ReneMagritte2005

Uploaded from authorPOINTLite
Views:
 
Category: Entertainment
     
 

Presentation Description

No description available.

Comments

By: davidplaut (18 month(s) ago)

i would like permission to use some of your slides on Magritte for a short course i am doing for a group of folks older than 65. we will be discussion Magritte, Dali and Picasso i will certain to give you credit. i receive no money of any sort for this course. thanks for your help david

Presentation Transcript

Slide1: 

20000005 Kang, Song Hee René Magritte, the Illusion of Reality.

Quotes.: 

Quotes. Art evokes the mystery without which the world would not exist. Everything we see hides another thing, we always want to see what is hidden by what we see. My painting is visible images which conceal nothing; they evoke mystery and, indeed, when one sees one of my pictures, one asks oneself this simple question 'What does that mean'? It does not mean anything, because mystery means nothing either, it is unknowable.

Paintings,1920s.: 

Paintings,1920s. Attempting the Impossible, 1928. Oil on canvas, Galerie Isy Brachot, Brussels. Description:

Paintings,1920s.: 

Paintings,1920s. False Mirror, 1928. Description:

Paintings,1920s.: 

Paintings,1920s. Dangerous Liaisons, 1926. Oil on canvas. 72 × 64 cm. Private collection. Description:

Paintings,1920s.: 

Paintings,1920s. Panorama populaire, 1926. Oil on canvas. 120 ×80 cm. Description:

Paintings,1930s.: 

Paintings,1930s. Black Magic, 1933. Description:

Paintings,1930s.: 

Paintings,1930s. The Therapist, 1937. Description:

Paintings,1930s.: 

Paintings,1930s. Time Transfixed, 1938. Oil on canvas, 147×98.7cm. Joseph Winterbotham Collection. Description:

Paintings,1930s.: 

Paintings,1930s. Not to be reproduced, 1937. Oil on canvas. Description:

Paintings,1940s.: 

Paintings,1940s. The Harvest, 1943. 60 × 80cm. Description:

Paintings,1940s.: 

Paintings,1940s. The Return of the Flame, 1943. Oil on canvas. Private collection Description:

Paintings,1950s.: 

Paintings,1950s. The Month of the Grape Harvest, 1959. Oil on canvas, 130×160cm. Private collection. Description:

Paintings,1950s.: 

Paintings,1950s. Golconda, 1953. The Menil Collection, Houston, Texas. Description:

Paintings,1950s.: 

Paintings,1950s. Castle in the Pyrenees, 1959. Description:

Paintings,1950s.: 

Paintings,1950s. The Empire of Light, 1954. Oil on canvas. Musee Royaux des Beaux-Arts Description:

Paintings,1950s.: 

Paintings,1950s. The Explanation, 1954. Oil on canvas. 80 × 60 cm. Private Collection. Description:

Paintings,1960s.: 

Paintings,1960s. The Blank Check, 1965. Oil on canvas. National Gallery of Art, Washington D.C. Description:

Questions.: 

Questions. What do you see in these pictures? -Questions about time and space Questions about the existence of an object Questions about what we see How do you see things, and can you trust what you see? Questions about meanings in them

Illusions.: 

Illusions.

Analysis.: 

Analysis. Conceptual surrealism Recurring motif - Paradox and contrast - Illusions and problems of visual perception - Reality of the visibly world Altered the viewer to the process of seeing Plays on our common sense and perception of reality. Only a representation of one.

Realism in CG.: 

Realism in CG. Conceptual Framework, for realism in Computer Graphics images Image Process – selection, approximation, and abstraction. Realistic image synthesis has been one of the major research directions in computer graphics – modeling, rendering, and displaying algorithms Three Varieties of Realism in Computer Graphics - physical realism - photo-realism - functional realism

Functional realism.: 

Functional realism.

Functional Realism.: 

Functional Realism. Focused on visual information Can make use of special effect like artificial transparency to depict important features that would be hidden in photographs; Offering various and efficient rendering style rather than physical or photo realistic rendering The point that Magritte was trying to make is that an image of a thing is not the same as the thing itself, and we should be careful not to confuse the two.

Conclusion.: 

Conclusion. Reality is all about illusion.

References.: 

References. Three Varieties of Realism in Computer Graphics, James A. Ferwerda, Program of Computer Graphics Cornell University. http://user.chollian.net/~yibeachuie/main.html http://istempo.hihome.com/artist/magritt1.htm http://www.the-artfile.com/uk/artists/magritte/magritte.htm http://www.artchive.com/artchive/M/magritte.html http://www.atara.net/magritte/