosure (FS) unmediated sensation of unbearableness
(through directly conveying a physical stress situation) (FS) The archeology follows the axis: discursive praxis => knowledge => science.
In keeping with this, relevant discourse, research directions (scholarly fields)
and method complexes are listed here.
Discipline: grouped methods (of a scholarly discipline) Terror of violated intimacy
(Schlingensief) performers in animal costumes
(penguin, polar bear: Gelatine) responsibility models
(Georg Ritter) audience responsibility disintegration and new identity (initiation) Activism and Community
(PSi7) ecoactivist
performance child's view (PSi7) Performing Identities: Nation, Region, Religion (PSi7) Translating the Body (PSi7) Performing
world war (PSi7) political discourse
re-politicization discourse
post-colonial discourse
exoticism discourse
race discourse
regionalism debate
minorities debate
Eurocentrism debate
critical discourse Thinking through Performance
(PSi7-article: Dwight Conquergood) Las Americas: Crossing Cultures (PSi7) Performing Authenticity (PSi7) Staging Cultural Identity (PSi7) Staging the Holocaust (PSi7) (PSi7) Performing Trauma:
Rewiring Self and Society
In the Aftermath of Violence Animals Transforming
Culture: High and Low
(PSi7) Multilingualism (PSi7) Visual versus Verbal
(PSi7)
Literature: (... continued)
Ferdinand de Saussure (la langue /vs/
la parole)
Senta Trömel-Plötz (Ed.) Gewalt durch
Sprache (book)
J. Habermas / theory of communicative
competence and performance
Charles Morris (semiotician)
Emile Benveniste
Jerrold Katz (competence/performance)
William Labov (sociolinguist)
Hans-Dieter Huber
Johanna Malt / Performative Constructions
of Meaning (article)
Robert A. Fischer / Oral, multimedial
(article Kunstf. Bd. 152)
Walter J. Ong / Orality and Literacy
N. Luhmann
Davidson
Horst Wenzel (research project) /
Repräsentation und Kinästhetik im
Spannungsverhältnis von Mündlichkeit
und Schriftlichkeit
König (research project) / Produkt-
orientierte und prozeßorientierte Ansätze
in der Sprachwissenschaft
Semi-orale Kulturen des Mittelalters
Sybille Krämer (research project) /
Performanz u. Performativität in der
Sprachphilosophie
processual aesthetics
(Proj.: Kinetographien) red text: first
development phase (Version 01)
black text:
subsequent development phases
(modifications / expansions)
Legend puppet theater as performances
(Rirkrit Tiravanija)
Slide4:
09 everyday view 01 atmosphere view 08 physical body view 07 subversion view /
media-critical view transport view / view of the journey 05 view of innovation 03 interdisciplinarity view 02 unbounded view 01 contextual view 02 conceptual view 03 service view / project view 04 influential thinkers method view 06 education view
view of educators (teaching) 07 view of media taste,
incorporating 09 everyday view +Performance as situative production
+Performance as situative experiment Performance as reference +Performance as open system
Performance as breaking through structures
+Performance as a transitional form of art
Performance as agreement +Performance as personal field of experimentation
Performance as link between sections
Performance as gift +Performance as tool
+Performance as profiling facility +Performance as medium for communicating art
+Performance as mediated reality
+Performance as value-setting achievement (BN)
Performance as gestural situative event +Performance as communication guerilla
Performance as communication +Performance as achievement
+Performance as dilemma Fluxus staging interdisciplinary
actions Intervention seminars (1) photo
performance body work Actionism living
Environments (2) human
sculptures expanded
performance real
performance audience
performance multimedia
performance video
performances (2) TV
performance media
performance decollage
happening trash art poesie
d´action art corporel
art corporal body art Viennese
Actionism queer
performances Gestures Behavior
Art attitudes LKW
life art body
sculpture (1) revolutionary
performance approaches
(expansions, transformations, renewal) communication concepts
of performance computer
performances view of electronic media context-aware theories
contextualism discourse
theories of meta-communication
The Open Art Work (U. Eco)
(Game Rules of Art)
Intertextuality (Tina Keane) performance theory
epistemology
dialogical approaches
postmodern views
crossover debate Performance theory
(game rules of art) communication theory / NLP
pedagogy / art pedagogy
(game rules of art)
theater theory
nomadology discourse
body theory
body philosophy / body sociology media theory / media discourse
media studies
media anthropology
communication theory
information theory
net discourse / cyber discourse
simulation discourse
queer theory / gender studies
sexuality discourse / AIDS debate
Body theory / body philosophy
body sociology
dance theory / new body theories
phenomenology of perception
revulsion theory
bioenergetic therapy sociology (Bourdieu)
cultural studies
new subjectivism
privatism debate
life philosophy
(game rules of art) self-jeopardizing
body work
(Tibor Hajas) (Chris Burden)
the self at stake(FS)
(Brus, Ben Vautrier) body works poetry with
body language traces of a
(living) body
(Stefan Berchtold &
Ingolf Keiner) "getting wasted"
"total action" (Muehl)
"piss action" (Muehl)
smearing edibles
(Karen Finley) (Andre Stitt)
(the kipper kids – Harry Kipper) physical body
/vs/ body schema the physical body as the
sensing and sensed body Performance as primal
human language (2) body as material
(material actions:
Otto Muehl, H. Nitsch)
Gutai: material actions
body-material-interaction
(Valie Export) the performance
of the body
(performativity) disciplining Dionysian actions
intoxicating, ecstatic
Dionysus ritual (Etant Donnes:
Eric Hurtado, Marc Hurtado)
philosophy of intoxication (H. Nitsch) confrontations (2)
(Etant Donnes) body language dinner performances eat art gestures behavior Sexuality
(Carolee Schneemann, J. Klauke,
Ulay Abramvic, G. Brus, V. Export,
COUM: Genesis P. Orridge & Cosey Fanni Tutti,
McCarthy, Frank Wedekind, Johanna Went,
Marissa Carr, Brian D. Tripp, Gelatin) borderline situations Performing Sex
(Annie Sprinkle)
breast performance /
Sex worker
(Mamiko Kawabata) gestic performances gestural performance primary gestures gestic painting (see right) gesture of the physical most sublime moments
of physical presence Masturbation as performance
autoerotic performances
(Elke Krystufek, Vito Acconci,
Annie Sprinkle, G.Brus)
Sex oral (Harri Schemm)
palm of the hand (Allucquére
Rosanne Stone) gay & lesbian, transsex. uninhibited
performances
(Kees Mol) behavior experiments animalist behavior extremely personal forms of behavior
(as cultural achievement) gesticulation / signs of expression
poses (Bruce MacLean) (Lucas Samaras) (V. Beecroft)
intensified gestures (Stelarc) body view /vs/ physical body view Nao Bustamante
Skip Arnold, Kees Mol (BM)
Zbigniew Warpechowski
Orlan, Roi Vaara
Marina Abramovic
Harrie de Kroon
Nikolaus Urban
Jan Bas Ader, Koop
Seiji Shimoda
Ken Unswort. Mike Parr
Robert Faguy, Ishi Mitsutaka
Marco Klaassen, Ralf Berger
Glyn Davies Marshall
Bruce Nauman
Ulay = Uwe Laysiepen
Rebecca Horn
Klaus Rinke, Timm Ulrichs
Denis Oppenheim
Matty Jankowski
William Wegman
Christine Bänninger
RIA Pacquée, Atau Tanaka
Phillip Warnell, Salvo Jürgen Fritz
R. Ganahl
Ute Meta Bauer
Wochenklausur
ALMA everyday objects everyday relics Performance at the
intersection of art
and everyday life fascination of the banal raising awareness of
banal processes everyday behavior Life ist art enough
(Jürgen Olbrich)
life situations science on and for
the human being Alchemy of everyday
Allotropy of everyday the art of existing multimediality feedback Neoism
(performances
of the 80s) (Stuart Home) subversive
communication systems electronic performance digital performance (P. Weibel) simulated
events intermedia approaches
in performance art
(Valie Export) (Tina Keane) (Barbara Konopka)
(Palindrom) Performance is
intermedia art
per se Crossover &
Bricolage Interaction Performance as a special
kind of interaction (see above) Performance as
communication guerilla multimedia approaches
in performance art deconstructions (Rafael Montanez Ortiz) violence as critical instrument (2) brutality as fundamental
position (2) trash
performances (2) soap
performance didactic
performance passing on value transfer
(CH 2 ART AS SERVICE) participation approaches Transport
(radical social changes due to
new transport techniques
durch neue Transporttechniken) (BN) the art of travelling
(Kunstforum – Paolo Bianchi)
(minus delta t) the inaccessible
performance 06 gestic view (see above) performance as mediated reality performance educators
(see: curators,
editors) performative pedagogy enlightenment through action (see above) Performance as profiling facility 05 tool view being one's own tool tools of performance resources view
view of instruments utensils
(materials / props)
see: view of material performance techniques the conference as
"laboratory for
action" the conference as
"laboratory for action" Performance:
body-machine material "machine":
prostheses, hinges, models Methods
of discontinuity
of series
of autonomy
of differentiated dependencies
of parallel movements
of ironic substitution Collage, Montage
(Jochen Gerz) action as tool collective doing Group performance encounter (1)
ASA: the art of the encounter joint anxiousness Improvisations (1)
(Brian Catling) Performance
improvisation the performance –
an operating system of art confrontations dialogical approaches associations principle: Black Market principle: ASA gift pieces Performance as dilemma permanent
performance conference
cf. Stadtwerkstatt as
permanent conference openness open practice contemplative openness conceptual
openness Performance as predicament (2) radical expansion of the
concept of art
"open concept of art" imaginary performance
(Stuart Brisley) real-time performance
( /vs/ theater ) invitation as substitute performance
allusion as substitute (Peter Arnold)
art space renovation as performance substitute Apollonian actions Transformation (ASA is transformation)
Performance as transitional form of art (see above) performance with
open progression the translation (GANG ART, BM)
(Translation Transition Transformation – PSi7) see also: revolutionary performance approaches invention .... moments see also:
process (process view) attempt poetic pilfering
(separated from the usual function) the power of the context
(Thomas Huber) situative approaches
(Udo Idelberger,
Pier van Dijk) invention of grotesque moments
(Jaques van Poppel) this point is considered a
superstructure for several
neighboring views Performance as
breaking through structure (see above) see also: performance as translation robot
performances ("Wall Street performance“ /
Momoyo Torimitsu) (Stelarc) living pictures like in the
baroque era
(Colette: celebrated her life
in designed environments) behavior research extreme gestures
similar to painting father of body art: G. Brus performance as situation
(Terry Fox) collective term: cf. expanded theater living sculptures Performance as agreement (see right.) action lecture (P. Weibel)
(W.Hofmann minus delta t) performer as researcher of gestures and
gesticulation (W. Hofmann)
(Rachel Echenberg) plots Koans - daily life plots
extract of a story (B. Nieslony) the daily,
the daily story
(the koan) seeing an everyday situation and turning
it into a performance /
1:1 transfer (not mimicry,
not mimesis) Literature:
Die Kunst des Öffentlichen / article by
Stella Rollig: Projektorientierte Kunst
in den 90er Jahren
Lesezimmer / Ute Meta Bauer
Charon – Eine Ästhetik der
Grenzüberschreitung / G. Raunig
Bonnie Marranca (interdisciplinary
performance theory)
Alan D. Schrift / The Logic of the Gift
Christel Weiler / Performance als Gabe
(article)
Get together – Kunst als Teamwork (cat.)
Walking through society (yearbook)
Peter Frank / Nachkriegs-Performance:
Das Vermischen von Kunstformen und
Kunstsparten (article / ars electr.)
Marion Strunk / Vom Subjekt zum Projekt
(article Kunstf. Bd. 152)
Literature:
Marvin Carlson / Performance – a critical
introduction (book)
Hubert Sowa / Nach Duchamp und
Heidegger: Kunst, verlernen
Anita Cherian / (PSi7) Performing the
Region – Nation
Literature:
Marvin Carlson / Performance – a critical
introduction (book) !!
Richard Kostelnatz / On Innovative
Performance(s) (book)
Marcel Mauss / Körpertechniken (article)
Hubert Klocker (Diss.) / Der Wiener
Aktionismus. Das Orgien-Mysterien-
Theater. Eine performancetheoretische
Studie
Literature:
Kunstforum Bd. 137
Atlas der Künstlerreisen
Frauen, Kunst und neue Medien / Ed.
Heidi Richter et al.
Ute Ritschel / Symposion 2001:
Performance art & Pädagogik
Terretoires Nomades
Hanne Seitz (Ed.) / Schreiben auf Wasser
Performative Verfahren in Kunst,
Wissenschaft und Bildung (book on the
symposium: Performance u. Lehre)
Charles R. Garoian
Marie-Luise Lange / Schneisen im
Heuhaufen – Formen von Performance
Kunst (article)
Hubert Sowa (INFuG) / Kunstpädagogik
und Praxisparadigma (article)
Robert Filliou / Lehren und Lernen als
Aufführungskünste
Eva Sturm / (article) Kunstf. Bd. 152
Literature:
Dirmoser (DG) (study) Wer fliegt – Abenteuer
Kommunikation / Die Fabrikanten
Dirmoser (DG) (study): STWST – TV
M. Serres / Der Parasit
Handbuch der Kommunikationsguerilla
Luther Blissett, Sonja Brünzels
Marvin Carlson / Performance – a critical
introduction (book) !!
Philip Auslander / Performance in a
Mediatized Culture (book)
Bausch & Sting / Forschungsprojekt:
Medien und Rituale
Philippe Dubois / Der fotographische Akt
H. Böhme, P. Matussek / Computer als
Gedächtnistheater
J. Fohrmann / Textur und Performanz:
Medientheorien im Vergleich
J.L. Schröder (lecture) / Blende und
Traumzeit – Performance u. Medien
Martina Leeker / (PSi7) Performativity
and Notions of Media
Literature:
The explicit body in performance (book)
Rebecca Schneider
Powerful Bodies (book)
Victoria Best & Peter Collier (Ed.)
Küchenlatein – Performance – Drehbuch
1989 (on Lili Fischer)
On Cooking (Performance Research)
Hermann Nitsch – Leben und Arbeit
Danielle Spera
Stefan Brecht / Queer Theatre
M. Merleau Ponty (entire work)
W. Reich, M. Foucault, F. Nietzsche
Martina Leeker (article) / Der Körper des
Schauspielers/Performers
als ein Medium
Literature:
Marvin Carlson / Performance – a critical
introduction (book) !!
Atelier van Lieshout / the good, the bad +
the ugly (catalogue book)
Stadtwerkstatt in Arbeit (catalogue book)
Jürgen Schilling / Aktionskunst.
Identität von Kunst und Leben? !!
Alan Read (PSi7) / Theatre and Everyday Life
Davied E.R. George
Bonnie Marranca
M. Foucault / Der Brauch der Lüste (originally.:
„Das Leben als Kunstwerk“)
L.B. Clark / (PSi7) The Everyday Life of Objects Literature:
Postmodernism and performance (book)
Nick Kaye
Marvin Carlson / Performance
Intertextuality (article)
Marvin Carlson / Performance – a critical
introduction (book) !!
Interventions / Ed. Opus International
Editions
Friederike Hassauer / Die Kunst der
Entgrenzung (article)
R. Barthes / Fragmente einer Sprache
der Liebe
Meditations on Tenderness of/in Performance
(PSi7) / Peggy Phelan, Della Pollock,
Rachel Hill, Judith Hamera Literature:
Kontextbewußte Ansätze in Kunst und
Wissenschaft / G. Dirmoser (DG)
Erving Goffman / Frame Analysis (book)
Gregory Bateson
J. Derrida
Performance: Texts and Contexts (1993)
Victor Turner / Frame, Flow, and
Reflection (1977) in: Performance in
Postmodern Culture
Gernot Böhme / Atmosphäre - Essays
zur neuen Ästhetik
Thomas Dreher, Peter Weibel, ...
cf. on this:
performativity as view communicative
framework conditions games (2) interventions
(2) maneuver
(2) (Canada) Performance
as social political
strategy change of paradigm
(cf. performative turn) Council discussion: every theme needs its tools.
The toolbox is the selection of critical instruments (theory). philosophy as tool rent an artist (2) valet for 1 month (2) social
performance actions with job-seekers,
unemployed persons, homeless,
prisoners (Christoph Schlingensief)
(Santiago Serra) cf.: Grand Gesture private performances (for photo works)
(Colette, Jürgen Klauke, R. Schwarzkogler) leaving traces as performance
(Gunter Demnig) Ariadne Thread unpredictability in the
course of communication
(Die Fabrikanten)
cf. Happening equal right of intervention Cooking/Kitchen as performance
cooking & gift
cooking & communication
(P. Arlt – fünf ingenöre, Kubelka, Rirkrit Tiravanija, Matthew Ngui)
kitchen pieces (Attila Kosa)
cooking art (Spoerri, Mario Ohno) (transpublic: transpikante
Erfahrungswelten)
Hell Cuisine (W. Grillitsch, E. Knöß, H. Müller)
(see also: celebration) as the turkey (Mechthild Barth) (Thomas F. Fischer, Joan Jonas,
Christina Kubisch, Fabrizio Plessi,
Marcel Odenbach, Nam June Paik,
Charlotte Moorman, Ulrike Rosenbach,
Pipilotti Rist, M.Bienvenue, Gershon Berkowitz,
Tomás Ruller, Peter Land, Matthew Barney, ....) extreme situations
(panic due to lack of oxygen:
Peter Gilles) (Jan Mlcoch)
lack of breath to unconsciousness (Gilles) (BKH Gutmann,
Mariko Mori, M.C. Chaimovicz,
Ma Liuming, Stephen Laub) see: machine view
(tools with a life of their own) see in detail: machine view self-injury/pain
(Tibor Hajas, Gina Pane, Chris Burden,
Petr Stembera, Jerzy Truszkowski,
Z. Warpechowski, Danny Devos, G. Brus,
M. Abramovic, Ron Athey, Bob Flanagan,
Franko B, Michel Journiac, H.G. Herrmann,
W. Kazmierczak, ...) surveillance as performance
(Julia Scher)
The Avant Guard in Action
(T.R. Uthco) (George Maciunas (namer), George Brecht,
Bob Watts, Yoko Ono, T.Schmit, Joe Jones,
Yoshimasa Wada, B.Vautier, G.Chiari, J.Hidalgo,
W.Marchetti, Ayo (Ay-O), A.Köpcke, T.Kosugi,
Christiansen, Eric Andersen, W. de Ridder,
G. Hendricks, Milan Knizak, Dick Higgins, Phil Corner,
Robert Watts, Alison Knowles, Nam June Paik,
Charlotte Moorman, Ken Friedman, Takako Saito,
Emmett Williams, Robert Filliou, Al Hansen, Ben Patterson,
Larry Miller, Raphael Montanez Ortiz, Tomas Schmidt,
G.Baruchello, Beuys, J.Dupuy, R. Morris, C. Oldenburg,
C. Schneemann, D. Spoerri, W. Vostell, Zaj,
R. Summers, Piki Soul,Mary Bauermeister, ...) reflections on historical tools
(Verena Kraft & Kurt Petz) (Edward Lazikowski)
(Richard Martel) artist dialogue
(Raoul Marek) cultural transport enterprise
(minus delta t)
(Tonga-Expedition:
G. Ritter, G. Wagner) action-analytical
commune (Otto Muehl) public "production" of art works
(art factory / curator Hattinger)
Laura Kikauka, Leo Schatzl,
Sabine Zimmermann et al. (Perf. at Posthof), ... (Hermann Nitsch, G. Brus,
Rudolf Schwarzkogler) redesigning one's
own body
(Orlan) art corporel
(Gina Pane) using objects outside the
usual context
(Jaques van Poppel) (Reindeer Werk: Tom Puckey, Dirk Larsen) (Rachel Rosenthal) (Paul Demarinis) (Sang-Jin Lee)
(Station Rose: Gary Danner & Elisa Rose) (Valie Export) (Orlan)
(Stelarc) (GANG ART) (James Partaik) (Sylvette Babin)
(Mark Dijkstra) (Amsterdam Ballons) (The Dark Bob) (Max Frazee)
(Marlene Madison Plimley) (Gordon Monahan) (Milos Vojtechovsky)
(Perry Hobermann) (Maricruz Penaloza) (Pyromania (B.N. Hiesserer))
(Jürg Schmoll) (Manfred Vänci Stirnemann,
Boris Nieslony, Jürgen Olbrich,
Robert Fillious -> ,
Alain Gibertie) (Stuart Brisley) role of chance
(resistances with the
help of chance) sculptural-aleatoric
process (Andreas Techler) responding to the context
(Roi Vaara, Peter Weibel, V. Export) (Peter Weibel, V. Export, Etoy)
(Pyromania: B.N. Hiesserer) concept performance
(Anna Winteler)
(Felix S. Huber) Performance as link
between sections (see right) demonstration of an idea
(without audience participation) Performance as
autonomous art (?) closed circuit
procedure body language as
sculpture (Beuys) role of costumes
(András Böröcz & Lásszló Révész)
(Kyupi Kyupi) (Leigh Bowery) (Gelatine) life and work as unit/
every public act = performance
(James Lee Byards) open end
(Happening) view of communication the body as tool art as communication
creating communication spaces
(cf. Rirkrit Tiravanija, Die Fabrikanten)
(Constanza Camelot)
the power of communication performance as value-setting
achievement (BN) sex, blood and flesh rituals nomadism
(Black Market)
(Cooperation Project X) indeterminacy
(allowing the quality of
sums) (BN) Media as superfluous
accessory (BN) power of the
incompatible (BN) physical view – achievement (see also view of achievement) mimicry as appropriation of
diverse disciplines (BN)
(Peter Wolf)
cf. also: infiltrating existing
systems (Gianni Motti) incompatibility as
sovereign gesture
(the precise monologue) (BN) performance space
as transit space prelingual image dependency
(also with new media) All genuine life is encounter. ...
Space and time are found in the
encounter.
(M. Buber) open system of encounter (BM)
(R. Tiravanija) B.M.: objects as performers
of equal worth ability method = tool ASA = methodic change
of lenses (BN) enactive aspects
in fine art
(Udo Wid) Presentation as
performance (Udo Wid) performative aspects of the
presentation of fine art
(vernissage speeches,
accompanying actions) vernissage ritual:
as celebration of thanksgiving,
initiation,
rite of passage Martin Buber => B. Nieslony
(dialogical approaches) Ludwig Wittgenstein ! => Lyotard => H. Sowa
(language game concept) => Fabrikanten
Wittgenstein => James Lee Byars Judith Butler !! => Ray Langenbach situation art (source: Marie-Luise Lange) Intermediality
(as common characteristic
of performances) Interdisciplinarity
(as common characteristic
of performances) (BN) (BM) body as tool performances crossing physical boundaries
(category 01 according to M.-L. Lange) (time´s up)
"emptying" and "purifying" the body
physical borderline states (Charlemagne Palestine) risk situations: electricity, fire, dangerous
materials, knives, drugs, extreme duration,
hanging, piercing, ... (cf. torture practices) reaching a high degree of
being-in-the-body through
self-injury Performances without fixed concept for action
(category 02 according to M.-L. Lange)
Improvisational, arising spontaneously from
the moment (Black Market) Improvisation (2) (c. Hommelsheim, W. Höfinger)
free play free play with materials, objects,
body movements, action locations creating an "aesthetic laboratory and
workshop situation" (M.-L. Lange)
(category 06 experimental actions) (3) expanded
performance Expanded Performance
(category 09 according to M.-L. Lange)
... Can be understood as a practical transfer
of Concept Art into practice and the
public sphere Performance as synaesthetic montage
of action strands, aesthetic means and media
(category 10 according to M.-L. Lange)
... Working with multimedia means. Semantic unity
in the sense of a gesamtkunstwerk (cf. view) Deconstruction performances (2)
(category 11 according to M.-L. Lange / Inge Baxmann)
These performances seek:
confrontation, irritation of sense,
disjunction, interruption and demontage
of familiar semantic conjunctions.
The point is "upending order", the destruction
of traditional rhythms and flows of meaning. breaking through conventional
patterns of perception and
reception expectations view of the framework construction in the atmosphere
(INFuG, Stadtwerkstatt) inflection, habitus, manner
(see: orality) breaking through the atmosphere –
What is art and what is "reality"?
(Harrie de Kroon) see also: aesthetics of atmosphere
(atmosphere as term of aesthetics) Setting arranging the
"Situation“ specific practice of speaking
and showing (INFuG) frames and framework conditions are
are training fields for the situative (BN) Hannah Arendt => B. Nieslony M. Merleau-Ponty ! => Stelarc 04 view of artistic production performance theory
dialogical approaches
operating system discourse
cf. poster sections: context approaches-
in art and science Service office as performance substitute (?) the opposite of
control is service cf. archive
cf. view of collecting
cf. view of the organizing institution
cf. political view: activism international communication networks
creating the in-between
(see: list of networks)
network idea (Jürgen Olbrich) real work
as performance
(Bender/Nern: Firma B&N) ASA: The Art of Service
ASA = art service association
ASA should be a pure service /
Service makes ASA visible rent an artist (3) (as service) cf. Servicebüro Hamburg
cf. Büro Berlin (H. Pitz)
cf. Sampler Büro Bert
cf. Community Service (USA)
cf. Depot (Vienna) A performance is supplied like a commodity.
The Black Market actions are very close to this
commodity character (BN)
ASA should be much more free
and floating. away from commodity concept
(cf. work view) ASA Projekte: Die Gabe
Gabe als Gesellschaftssinn
the gift is the greatest, the oldest,
the swingingest network that exists
(Rirkrit Tiravanija)
cf. exchange projects Cultural Worker communication settings
services "Services“ "artistic service“
(project by A. Fraser & Helmut Draxler)
cf. also reading seminars (R. Ganahl)
lecture service (U. Wid)
care of the handicapped (as service)
(Christine and Irene Hohenbüchler)
cf. projects by MAIS project-oriented art (Simon Beer) cf.: support
association
for project art cf. Public Access projects
(Stadtwerkstatt, Servus, FRO) mobile office container
counters, tradefair booths,
office spaces, hotel lobbies as
possible presentation forms Methods of infamy, vivisection,
implosion (BN) movements of a
common desire the service is the medium
service as a technique of
passing something on ASA = communication pool
ASA = interactive art philosophical terminal (see above.)
as service service offerings view = service view
services in the community
services for the recipient
individual service offerings
art as service offering
church-service (U. Wid) representation and excess
(ketchup/chocolate sauce instead
of blood/feces)
(Paul McCarthy) action and accident
(sensation of falling)
(McCarthy) no stylistic restrictions (BM) experimental, sketch-like shifting the boundaries
of body, pain and
risk action work with
adolescents (M.-L.. Lange)
future suitcase (Hannimari Jokinen) Ausbildungssicht mail art scene
travel art
(Ko DE Jonge, Niall Monro,
Ed Varney, Juan J. Agius) homosexual performance:
gay perf., lesbian perf.
(David Drake, Tim Miller,
Holly Hughes, Karen Finley,
John Fleck, Isaac Julien) cybertechnology
and performance Literature: (... continued)
V. Flusser / Gesten
Erving Goffman / On Facework:
An Analysis of Ritual Elements in Social
Interaction (article)
Lea Vergine / Body Art and Performance
The Body as Language
Peter Gorsen / Sexualästhetik, Grenz-
formen der Sinnlichkeit im 20. Jahrh.
Erving Goffman / Stigma
M. Haerder & Sumie Kawai (Ed.) / Butoh
Die Rebellion des Körpers
Charlie Spencer (Ed.) / a catalog of
Queer performance
"alea" or chance
(John Cage)
aleatoric "dialogical“
performance trans-formation /vs/
formation performance /vs/
behavior (Elio Mariani)
(Thomas F. Fischer)
(Stuart Brisley) (Albert Mayr) "framing“ has a central significance
for performance theory Bakhtin / Bachtin !
Erving Goffman ! Performance: a permissive, open-ended
medium with endless variables Ralph Ortiz => Arthur Janov
(impulse for primal scream
therapy) practically every imaginable physical
activity has been investigated (real time activity) Habitual behavior
patterns
habitual behavior (FS) Kurt Levin => V. Acconci suffering bodies (Martyrs)
(Bob Flanagan, Ron Athey,
Eleanor Antin, ...) community-oriented work see above Performance as a new discipline
or an interdisciplinary field.
Joseph Roach: it is of course an
anti-discipline (the trickster as guru
of this anti-discipline) Literature: (... continued)
Kate Ince / Between the Acts: Orlan,
Performance and Performativity (in:
Powerful Bodies) !!!
Tracey Warr, Amelia Jones / The artist´s
body (book) !!!
Marcel Mauss (lecture.) / Körpertechniken
Jean-Luc Nancy
Prof. Hermann Schmitz – Neue
Phänomenologie (Differenz von Körper
und Leib) / (book) Der Leib, der Raum
und die Gefühle
W. Pfaff u.a. / Der sprechende Körper
Siemke Böhnisch / Gewalt auf der Bühne
Michel Serres => Orlan
(operation readings) Artaud => Kristeva
Julia Kristeva => Orlan (operation readings)
Artaud => Orlan (operation readings) performative staging of his
biography (as researcher)
(Xavier LeRoy) Performance = Production and reproduction
of corporeality lecture performance (Mike Hentz)
(Xavier LeRoy) Lecture-Demonstration
(Abramovic, W. Pfaff) Performance art as
critical pedagogy teaching as performance Performance as
(new) "procedure"
(see insight view) process-oriented forms of teaching Performance as transformation
of a situation (J.-F. Lyotard) Performance as
communication laboratory (Nenad Bogdanovic) performative processes
are a core of learning W. Reich => Viennese Actionists
W. Reich => Atelier van Lieshout
W. Reich => John Duncon
convulsivist (Reichian)
breathing exercises Performativity of originally separated
fields (of knowledge): performativity through
interdisciplinarity (cf. Lyotard) performativity through new arrangement; through new
conjunctions (of the data of a game move) (cf. Lyotard) performativity through inventing or
carrying out new game rules (Lit.: Lyotard) Performativity:
re-valorizing team work (Lit.: Lyotard)
cf. art as teamwork
(GANG ART) interdisciplinary poet-researcher
(INFuG: F. Kleuderlein, B. Kümmelmann,
Hubert Sowa, Thomas Eisen) opening addresses,
appearances, presentations,
scenic arrangements (INFuG) art as service offering (INFuG) performative
lectures (INFuG) programmatic
disturbance (INFuG) art teaching as art (INFuG) anti-minimalist
movement / quasi-
baroque style situation art Tele-Performances
(Stadttwerkstatt – Checkpoint)
(Mia Zabelka)
Participation-Tele-Performance
(Nam June Paik, Allan Kaprow) Performance
Interventionist
(Gordon W)
(Rudolf
Klaffenböck) lecture performance
(Marietheres Finkeldei)
(Ray Langenbach, Yuji Sone,
Ewjenia Tsanana, P. Arnold,
Savier Klaro, Andrea Saemann)
(Helena von Oldenburg)
(Fritz Schwegler)
lecture as form of action
(P. Cuny, Kate Isler, Alex Silber) settling in, destroying view of ideas avant-gardist isms are
superseded by ideas and contexts (PB) poetry and performance (PB) Früher machten wir Pläne, heute sprechen
wir von Projekten (PB) life art instead of lifestyle (PB)
Kunst als Lebensform education as performative
method (Eva Sturm) view of mediality exposed
drawings (Senoner) conceptualistic performances
(Moscow conceptualists:
Ilya Kabakov, F. Infante, A. Monastyrskij)
participants and audience were identical momentum
self-propulsion abandonment:
surrendering to
openness (Alex Silber) acts of violence against the body
(Zhang Huan) close to torture
(Shi Sen Chen) project groups work
performative practice
(Performing Resistance) art projects as
communicative practice undeliberated education is not to "be had",
it must occur processually (Pazini) living intermedia
sculpture (@Home) Conceptual art: performance as demonstration
or an execution of those ideas Simultaneity revolutionary
performances (Schlemmer´s)
theory of performance Gesture Dance
(Schlemmer) Non-intentional actions
(Fabrikanten) question and answer
sessions (J. Beuys) body performance
(Fuckhead) S. Freud => Viennese Actionists / Surrealists
=> Michel Journiac see also:
Behavior Tableaut projections in a
"performance triptych“ (Robert Longo) Extremes of doing nothing
and the boundaries of
self-control
(Chris Burden, ...) smelling and
tasting rituals
(OM Nitsch) Suspensions (skin hooks – Stelarc)
(cf. Fuckhead)
skin hooks (H.G. Herrmann) Georges Bataille
Roger Caillois Gesturing bodies:
(Yves Klein, Ben Vautier,
Charles Ray, Erwin Wurm,
Arnulf Rainer, ...) raising awareness of important
activities
(Mierle Laderman Ukeles) Ritualistic bodies
(see also: rituals) 08 body view / gustative view Transgressive bodies invitation into intimate spaces
(Barbara Smith – naked) skin cuts:
V. Export
Gina Pane
Raul Zurita
Diamela Eltit self-experiments: (Denis Oppenheim –
sunburn) (Barry L Va – smashing against the
wall) (Norbert Stück) Body boundaries
(skin incisions, self-experiments, ....)
skin-like clothing (Regina Frank)
clothing printed with body parts (Katharina Trost) view of art criticism n.b.: separated from body view Literature: (... continued)
V. Flusser / Gesten
Karl Gröning / Hände
Erving Goffman / On Facework:
An Analysis of Ritual Elements in Social
Interaction (article)
Lea Vergine / Body Art and Performance
The Body as Language
Gregory Bateson / Ökologische
Kommunikation
P. Bourdieu (Habitus/Hexis)
Gesten u. Körperinszenierungen im
Mittelater
K.-J. Pazzini
Martina Koch (Habilitation) / performative
Pädagogik
cf. role of nonverbal
communication with G. Bateson
(double bind ...)
"how" something is communicated see also: view of orality habitual view Performance of the
body ("believable
performance": identity) inscribed in the
body
(incorporation) Public body (M. Abramovic) total improvisation
(in music) =
"purely“ performative ? absurd
moments body as language
(Gina Pane) body as instrument
(Matthew Barney) body knowledge
body memory elementary forms
of behavior
(not rationally
controlled)
(A. Rainer,
Reindeer Werk)
tools/instruments (in actu)
in use
(Pepi Meier – furniture deconstruction) "Werk-Zeuge " -
tools testifying
work free spaces = playing spaces boundless play forms of living
as context The concept of "performance“ dominates
American culture as a way of viewing everyday
activity (Bonnie Marranca) (GANG ART) greater appreciation of
atmospheric perception habitus = gait
(GANG ART) art as
translation (GANG ART) (PSi7) mood gauge
(GANG ART, granular synthesis:
Kurt Hentschläger & Ulf Langreich)
(cheerful, uplifting, alarming, aggressive, ...) agit-lecture (2) see: action see also: attitudes (2) extended
performance see body
extensions: (Stelarc) gesture bodies transgressive bodies physical investigations
with the body (bending, falling,
folding, walking, hanging, leaning, ....)
(Ken Unsworth) (Barry La Va) Discours du corps (cf. Expanded Theatre) as physical body, the structure
relinquishes itself (B/Ph.B)
as body, it internalizes itself
is inscribed in the body
The aspect of the physical body is presentation
The aspect of the body is representation Orgies-Mysteries-
Theater
(cf. ceremony art /
Celebration art)
transformation from showing
to showing Neo-dadaism Indeterminacy (Cage) Intermedium
(Happening) Intermedia / mixed means Porno-Formance
(Carol Queen) (Mathew Wilson,
Mark Alice Durant,
Ilija Soskic) gesture as guarantee
of the statement Gesture (French)
= Action Experimental art (Christian Hasucha) anonymous intervention
steered intervention commissioned intervention instant
intervention see also:
moment art (office of dramaturgy and
performance research - Vienna) interactivity daily life koans lectures performance as pedagogic
(Christel Burmeister)
(cf. also theater) Performance Art as
critical pedagogy
(Charles R. Garoian) Living Projects see also:
tableaux vivants see also: mimicry of life Perfect Performance
(James Lee Byars)
the perfect performance learning the language
of the body joy of experimentation Performance-Service-Art art that provides services (attitude –
imitated
sculptures) a choreographology
is missing
(gen. theory of gestures) (Monty Cantsin, Jason Lim, Helinä Hukkataival,
H.A. Schult, John Bock, Tom Murin) traveling as
performance glued to the wall (Roi Vaara)
stuck to the ceiling (Roi Vaara) Lust lust greed relaxed mediality as
performativity over 50% of communication
is nonverbal (gestures,
facial expression,
posture) 02 view of eros patterns of staging
love (public,
conventionalized
staging) /vs/
unbounded displacement
confusion Heidegger ! => H. Sowa, K. Rinke
Heidegger => Foucault, Lehmann
Gadamer => H. Sowa G. Bateson emotionalization of communication
through gestures "teaching" as gestural-
situative event (cf. NLP) bondage auto-aggression
auto-destruction (G. Metzger) atmosphere/mood
emotionally conceived knowledge as passion corporeality of feelings performative
actions of love interactive
processuality Performance theory has to
have an interdisciplinary
arrangement (Prof. Dr. Bonnie Marranca) view of producing
view of fabricating
(shifts more into focus again) investigative working method
(R. Tiravanija) Siehe auch:
Servicesicht performative generation
of belonging (to groups) /
Code Communities
(Jean-Claude Schmidt)
common store of
gestures, rituals and signs performative and
body-language
surplus Performative aspects in
photography Projection with speaking voice
(James Coleman) media aesthetics and performative
practice (Mattenklott) on:
(Ron Athey, Laura Aguilar,
Matthew Barney, Eva u. Adele,
Mary Kelly, Rachel Rosenthal, ...) F. Nietzsche => P. Bianchi (LKW)
Viennese Actionists
Foucault (life as a work of art) body fragmentation
in the performance body in pain
(Scarry) anarchic
body avant-garde
since Nietzsche
(cf. Foucault) research projects by Prof. Wulf
family rituals (Bourdieu reference)
rituals in school Production aesthetics as outmoded view
is superseded by the aesthetics of the
performative (FL) Identität u. Habitus (s.r.) fundamental change in the approach
to and way of dealing with the
objects different locations/spaces and
lighting each convey their own
affective message atmosphere –
mood –
disposition temperament,
constitution love relationships have
an unfettering effect
(decentered; abandoning
one's own standpoint) connection with the
whole (Religio) without boundaries:
see various forms
of ecstasy logic of joy, pleasure
and love curiosity-interest-system /
pleasurable innovation (pleasurable
channeling of new feelings and
thoughts affective communication, emotional
contagion and enslavement: art is a
social phenomenon with strongly affect-
driven components: facial expression,
posture, voice, gestures hunger as basic sensation
(fasting 33 days: Ernst Len)
fasting (R. Schwarzkogler)
starving (K. Etschmann) the real organ of feeling is
the entire body (pleasurable) chemical
"moods"
(Dopamin,
Epinephrin,
Serotonin) uplifting
energy-conserving
behaviors everyday mental
state as
(affective) point of
departure everyday logic, logic of joy
/vs/ logic of fear, logic of anger,
logic of mourning (Hans-Jörg Marti) affect and context dependent
selection of memory contents
while simultaneously repressing
memories not conforming to affect perfect bodies
deformed bodies
(Lee Wen) body archeology
(body's capacity for
remembering – Grotowski) everyday prohibitions (1968)
(Project: Paradise now) The performer is
a pontifex (bridge builder) technique = traditionally
effective action
(Marcel Mauss / Körpertechniken) group feeling
(communitas) (cf. BM) Yoga exercises: lead to (too)
introverted concentration –
all feelings extinguished
(Grotowski)
cf. Tao body as medium media guerilla
(gettoattack) (Pierpaolo
Calzolari) deformation
(Denis Masi)
(Li A- Roca) trans-latio
(Matthias Jackisch &
Elvira Santamaria) absolute freedom
denouncing the rites of art
(Kees Mol)
Performance art = free art –
The art of freedom (Z. Warpechowski) M. Foucault => Ray Langenbach
Artaud => Foucault
Foucault => P. Bianchi (LKW) R.D.Laing => Stuart Brisley
J. Berke (MA v. Laing) => DIAS (Ana Mendieta) dough –
mouth formation
(Ann Hamilton) Performance
as the blood
of the media table performances
(Janet Haufler, B. Nieslony,
BBB Johannes Deimling,
Dziugas Katinas, Regula Kopp,
Mario Ohno, Seiji Shimoda)
Tischsituationen /
Tischregeln
(Ralf Filges) (Ulla Rauh)
Tischtransaktionen
(Fabrikanten, Nieslony) Service (as servant or waiter: Bruno-Peter Schärli)
the performer as waiter in the gallery
(Chris Burden) Lust am Moment
(Vollrad Kutscher) AOS – Art Operating System (Zürich)
(Bruno Peter Schärli, Peter Spillmann,
Hans Wermelinger) Minimal Performances
(BBB.J. Deimlinger) means (media) of
performance
(see: media view) open system of
collaboration
(Hayley Newman) Performer as
teacher: Nieslony,
Abramovic, Hubbard,
Zeca Ligiero, ... container
(Carola Willbrand) dialectics of behavior
(Stuart Brisley)
(John Sturgeon & Aysha Quinn) (Inge Broska)
(Theresa Drache)
(Hans-Jörg Tauchert) physical exceptional situations
(Stephan Us) spitting ice .... techniques view musical/acoustic
atmosphere view of synergies (U. Wid) W. James
Austin ! => Sowa
Searle ! De Certeau !! => B. Nieslony S. Zizek A.Artaud => Derrida !
=> Foucault ! Pragmatists:
Charles Peirce, Rorty, Mead, Quine,
Dewey, Dilthey, Fellmann, Shusterman Kierkegaard Appeal
J. Habermas (bodiless)
Habermas => S. Szczelkun Davidson
Feyerabend
Putnam
Hintikka Shusterman, Rorty, Dilthey => H. Sowa haptic experiences, skill,
method capabilities view of presentation
view of depiction
view of reproduction Luce Irigaray physical body as
painting ground
(Barbara Smith) Trickster
(counterpoint critic)
(Jacques van Poppel) Media burn
(Ant Farm:
Chip Lord,
Hudson Marquez,
Doug Michaels,
Curtis Schreier) Dada Shave
(Anna Banana &
Bill Gaglione) De Sade => John Duncan Telephone Performance
(Bob Wilhite, Minus delta t) The praxis paradigm takes the place of
the poiesis paradigm (H. Sowa) (H. Sowa) the programmatic opening of the avant-gardist
work concept in the direction of practical, performative forms of life practical
performative
forms of living
(H. Sowa) Hölderlin, Schelling, Nietzsche => H. Sowa
(eliminating the difference between art and life) difference between:
fabricating/making/building and
acting/living/caring (H. Sowa) truly situative action Pragma-art
(Pierangelo Maset) communicative
action (nach Habermas) P. Bourdieu, Gebauer, Wulf => H.Sowa, Kosa situative abidement and
lingering associations (Sowa) Marcel Mauss => Sowa
(habitus as form of practice) disposition
(with Heidegger) Replacement of the paradigm of the production =>
Turning toward paradigm of reception (Sowa) Triggering actions becomes an
artistic task (P. Maset) presentation of an atmosphere
and a state of mind (LE) strategy of duplicated
frameworks (LE) tableau
(framing) frameworks of light, space and sound
(Wilson) (cf. GANG ART) cf. absurd theater view of manifestos regaining
complexity Performance without people
or without performer -
Making art without artists
(e.g. naked performances through recipients:
organized by Spencer Tunick) Simultaneity (a form of openness as concept) –
it remains open, whether there is a connection or
or merely an external simultaneity (LE) (LE) Concrete theater –
abstract theater without action Polyphony instead of dialogue (LE)
The dialogical structure gives way to the
monological and choric (LE)
cf. chorus theater Concept Theatre (LE)
Post-dramatic theater can also be understood
(in reference to Concept Art) as an attempt to
conceptualize art in the sense that it offers an
experience of the real rather than representation. scenic montage:
synchronously played "fields" (cf. BM)
parallel action (Wilson) (cf. BM) project theater (LE)
(Team of: dancers,
graphics artists, musicians,
architects, ...) documentary theater (LE) parallel plot strands (LE)
(otherwise boring) interdisciplinary theater (LE)
Circumscription of otherwise disintegrating
theater languages (acting, music,
installation, light poetry,
singing, dancing) the activity of producing and
carrying out (takes the place
of the product) (LE) Carmelo Bene => Gilles Deleuze Bertolazzi, Brecht =>
L. Althusser Gertrude Stein =>
Performance
(acc.to Bonnie Marranca) R. Barthes
(intensive
theater
attendance.) anti-mimetic ... (LE) 60's: new spirit
of experimentation theory of pure form (LE)
revoking mimesis
(orientation to painting) Postdramatic theater
praxis: different kinds of
genres are conjoined in a
presentation (dancing,
performance, narrative theater, ...)
All means are equally
valuable attention hanging in the
balance (cf. Trance) Theater of
gestures and
movements (gestus) The postdramatic
body is a body
of gesture (LE) On the gradual
development of thoughts
while speaking theater of
subversion The dominants of drama and illusion are
migrating to the media, whereas the
currentness of performance becomes the
new dominant of the theater (LE) plurimedia
theater (LE) High-tech-Theater Video or performance
installation (Gary Hill,
Bill Viola, Muda Mathis,
Tadasu Takamine, Kubisch + Plessi
Martine Aballéa, Serge Comte) aesthetics of the living mythology of
the profane work as performance
(Servie Janssen) connection between New Music
and Conceptual Art
(Esther Ferrer – Gruppe Zaj
(W. Marchetti, J. Hidalgo, R. Barce)) Art as intervention
(Art Attack) (Tara Babel &
Andre Stitt)
(Gebrüder Kunst) (CH 2 ART AS SERVICE:
Daniel Hauser, Chiarenza) joint practice –
gesture of showing (Andrej Dudek-Dürer)
(Eva & Adele) (KUSCH)
(Laura Kikauka) (Geert Duintjer)
(Klat und pac) Leading actor in one's
own life?
(Gérald) taking blood
(Peter Gilles)
(Ray Langenbach) feeding (Stefan Halter,
Franz Gratwohl) Second hand shop
as art (Christine Hill) Performance as symposium, round tables,
staged encounter (Adi Hoesle, Fabrikanten)
question & conversation performance (forced entertainment) Proto-Fluxus (Toshi Ichiyanagi,
Jackson MacLow, David Tudor,
Henry Flynt) Performance as a ritual
of transition (FL) (PSi7: Transition) Minimal Performances
(Murmeln im Mund: Harrie de Kroon)
(James Lee Byars) (Ralf Berger)
(Peter Kalmus & M. Murin)
Minimal Actions
(Michael Blättler) (Esther Ferrer) Fluxus Adaption
(Bob Lens)
New type of fluxus
(Sara Seagull, Neal Taylor) skinning
performance
(Viktorine Müller,
Irene Bachmann)
(Barbie Cyborg (V.M.))
(Miriam Steinhauser) energetic situation
(absurd actions)
(Mimi Nakajima) destruction of
communication
(Ralf Filges) communication as art
(Robert Reschkowski)
art as communication ritual knife's
edge
(Carola Riess) electro-welding and other
craft elements
(Angelika Thomas & De Chirico) Everyday life
(Marcia Tucker) transformed bodies
projected onto
dancer bodies
(K. Obermaier &
Chris Haring) essential body experiences
(Sylvette Babin) reflection on the social
practice of art
(Didier Bay) challenging the physical
body – walking over
glass (Rebecca Belmore)
standing on ice (C. Schmidt-
Chemnitzer) public production
of art works
(Cezary Bodznianowski) New Media (Christian van de Borght) Performance as guided tour
(in the museum) –
(A. Fraser, C.P.Müller,
Christel Burmeister) Urban intervention (40 singers in the underground)
(Christine Carson) Interactive audio tour
(Tagny Duff) Networker / electronic
network work
(Cesar Figueiredo, Nieslony,
Padellun, Bernd von den Brincken) daily plots
(Kristinn G. Hardarson) self-confirmation by licking
the body
(B. Johannes Blume) furniture chopper
(Pepi Meier) Bioenergetic performance
(R.M. Ortiz) lecture artist
(Stan Lafleur) extreme body art (Wen Lee) Post-Fluxus (Montagne Froide -
Valentine Verhaege) conceptual models of
attention (Gen Murai) communicating with people
on the street
(Tatsumi Orimoto) Ideas conveyed verbally (by telephone) over
several days: "spoken house“
(Otiose: Ailith Roberts & John Dummett) delivery runs as
performance (Padellun) Recycling performance /
ironized repetition of
"classical" performance
"pieces" (Ursula Palla) performance as a field of action and
experience – an all-encompassing
atmosphere (Prof. Mike Pearson) conflict discussions as
service Feldenkrais Method (Andrés Pereiro-Schmidt) teaching and learning situation with the audience
(Pino Poggi) (Chris Reinicke) broom
(Qing Qing Chen) Intervention as support
measure for reality
(Matthias Schamp) laboratory of life
(Victor Snessar) Body art & Butoh
(Mark Steger) masculine attitudes
(Ilija Soskic) communication projects
(Chuke Stake) (Pomodoro Bolzano –
(Max de Well)) (Hinrich Sachs) body in honey, rolling in
feathers or hair
(Barbara Sturm)
sitting in vinegar (Julie-Andree Tremblay) poetic situations
(Peter Trachsel)
poetic situations in duplication
(Joa Iselin & Christoph Ranzenhofer: Port Rouge) ad hoc performances
(Wulle Konsumkunst) communication performance
(Wulle Konsumkunst) (Werkzeuggruppe des Konzils /
minus delta t
Black Market International) „Dead-House-Walking“
(Social Impact) OÖ male duos:
(ALMA – Alfred Hofstetter & Max Markus Frei,
Patrick Sidler & Jörg Lenzinger,
Joa Iselin & Christoph Ranzenhofer) climate chambers (biospheres)
visitors are exposed to elementary
sensations (heat, cold, steam, storm, ..)
(Bigert & Bergström) (cf. Wettergebäude by the Stadtwerkstatt)
generating clouds (Lone Twin – Gregg & Garry) family life with children as
performance
(Shirley Cameron & Roland Miller) Computer games
(Paul Demarinis) body orifices (P. Rist,
Gebrüder Kunst) artificiality of the everyday (Emil Gropoz)
What separates real life from performance?
publicly peeling vegetables:
(Devora Neumark) environmental problems and
urban problems
(T.X. Harsono) breast incisions joined with operation
needles (JOKO: Karin Jost & Regula J. Kopp)
pain through connection (in nettles) interdisciplinary works (Jiri Kovanda)
interdisciplinary projects (Marcelo Exposito) telephone sex
(Odette Le Blanc Practitioner) Collaborative Performances
(with 15 participants)
(Jörg Lenzlinger, Patrick Sidler) Performance = action,
framed by a defined space
(Matthew Maguire) asking passers-by for
a moment
(Franz Müller) body language:
breaking through the
boundaries of
convention with
performance
(Tony Morgan) Japanese body work
body therapy (G. Pesonnier) cybernetic research
(Sadie Plant) Roman orgiastic culture
of gorging (Ro Ma Ma Chine:
Cecile Noldus, Mike Hentz) "Risk behavior" as imaginable
basic pattern for performances
=> the unplanned
(Hinrich Sachs) extreme large page
shift with scrollbar relocation action
(J. Lothar Schröder) Reiseprojekte (Marianne Tralau) Three people at a table –
each operates without
perceiving the others
(VLIES: Rolf Konrad,
Pat Binder, Wim Kolb,
Jörg Brandt) V. Flusser
=> M. Vojtechovsky => Nieslony climate control technician Performance as creative field of experimentation
(see right) (Kees Mol, Alastair MacLennan, Harrie de Kroon,
Geert Duintjer, Carole Schneemann, C. Palestine,
Seiji Shimoda, Richard Martel, Irma Optimist,
Hayley Newman, Z. Warpechowski,
Chen Chieh Yen, Ma Liuming, B. Nieslony,
Thomas Kumleh, Markus Schwaighofer,
Elvira Santamaria) Parallelbewegung synchronicity serene attention Flow = optimal performance
(through anxiety-free situation)
losing oneself in doing Flow – most unmediated
communication dialogues
(Fabrikanten) crossing the Atlantic in a sailboat
(Bas Jan Ader) Paul de Man chair destruction
(Ralph Ortiz) catatonic
position (cramp)
(G. Brus) pain automatically generates
a more active reception on the
part of the viewer ritualizing the
everyday (R. Schwarzkogler)
(Thomas F. Fischer) (Psychogeographical Association) teacher => pupil
K. Rinke => Karel Dudesek
B. Nieslony => ...
Marina Abramovic => ... departures = spontaneous actions (scream in the concert hall) scenic lecture (Georgsdorf,
Lehner, Ritter, Binder) Private performance – collective
"departures" (Stadtwerkstatt) everyday performance
(Stadtwerkstatt) multimedia largest scale performances
(Kunst & Kravall: Stadtwerkstatt) Disco atmosphere
(Frank Lüsing & Oliver Kochta) Literature: (... continued)
Cyberdance – Performance u. neue
Medien / Martina Leeker (article): ...
bio-elektronische Performances
Ruth Schnell (article): Performance u.
interaktive Medienkunst
Sophia Totzeva / (PSi7) Differenz und Identität
– Medientransformation als Wiederholung
Wolf-Dieter Ernst / (PSi7) Body Check: How
to perform the body in mediated Culture
without getting tired?
Diane Howard, Stan Dyer / (PSi7)
Translation, Transition, and Transformation
in Cyberspace
Translating into Cyberspace (PSi7)
Anja Diefenbach, Barbara Büscher,
Steve Dixon, Martina Leeker
Barbara Büscher / (PSi7) Cybernetic
Transformation in Performance. Körper
u. Medien, (rück)gekoppelt
ASA in Bologna: (Padellun
Rena Tangens, Raoul Marek,
Boris Nieslony) Ponton Medias:
(B. Heidersberger,
K. Dudesek,
S. Vanasco,
M. Hentz) interactive real-time
video systems
(Gretchen Schiller) affection (B.M.) nomadic
performances body as sound box perceiving oneself (mirrored) in the other
(Surachai Ekphalakorn) Real time performance
via Internet
(Michael Schaowanasai) polyscenic,
simultaneous, fragmented
theater (Artaud) Theater of blood (Artaud) The artist is at the
Service of the Community
(Francisco Inarra) (Franz Kaltenbäck) naked
performances
(V. Beecroft)
(Spencer Tunick) Drama in Real Life (minor accidents – with bike into the canal)
(Jan Bas Ader) conceptual way of dealing
with art (ALMA) continuous service as
performance (ASA) dances from gestures
(Pina Bausch) Performances by concept artists
(Marcel Broodthaers, P. Weibel, ...) Ritualize/fetishize/highlight the ordinary
(Joelle Ciona) everyday situations
(Anna Dancikova) tongue traces
(Gillian Dyson) conceptual performances
instructions as propositions
(Esther Ferrer) media shamans (Jürgen Fritz) conceptual actions
(Teodor Graur) (Bucky Grinberg) a kind of phantom that is
constantly changing
(Tine Kortermand Hansen) telephone performance
(Markus Hensler) (STWST)
(Thorsten Kellermann) ironic way of dealing with
communication technologies
(Franz John & Merit Aton) living in exhibition spaces for several weeks
(Klat und pac) (Udo Wid) gesticulation
(La Ribot) everyday chaos
(Sandy MacFadden) Art of walking (Tony Morgan) (Mike Pearson)
(Alexander Schmid) (Fabrikanten: walking with no intentions) Job as measure of life work
(Devora Neumark) Ritual and improvisation (Pauline Oliveros) performer in suitcase
(Yeun-Hi Pan) drinking performances
(Jürgen Raap) invisible performance
(e.g. as couple: Judy Radul) media performances
electronic media:
Old Boys Network,
(Helena von Oldenburg),
Frauen und Technik, Gruber,
Mike Hentz, Karel Dudesek,
Richard Kriesche, P. Weibel,
Regina Frank, Hayley Newman,
Pipilotti Rist, Kira Wu Media performances:
other media
(without electronic media):
Monty Cantsin, Jason Lim,
Mike Hentz, Karel Dudeseck
Padeluun, Franklin Aalders
Ralf Samens, Ben & Sam
conversation as performance (Hinrich Sachs) Warburg => Nieslony, DG
W. Benjamin => Nieslony with INTERMEDIA the finished product is always just a
set piece of the process (Konrad Schnitzler) The performer as transformer tries
to keep his senses together
(Verena Schwab, Foundation Schwab-Hensler) the non-action
(Kjetil Skoien) Alternative continuing education
as performance (T junction) Gender Behavior and Codification of Gestures (T junction) (Julie-Andree
Tremblay) avoiding
communication
(VLIES) framing everyday life (Kam Yeon Hee (YEONEE) self-torment (not accepted:
A´battery A“) Can we no longer bear "direct" (non-transmitted)
reality?
(A´battery A“) Is this "directness" a chance for performance ? the author regards himself
as a producer (FS) Performance without an
audience
intimate performance (FS) general patterns
of behavior (FS)
(Michael Buthe,
Jet Ferro,
Hans Eykelboon) Pantomime performative pedagogy
(Habil: Martina Koch) Trash-TV and trash-aesthetics
(Schlingensief) walk and posture determined by high heels
(Vanessa Beecroft, Gelatin – cleaning action) impenetrability
(Hubbard & Birchler) everyday gestures (Gelatin) cleaning actions
(Gelatin) Reisetour / Audiotour
(W. Pilar) urban space as
prerequisite ?
(urban view)
media centers
theater locations
festival locations counterexample:
Festival of the Regions the role of public spaces for
production (cf. project view)
(art space = protected space) limited
publicity "seeing" with the body (LE) Theater is first
of all a form of behavior
and then art use of addictive substances/psychedelic agents
(cf. Shamans) Performing Internet
(PSi7) Academic Performances (PSi7) Community Art Projects (PSi7)
(Regina Hellwig-Schmidt, Horst Konietzny,
Regina Frank, S.A,C. Modellers Club) Meditations on Tenderness
of/in Performance (PSi7) The Every Day(ly)
(PSi7) Urban Performances –
Performing The City (PSi7) The Influence of Globalisation on Performance
(PSi7) "learning with the body"
passing something on through the
"direct manipulation" of the body.
See: performative
knowledge (R. Schechner)
cf. also habitus concept philosophies and sciences
of becoming (Proj.: Kinetographien) media of movement artists transported
in boxes (Dudesek,
Roi Vaara) cleaning services (Gelatin - naked)