logging in or signing up LitFilmReviewSp04 Alohomora Download Post to : URL : Related Presentations : Share Add to Flag Embed Email Send to Blogs and Networks Add to Channel Uploaded from authorPOINTLite Insert YouTube videos in PowerPont slides with aS Desktop Copy embed code: (To copy code, click on the text box) Embed: URL: Thumbnail: WordPress Embed Customize Embed The presentation is successfully added In Your Favorites. Views: 330 Category: Entertainment License: All Rights Reserved Like it (1) Dislike it (0) Added: October 23, 2007 This Presentation is Public Favorites: 2 Presentation Description No description available. Comments Posting comment... Premium member Presentation Transcript Literary Dimensions of Film: Literary Dimensions of Film Course ReviewLiterary/Film Terms: Literary/Film Terms Point of View Objective Subjective Conventions Allusions Genre Flashback Intertextuality Narration (Literature) Voice-Over (Film) First Person Narrator Third Person Narrator Limited Narrator Omniscient Narrator Metaphors Symbols Drama: Drama Scene Act Exposition Complication Climax Denouement Multiple Plots Protagonist Antagonist Confidante Soliloquy Dialogue Blank Verse Rhyming Couplets Plays-Henry V: Plays-Henry V Author Henry V Fluellen Bardolph Pistol Dauphin Katherine Exeter Agincourt Harfleur Constable “band of brothers” “Salic law” Falstaff Richard II ChorusPlays—Joan of Lorraine: Plays—Joan of Lorraine Author Joan The Inquisitor Mary Grey Masters The Dauphin The historical strand The theatrical strand The voices The issues The conclusionScreenplay-Casablanca: Screenplay-Casablanca Authors Director Ric Ilsa Victor Laszlo Louis Renault Sam Major Strasser “As Time Goes By” Cafe Americain The Blue Parrot Paris Letters of Transit Lisbon Ugarte “beautiful friendship”Fiction: Fiction Authors Characters Plots Settings Periods Chronologies Frames The Stranger “Rear Window” Slaughterhouse Five “A Rose for Emily” “Hills Like White Elephants”Fiction—The Stranger: Fiction—The Stranger Author Meursault Marie Maman Raymond Salamano The Arab The funeral The balcony The beach The murder The trial Existentialism “the gentle indifference of the world”Fiction—“Rear Window”: Fiction—“Rear Window” Hal Jeffries Sam Lars Thorwald Delayed action synchronization Beethoven The trunk The note The phone calls The day man The steps to suspecting and solving the murderFiction—Slaughterhouse Five: Fiction—Slaughterhouse Five Billy Pilgrim Valencia Montana Wildhack Edgar Derby Paul Lazzarro Tralfamadore Kilgore Trout Dresden Firebombing Robert Pilgrim Frame Bernard V. O’Hare “So it goes.” Swimming pool Children’s Crusade AuthorFiction: Short Stories: Fiction: Short Stories “A Rose For Emily” Author Emily Mr. Grierson Tobe The locked room Homer Barron The narrator The discovery “Hills Like White Elephants” The American The Girl The Conversation The Setting The drinks “Please please please please please please please”Film Terms: Film Terms Frame Shot Scene Sequence Cut Jump cut Fade Dissolve Cross Cutting Montage Tracking Pan Crane Shot Close Up/Long Shot Establishing Shot Films: Films Directors Screenwriters Alexander Nevsky Henry V Henry V Joan the Maid: The Prisons Passion of Joan of Arc Casablanca “A Rose for Emily” “Hills Like White Elephants” Rear Window Slaughterhouse Five Composers Film Scores/MusicFilm-Alexander Nevsky: Film-Alexander Nevsky Director Composer Setting Plot Characterization Pskov Novgorad Battle on the Ice Alexander Vasili Gavrilo Olga Vasilisa Ignat Grand Master AnaniasFilms—Adaptations: Films—Adaptations The relationship of play to screenplay The relationship of drama to film The relationship of fiction to film The relationship between text and cinema versions of Henry V, Joan of Arc’s story, Rear Window, Slaughterhouse-Five, “A Rose for Emily,” and “Hills Like White Elephants.” You do not have the permission to view this presentation. In order to view it, please contact the author of the presentation.
LitFilmReviewSp04 Alohomora Download Post to : URL : Related Presentations : Share Add to Flag Embed Email Send to Blogs and Networks Add to Channel Uploaded from authorPOINTLite Insert YouTube videos in PowerPont slides with aS Desktop Copy embed code: (To copy code, click on the text box) Embed: URL: Thumbnail: WordPress Embed Customize Embed The presentation is successfully added In Your Favorites. Views: 330 Category: Entertainment License: All Rights Reserved Like it (1) Dislike it (0) Added: October 23, 2007 This Presentation is Public Favorites: 2 Presentation Description No description available. Comments Posting comment... Premium member Presentation Transcript Literary Dimensions of Film: Literary Dimensions of Film Course ReviewLiterary/Film Terms: Literary/Film Terms Point of View Objective Subjective Conventions Allusions Genre Flashback Intertextuality Narration (Literature) Voice-Over (Film) First Person Narrator Third Person Narrator Limited Narrator Omniscient Narrator Metaphors Symbols Drama: Drama Scene Act Exposition Complication Climax Denouement Multiple Plots Protagonist Antagonist Confidante Soliloquy Dialogue Blank Verse Rhyming Couplets Plays-Henry V: Plays-Henry V Author Henry V Fluellen Bardolph Pistol Dauphin Katherine Exeter Agincourt Harfleur Constable “band of brothers” “Salic law” Falstaff Richard II ChorusPlays—Joan of Lorraine: Plays—Joan of Lorraine Author Joan The Inquisitor Mary Grey Masters The Dauphin The historical strand The theatrical strand The voices The issues The conclusionScreenplay-Casablanca: Screenplay-Casablanca Authors Director Ric Ilsa Victor Laszlo Louis Renault Sam Major Strasser “As Time Goes By” Cafe Americain The Blue Parrot Paris Letters of Transit Lisbon Ugarte “beautiful friendship”Fiction: Fiction Authors Characters Plots Settings Periods Chronologies Frames The Stranger “Rear Window” Slaughterhouse Five “A Rose for Emily” “Hills Like White Elephants”Fiction—The Stranger: Fiction—The Stranger Author Meursault Marie Maman Raymond Salamano The Arab The funeral The balcony The beach The murder The trial Existentialism “the gentle indifference of the world”Fiction—“Rear Window”: Fiction—“Rear Window” Hal Jeffries Sam Lars Thorwald Delayed action synchronization Beethoven The trunk The note The phone calls The day man The steps to suspecting and solving the murderFiction—Slaughterhouse Five: Fiction—Slaughterhouse Five Billy Pilgrim Valencia Montana Wildhack Edgar Derby Paul Lazzarro Tralfamadore Kilgore Trout Dresden Firebombing Robert Pilgrim Frame Bernard V. O’Hare “So it goes.” Swimming pool Children’s Crusade AuthorFiction: Short Stories: Fiction: Short Stories “A Rose For Emily” Author Emily Mr. Grierson Tobe The locked room Homer Barron The narrator The discovery “Hills Like White Elephants” The American The Girl The Conversation The Setting The drinks “Please please please please please please please”Film Terms: Film Terms Frame Shot Scene Sequence Cut Jump cut Fade Dissolve Cross Cutting Montage Tracking Pan Crane Shot Close Up/Long Shot Establishing Shot Films: Films Directors Screenwriters Alexander Nevsky Henry V Henry V Joan the Maid: The Prisons Passion of Joan of Arc Casablanca “A Rose for Emily” “Hills Like White Elephants” Rear Window Slaughterhouse Five Composers Film Scores/MusicFilm-Alexander Nevsky: Film-Alexander Nevsky Director Composer Setting Plot Characterization Pskov Novgorad Battle on the Ice Alexander Vasili Gavrilo Olga Vasilisa Ignat Grand Master AnaniasFilms—Adaptations: Films—Adaptations The relationship of play to screenplay The relationship of drama to film The relationship of fiction to film The relationship between text and cinema versions of Henry V, Joan of Arc’s story, Rear Window, Slaughterhouse-Five, “A Rose for Emily,” and “Hills Like White Elephants.”