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Edit Comment Close Premium member Presentation Transcript GREEK THEATRE: GREEK THEATRE THE BIRTHPLACE OF WESTERN DRAMAFESTIVALS OF DIONYSUS: FESTIVALS OF DIONYSUS In honor of the god of Wine and Fertility Early worship involved orgies and drunkeness Myths relate to seasonal growing cycles and passions of Man Purpose of worship was inducement of fertility 8th-7th Century B.C.--contests of choral dancing held at many festivals ; “dithyrambs”DITHYRAMB “Ecstatic Hymn”: DITHYRAMB “Ecstatic Hymn” A RELIGIOUS CHANT OR SONG PERFORMED IN RYTHYM AND WITH DANCINGFirst Definite Record of Drama in Greece: 534 B.C.: First Definite Record of Drama in Greece: 534 B.C. “City Dionysia” (late March) reorganized Contest for Best Tragedy instituted Winner of first contest is Thespis, who also acted in the performance Actors today are known as “Thespians”, in honor of the first known Greek actor.“HYPOKRITE”: “HYPOKRITE” GREEK WORD FOR ACTOR, MEANS “WEARER OF MASKS”“CHORAGUS”: “CHORAGUS” A wealthy patron, wishing to honor the gods, pays for the cost of a production Precursor to the “Producer”GREEK THEATRE STRUCTURES: GREEK THEATRE STRUCTURES “Amphitheatres” Built onto hillsides Originally temporary wooden structures, later made of stone Were considered a form of temple Some held up to 20,000 spectatorsParts of a Greek Theatre: Parts of a Greek Theatre ORKESTRA: circular acting space at center, translates as “dancing place” THYMELE: Altar stone at center of orkestra TEATRON: Spectator seating; “seeing place” SKENE: Stage building behind orkestra; where we get the words “scene” and “scenery”Parts of a Greek Theatre: Parts of a Greek Theatre PARADOS/PARADOI: entry ramps for the chorus between the Teatron and Skene; where we get the word “parade” PERIAKTOI: Three-sided turnable column used as a scenic device, placed in space between columns of skene MACHINA: Crane-like device used to suspend celestial figures above the action; “deus ex machina” means “god from the machine”SKENE: SKENE STAGE HOUSE: provides scenic background, a place to change costumes, place to exit Had one to three doors May have been raised up off ground level Developed a second story in later yearsSide View: Orkestra and Teatron: Side View: Orkestra and Teatron Orkestra with Thymele, Skene: Orkestra with Thymele, Skene Teatron: Teatron AUDITORIUM “The Hearing Place” Includes Orkestra and Teatron: AUDITORIUM “The Hearing Place” Includes Orkestra and Teatron Seating for the Priests: Seating for the Priests The Head Priest’s Chair: The Head Priest’s Chair GREEK PLAYWRIGHTS: GREEK PLAYWRIGHTS Only 5 playwrights and 45 plays survive According to Aristotle, drama developed out of improvisation by the leaders of the dithyrambs Early “plays”, such as those by Thespis, were no more than a discourse between one actor (“Protagonist”) and the chorus. In later years, playwrights wrote 3 Tragedies and one Satyr Play for the contests at the City DionysiaAESCHYLUS: 525-456 B.C.: AESCHYLUS: 525-456 B.C. Tragic Playwright, Introduced Second Actor, “Deuteragonist” Encouraged face-to-face conflict between characters reduced importance of chorus, size from 50 to @15 Wrote AGAMEMMNON and PROMETHEUS BOUNDSOPHOCLES: 496-406 B.C.: SOPHOCLES: 496-406 B.C. Considered greatest Greek dramatist, wrote tragedies Created Third Actor More concerned with human relationships than religious issues Wrote OEDIPUS THE KING and ANTIGONEEURIPIDES: 480-406 B.C.: EURIPIDES: 480-406 B.C. Last of great Greek Tragic playwrights Reduced chorus to relatively unimportant role Treated Gods with lack of awe Wrote MEDEA and THE TROJAN WOMENARISTOPHANES: 450-385 B.C.: ARISTOPHANES: 450-385 B.C. Comic Playwright, “Old Comedy”, discusses “happy idea” Wrote LYSISTRATA, an anti-war comedyMENANDER: 342-292 B.C.: MENANDER: 342-292 B.C. Comic playwright, “New Comedy” More secular-based, often a comedy of “manners” Copied by the Romans, more like a “sitcom” Wrote ARBITRATION and DYSCOLUS (“The Old Grouch”)GREEK TRAGEDIES: GREEK TRAGEDIES General pattern developed by Aeschylus PROLOGOS: establishes dramatic situation PARODOS: Entrance of Chorus, “exposition” EPEISODA: main action, equivalent of an “Act” STASIMA: Choral interlude, makes comment on the action in the Epeisoda Climax occurs in last Epeisoda, so that last Stasima allows final comment by the chorus EXODOS: Final summation and exit of Chorus You do not have the permission to view this presentation. In order to view it, please contact the author of the presentation.
GREEK THEATRE Alien Download Post to : URL : Related Presentations : Share Add to Flag Embed Email Send to Blogs and Networks Add to Channel Uploaded from authorPOINTLite Insert YouTube videos in PowerPont slides with aS Desktop Copy embed code: (To copy code, click on the text box) Embed: URL: Thumbnail: WordPress Embed Customize Embed The presentation is successfully added In Your Favorites. Views: 3255 Category: Entertainment License: All Rights Reserved Like it (2) Dislike it (0) Added: October 15, 2007 This Presentation is Public Favorites: 2 Presentation Description No description available. Comments Posting comment... By: themigs (9 month(s) ago) great ppt Saving..... Post Reply Close Saving..... Edit Comment Close By: kedgar (37 month(s) ago) How do i download this? it's great and i would love to save it - is that possible? Saving..... Post Reply Close Saving..... Edit Comment Close By: nelle17281 (42 month(s) ago) This is a really cool powerpoint! I love it. Thanks for sharing it with us! Saving..... Post Reply Close Saving..... Edit Comment Close Premium member Presentation Transcript GREEK THEATRE: GREEK THEATRE THE BIRTHPLACE OF WESTERN DRAMAFESTIVALS OF DIONYSUS: FESTIVALS OF DIONYSUS In honor of the god of Wine and Fertility Early worship involved orgies and drunkeness Myths relate to seasonal growing cycles and passions of Man Purpose of worship was inducement of fertility 8th-7th Century B.C.--contests of choral dancing held at many festivals ; “dithyrambs”DITHYRAMB “Ecstatic Hymn”: DITHYRAMB “Ecstatic Hymn” A RELIGIOUS CHANT OR SONG PERFORMED IN RYTHYM AND WITH DANCINGFirst Definite Record of Drama in Greece: 534 B.C.: First Definite Record of Drama in Greece: 534 B.C. “City Dionysia” (late March) reorganized Contest for Best Tragedy instituted Winner of first contest is Thespis, who also acted in the performance Actors today are known as “Thespians”, in honor of the first known Greek actor.“HYPOKRITE”: “HYPOKRITE” GREEK WORD FOR ACTOR, MEANS “WEARER OF MASKS”“CHORAGUS”: “CHORAGUS” A wealthy patron, wishing to honor the gods, pays for the cost of a production Precursor to the “Producer”GREEK THEATRE STRUCTURES: GREEK THEATRE STRUCTURES “Amphitheatres” Built onto hillsides Originally temporary wooden structures, later made of stone Were considered a form of temple Some held up to 20,000 spectatorsParts of a Greek Theatre: Parts of a Greek Theatre ORKESTRA: circular acting space at center, translates as “dancing place” THYMELE: Altar stone at center of orkestra TEATRON: Spectator seating; “seeing place” SKENE: Stage building behind orkestra; where we get the words “scene” and “scenery”Parts of a Greek Theatre: Parts of a Greek Theatre PARADOS/PARADOI: entry ramps for the chorus between the Teatron and Skene; where we get the word “parade” PERIAKTOI: Three-sided turnable column used as a scenic device, placed in space between columns of skene MACHINA: Crane-like device used to suspend celestial figures above the action; “deus ex machina” means “god from the machine”SKENE: SKENE STAGE HOUSE: provides scenic background, a place to change costumes, place to exit Had one to three doors May have been raised up off ground level Developed a second story in later yearsSide View: Orkestra and Teatron: Side View: Orkestra and Teatron Orkestra with Thymele, Skene: Orkestra with Thymele, Skene Teatron: Teatron AUDITORIUM “The Hearing Place” Includes Orkestra and Teatron: AUDITORIUM “The Hearing Place” Includes Orkestra and Teatron Seating for the Priests: Seating for the Priests The Head Priest’s Chair: The Head Priest’s Chair GREEK PLAYWRIGHTS: GREEK PLAYWRIGHTS Only 5 playwrights and 45 plays survive According to Aristotle, drama developed out of improvisation by the leaders of the dithyrambs Early “plays”, such as those by Thespis, were no more than a discourse between one actor (“Protagonist”) and the chorus. In later years, playwrights wrote 3 Tragedies and one Satyr Play for the contests at the City DionysiaAESCHYLUS: 525-456 B.C.: AESCHYLUS: 525-456 B.C. Tragic Playwright, Introduced Second Actor, “Deuteragonist” Encouraged face-to-face conflict between characters reduced importance of chorus, size from 50 to @15 Wrote AGAMEMMNON and PROMETHEUS BOUNDSOPHOCLES: 496-406 B.C.: SOPHOCLES: 496-406 B.C. Considered greatest Greek dramatist, wrote tragedies Created Third Actor More concerned with human relationships than religious issues Wrote OEDIPUS THE KING and ANTIGONEEURIPIDES: 480-406 B.C.: EURIPIDES: 480-406 B.C. Last of great Greek Tragic playwrights Reduced chorus to relatively unimportant role Treated Gods with lack of awe Wrote MEDEA and THE TROJAN WOMENARISTOPHANES: 450-385 B.C.: ARISTOPHANES: 450-385 B.C. Comic Playwright, “Old Comedy”, discusses “happy idea” Wrote LYSISTRATA, an anti-war comedyMENANDER: 342-292 B.C.: MENANDER: 342-292 B.C. Comic playwright, “New Comedy” More secular-based, often a comedy of “manners” Copied by the Romans, more like a “sitcom” Wrote ARBITRATION and DYSCOLUS (“The Old Grouch”)GREEK TRAGEDIES: GREEK TRAGEDIES General pattern developed by Aeschylus PROLOGOS: establishes dramatic situation PARODOS: Entrance of Chorus, “exposition” EPEISODA: main action, equivalent of an “Act” STASIMA: Choral interlude, makes comment on the action in the Epeisoda Climax occurs in last Epeisoda, so that last Stasima allows final comment by the chorus EXODOS: Final summation and exit of Chorus